Arranged by Michael Helman. Organ - Method or Collection. H. W. Gray. Book. 24 pages. Jubilate Music Group #00-GBM0205. Published by Jubilate Music Group

Organ solo

SKU: CA.1820300

Composed by Various. Edited by Richard Mailander. Editions for the new German catholic songbook Gotteslob. Fastenzeit,Ostern. Organ music based on hymns, Lent and Passiontide, Holy Week, Easter and Eastertide. Collection. 104 pages. Carus Verlag #CV 18.203/00. Published by Carus Verlag (CA.1820300).

ISBN 9790007143428.

The second volume continues with 43 compositions for the time of Holy Lent and Easter. For this time of year the new hymnal Gotteslob contains a great number of new songs. Therefore more than 20 pieces are commissioned renditions for this edition - for many songs they are even the first chorale arrangements overall. The collection presents some previously unknown pieces between baroque and present times. The pieces are quite easy to learn and take between two and five minutes playing time and are particularly suitable for the recessional and for the communion.

Organ

SKU: HL.49045845

10 Organ Works from 4 Centuries Organ. Composed by Various. Edited by Gerhard Gnann. Organ Collection. Classical. Softcover. 76 pages. Schott Music #ED22915. Published by Schott Music (HL.49045845).

UPC: 841886033801.

New music on old instruments and new organ literature in dialogue with historical Iberian works. The present edition contains a collection of works, composed for an authentically rebuilt historical Spanish organ and covering a wide range of styles, which adds new sounds to the purely Baroque repertoire. With works by Jose Blasco de Nebra, Francisco Correa de Arauxo, Antonio de Cabezon, Pedro de Araujo, Antonio de Cabezon and new compositions by Guy Bovet, Michael Kapsner, Pavel Klimashevsky, Zsigmond Szathmary and Alfred Muller-Kranich. The new Spanish organ of the Hochschule fur Musik Mainz as an authentically rebuilt historical instrument from the workshop of the organ builder Joaquin Lois from Tordesillas in Castile shall both adequately reproduce early music and be a source of inspiration for contemporary music. For this reason, the Hochschule fur Musik Mainz commissioned five composers to write modern compositions according to the motto 'Early music in dialogue with New Music' which are a valuable addition to the repertoire of historical instruments of the 'Siglo de Oro'. Certain specifications had to be taken into account: e. g. a limited pitch range, half stops for treble and bass registers, the short octave as well as a mean-tone temperament. In addition, each composition is based on a work of the Iberian organ literature; sometimes, the work found its way into the new composition, sometimes, it only served as an inspiration. The pieces can also be played on a modern organ, although there is a special charm in playing and hearing them played on an appropriate historical instrument. Encompassing a broad range of styles, the resulting collection adds new sounds to the purely Baroque repertoire.

Keyboard

SKU: SU.12800038

For Keyboard. Composed by Johann Sebastian Bach. Keyboard, Piano/Harpsichord. Music Theory. Score. Subito Music Corporation #12800038. Published by Subito Music Corporation (SU.12800038).

BachScholar Edition Vol. 38: SIGHT-READING & HARMONY: GRADES 1-2 (Beginning) (12 pages) is a short and practical book that presents forty-eight selected sight-reading excerpts and two sample exams taken from Sight-Reading & Harmony (Complete Edition). It is the first volume of five in Sight-Reading & Harmony’s Sight-Reading Only Edition series, created specifically for piano and organ teachers and students who wish to concentrate on sight-reading only without being burdened by the technical exercises and musical theory covered in the extensive, 220-page Sight-Reading & Harmony (Complete Edition). Ideal for students of all ages of beginning to early intermediate levels, college and university classes, keyboard & theory group classes, piano and organ teachers and students, and self-learners. Keyboard Published by: BachScholar.

Keyboard

SKU: SU.12800044

For Keyboard. Composed by Johann Sebastian Bach. Keyboard, Piano/Harpsichord. Music Theory. Score. Subito Music Corporation #12800044. Published by Subito Music Corporation (SU.12800044).

BachScholar Edition Vol. 44: SIGHT-READING & HARMONY: GRADES 7-8 (Advanced) (12 pages) is a short and practical book that presents forty-eight selected sight-reading excerpts and two sample exams taken from Sight-Reading & Harmony (Complete Edition). It is the fourth volume of five in Sight-Reading & Harmony’s Sight-Reading Only Edition series, created specifically for piano and organ teachers and students who wish to concentrate on sight-reading only without being burdened by the technical exercises and musical theory covered in the extensive, 220-page Sight-Reading & Harmony (Complete Edition). Ideal for students of all ages of the advanced level, college and university classes, keyboard & theory group classes, piano and organ teachers and students, and self-learners. Keyboard Published by: BachScholar.

Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2 - Grade 3

SKU: CF.CAS160F

From Three Short Pieces for Organ. Composed by Samuel Coleridge-Taylor. Arranged by Robert Debbaut. Cas. Full score. Duration 3 minutes. Carl Fischer Music #CAS160F. Published by Carl Fischer Music (CF.CAS160F).

ISBN 9781491165454. UPC: 680160924363. Key: C major.

The story of Samuel Coleridge-Taylor is of a rising star composer, one with a significant gift for melody and a simple lyricism, who embraced the previously unexplored song and dance forms from his father’s native west Africa and incorporated them into his own very European art music. Coleridge-Taylor began playing the violin at age five and by age fifteen wasadmitted to London’s Royal College of Music, where he studied both violin and composition and composed his first works. The simply-titled Melody is taken from Three Short Pieces for Organ - a set of pieces originally published in Novello’s Album for the Organ, No. 3 (1898). While certainly typical of the late 19th century, many of Coleridge-Taylor's creations display inspiration by African musical elements much like spirituals inspired Dvořák’s “New World” Symphony.