Keyboard

SKU: GI.G-003385

Sacred. GIA Publications #003385. Published by GIA Publications (GI.G-003385).

This collection contains through-composed verses for the common/seasonal psalms of the Lectionary for Mass. Ideal for the more experienced cantor. Refrains are compatible with those found for the Common/Seasonal Psalm in WLP Worship Resources and the other volumes of Lectionary Psalms and Gospel Acclamations. 8. x 11. Spiral-bound.

Organ solo

SKU: CA.1808200

Composed by Various. Edited by Armin Kircher. This edition: Paperbound. Pastorale. Pastoralmusik Fur Orgel Band 2. Free organ music, Christmas. Collection. 144 pages. Carus Verlag #CV 18.082/00. Published by Carus Verlag (CA.1808200).

ISBN 9790007164003.

This volume presents 64 Pastorale compositions for organ (harpsichord/pianoforte) of the 18th century from Germany, Bohemia, Austria and South Tyrol. Charming melodies shaped by natural notes, bordoun basses, a lyrical-cheerful or sensitive tone - these are some of the common characteristics of the works in this collection. Several of them are connected to the custom of the Kindlwiegen or cradle song. Those in search of new discoveries will also find a number of first editions here. Almost all of the pieces can be played manualiter and range from easy to moderate level of difficulty. Together, both Pastorale volumes display an impressive kaleidoscope of the different national characteristics of the pastorale and offer a rich repertoire for organists, not only at Christmas time.

By T. Tertius Noble. For Organ. Organ - Method or Collection. Sacred. Level: Intermediate. Book. 96 pages. Published by Alfred Publishing.

Organ - Grade 4

SKU: HL.14022830

For Organ. By Niels Bo Foltmann. By Carl August Nielsen. Music Sales America. Classical. Book [Softcover]. Composed 2006. 62 pages. Edition Wilhelm Hansen #WH30667. Published by Edition Wilhelm Hansen (HL.14022830).

ISBN 9788759814680. International (more than one language).

Carl Nielsen's last major composition, Commotio Op.58, for organ. Presented here as part of the Carl Nielsen Complete works, this volume includes a detailed preface, four pages of facsimiles of Nielsen's original work, a list of common abbreviations, and an authoritative critical commentary. Designed for either scholarship or performance, this freshly engraved score will be a highlight of any organist's library.

Organ: 3-staff - Moderately Advanced

SKU: LO.70-2281L

Sacred. Lorenz Publishing Company #70/2281L. Published by Lorenz Publishing Company (LO.70-2281L).

ISBN 9780787771843.

Gathered from past issues of The Sacred Organ Journal, this collection provides organists with a wealth of moderately advanced music to present during worship. The coil-bound book includes original works, hymn-tune settings, and arrangements drawn from the classics. The duration, suggested registration, and common usages are provided for each title.

Organ - advanced

SKU: HL.49045437

For Organ. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Large Works. Classical. Softcover. Composed 2016. 48 pages. Duration 24'. Schott Music #ED 22668. Published by Schott Music (HL.49045437).

ISBN 9790001162715. UPC: 841886029088. 9.0x12.0x0.168 inches.

On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.The composer describes the five movements of the symphony as follows:'1st movement:Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.2nd movement:In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.3rd movement:The omnipresence of death and dying - from the plague and war to the never-ending dangers of daily life - was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air.4th movement:The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air.5th movement:The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.

Sacred. Lorenz Publishing Company #70/2150L. Published by Lorenz Publishing Company

Organ

SKU: HL.253940

Composed by Jan Rybarski. PWM. Classical. Softcover. 32 pages. Duration 960 seconds. Polskie Wydawnictwo Muzyczne #11700010. Published by Polskie Wydawnictwo Muzyczne (HL.253940).

12.0x9.0 inches.

