SKU: MA.EMR-33828

Possible instrumentations:

Violin & CD Play Back / Play Along
Violin & Organ (+ Play Back / Play Along CD optional)
Violin & Piano (+ Play Back / Play Along CD optional).

SKU: MA.EMR-33831

Possible instrumentations:

Violin & CD Play Back / Play Along
Violin & Organ (+ Play Back / Play Along CD optional)
Violin & Piano (+ Play Back / Play Along CD optional).

SKU: MA.EMR-33827

Possible instrumentations:

Violin & CD Play Back / Play Along
Violin & Organ (+ Play Back / Play Along CD optional)
Violin & Piano (+ Play Back / Play Along CD optional).

SKU: HL.262663

ISBN 9781540020826. UPC: 888680728106. 9x12 inches.

Duo for Violin and Piano is cast in the form of a single, continuously evolving movement, whose musical ideas move from an urgent, hushed blur of whirring sound to a buoyant and optimistic lyrical theme, stated by the violin over syncopated chordal figures in the piano. The melodic shapes of these episodes are transformed in various moods and tempi throughout the composition.

SKU: YM.GPW01096347

ISBN 9784636963472.

7 arrngements for solo violin and piano in easy level.
7Shou Chu Ji Nan Du Bian Pei De Xiao Ti Qin &Gang Qin He Zou Le Pu .

1. Mickey Mouse March; 2. It's a Small World; 3. Someday My Prince Will Come; 4. Chim Chim Cher-ee; 5. Heigh-Ho; 6. Zip-A-Dee-Aoo-Dah; 7. Supercalifragilisticexpialidocious
1. Mi Lao Shu Jin Xing Qu ; 2. Xiao Xiao Shi Jie ; 3. Zong You Yi Tian Wang Zi Hui Chu Xian ; 4. Yan Cong Zhi Ge ; 5. Hai Yo ; 6. Huan Le Zhi Ge ; 7. Supercalifragilisticexpialidocious.

SKU: HL.14041762

9.0x12.0x0.071 inches.

'Romance for violin and piano is a short, reflective piece that exploits the lyrical qualities inherent in the combination. Originally written for a very young but talented violinist, Romance travels through numerous moods andcolours within a continuous musical development of the opening material. At first gentle and reflective with increasing dramatic outbursts outlined by the violin sforzandi and parallel sixths in the piano writing, numerous shortsolo passages in both instruments culminate in a fiery climax. Quickly subsiding into the calmer yet now more melancholy strains of the earlier stages of the piece, the ending is somewhat incomplete. This seems to suggest acontinuous turn of events alluded to in the music.'
             - Helen Grime



Born in 1981, Helen studied oboe with JohnAnderson and composition with Julian Anderson and Edwin Roxburgh at the Royal College of Music. She graduated from the BMus course with First Class Honours and completed her Masters with Distinction in 2004. From 2005-07, Helenwas a Legal & General Junior Fellow at the Royal College of Music. In 2003 she won a British Composer Award for her Oboe Concerto, and was awarded the intercollegiate Theodore Holland Composition Prize in 2003 as well as allthe major composition prizes in the RCM. In 2008 she was awarded a Leonard Bernstein Fellowship to study at the Tanglewood Music Center where she studied with John Harbison, Michael Gandolfi, Shulamit Ran and Augusta Read Thomas.Helen has had works commissioned by some of the most established performers and organisations including ENO, London Symphony Orchestra, BCMG, Britten Sinfonia, BBC Scottish Symphony Orchestra and the Tanglewood Music Center.Conductors who have performed her work include Daniel Harding, Oliver Knussen, Pierre Boulez and Yan Pascal Tortelier. Helen is the 2010 recipient of the Lili Boulanger Memorial Fund and Associate Composer of The Halle from the.

SKU: AP.36-60710009

ISBN 9798888521786. UPC: 676737764432. English.

Unlike Bach and Chopin, Claude Debussy (1862-1918) wrote his twenty-four Préludes for solo piano without a clearly organized pattern of key relationships. They were written from December 1909 to April 1913, in two sets, with twelve preludes to each volume. Jane Mortier delivered the premiere of the first volume on May 3, 1911, at the Salle Pleyel in Paris. Walter Morse Rummel gave the first complete performance of the second volume on June 12, 1913, at the Aeolian Hall in London. Prelude No. 5 from Book 2, subtitled Bruyéres, bears similarity to another of his works for piano, La Fille aux cheveux de lin (The Girl with the Flaxen Hair). The pianist Marguerite Long, a friend of the composer, suggested that it sounded reminiscent of the mingling scent of sea mist and pines. French composer and arranger Lucien Garban completed this transcription of No. 5 from Book 2 (Bruyères) for violin and piano in 1926. Reprint edition.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.