SKU: HL.50606683
UPC: 196288163947.
The 27 art songs for soprano collected together in the present volume make up part of the Canzoniere op. 17 by Ermanno Wolf-Ferrari,which, after the first edition of 1936, Ricordi’s re-published with a preface by the soprano Gemma Bertagnolli. This work bears witness to the quality of Italian chamber compositions in the first half of the twentieth century and, besides enlarging the concertrepertoire for singers, will be found an invaluable didactic work – in particular for courses in music for voice and piano – in music schools and academies.
SKU: HL.49011203
ISBN 9790220117084. UPC: 073999739343. 9.0x12.0x0.075 inches.
With these new editions, all six recorder concertos of John Baston are now available, each with score, piano score and parts. The thor-oughly edited scores follow essentially the first edition printed by John Walsh in London in 1729. Baston was regarded as an excellent recorder and flute player who worked with London opera orchestras in the early 18th century. His easy concertos anticipating the elegant melody of the early classical period enjoy great popularity representing a rewarding task for music school orchestras and advanced recorder players.
SKU: PR.141400490
UPC: 680160024049. Text: Daniel Berrigan. Daniel Berrigan.
SKU: PR.111403210
UPC: 680160687947.
With an original text by the composer, Nkeiru Okoye’s WE MET AT THE SYMPHONY is a monodrama in three songs for soprano and string quartet or piano. The songs tell the story of a Black woman surprised to find a Black man in the sea of white faces at an orchestra concert, their subsequent romance, and her struggle to trust another Black man after betrayal and heartbreak. Okoye’s poignant, insightful, and sharp-witted poetry is set to dramatic and striking music that blends sensibilities from jazz, Broadway, and contemporary classical styles, with an unforgettable solo role for the soprano.
SKU: HL.1445208
ISBN 9798350124323. UPC: 196288206293. 9.0x12.0x0.048 inches.
There Will Be a Place is a song for soprano and piano composed by Rachel Portman with text by American poet Dorothy Trogdon. It was premiered by Lucy Crowe and Anna Tilbrook in London in 2024.
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