Jan Rybarskis Fantasia for Organ is a work of a great emotional impact. Its romantic dramaturgy leads the listener into the state of deep reflections. The work is monumental; its structure resembles a one-part sonata with a fugue in the middle fragment. The arrangement requires organs with minimum 16-18 voices in two manuals. Despite fast passages and at times complicated harmony that require a lot of practice, the work is played with comfort. The author, as an organist-practitioner, uses difficult technical elements that he controls in a perfect manner. The proportion of the traditional and modern harmonics is ideal, which means it perfectly corresponds to the dramaturgy of the work. The main formative element is the rhythm that - as the author claims himself - inspires, opens both the performer and the listener to the experience. The structure of the Fantasia brings connotations to the course of a human life, with a film story that apparently is different for everyone, but conveys one truth common to all people: in order to overcome difficulties, you need to trust God.

Organ

SKU: KU.GM-664B

Composed by Justin Heinrich Knecht. Edited by Andreas Maisch. Bach format (230 x 302). Staple Bound. Organ score. 26 pages. Edition Kunzelmann #GM-664b. Published by Edition Kunzelmann (KU.GM-664B).

Organ pieces in elegant style, through the most common minor keys.

Organ: 3-staff - Intermediate

SKU: LO.70-2234L

Sacred. Lorenz Publishing Company #70/2234L. Published by Lorenz Publishing Company (LO.70-2234L).

ISBN 9780787768614.

Gathered from previous issues of Lorenz's popular periodical The Organ Portfolio, this collection provides organists with a wealth of moderately challenging material to present during the worship service. The coil-bound format of almost one hundred pages includes hymn-tune settings, arrangements drawn from the classics, and original works. The duration, suggested registration, and common usages are provided for each title.

Composed by Andrew D. Gordon. Arranged by Andrew D. Gordon. Outstanding Blues and Jazz Solos. Jazz. Book/digital audio. ADG Productions #ADG199. Published by ADG Productions

Organ: 3-staff - Moderately Advanced

SKU: LO.70-2175L

Sacred. Lorenz Publishing Company #70/2175L. Published by Lorenz Publishing Company (LO.70-2175L).

ISBN 9780787766191.

Gathered from past issues of The Sacred Organ Journal, this collection provides organists with a wealth of moderately advanced music to present during worship. The coil-bound book includes original works, hymn-tune settings, and arrangements drawn from the classics. The duration, suggested registration, and common usages are provided for each title.

Organ: 3-staff - Intermediate

SKU: LO.70-2436L

Sacred, Advent, Christmas, General. Lorenz Publishing Company #70/2436L. Published by Lorenz Publishing Company (LO.70-2436L).

ISBN 9780787778248.

Printed from our digital subscription Lorenz Online, this volume of The Organist’s Library contains approximately 30 pieces of music that are satisfying to play but technically accessible and presented in a handy coil-bound format. These moderately challenging pieces for worship services feature hymn-tune settings, arrangements drawn from the classics, and original works. The duration, suggested registration, and common usages are provided for each title.

Organ

SKU: UT.HS-334

Edited by Iain Quinn. Classical. Score. Ut Orpheus #HS 334. Published by Ut Orpheus (UT.HS-334).

ISBN 9790215328525. 9 x 12 inches.

Bertram Luard-Selby (1853-1918): First Sonata
Charles Harford Lloyd (1849-1919): Sonata in D minor

The first sonata of Bertram Luard-Selby and the sonata of Charles Harford Lloyd are examples of works that demonstrate the transitional nature of the maturing English organ sonata. The portfolio approach towards compositions under one title, a sonata, that included sometimes significantly contrasting movements was common during the second half of the nineteenth century. It allowed composers to demonstrate their own compositional skill as well as highlight the tonal capabilities of the developing symphonic organ in England. The sonatas are playable on both small and large instruments and allow for creativity in registration. The technical difficulty varies between movements. As discussed in The Genesis and Development of an English Organ Sonata (2017), the English sonatas had an important pedagogical role jointly inherited from Mendelssohn’s very practical and popular approach to the instrument and the continued European legacy of the lesson-sonata tradition whereby in learning a piece you also learned the instrument and vice versa.