SKU: CU.EC5174
SKU: CU.EC4738
SKU: DZ.DZ-2425
ISBN 9782897373429.
SKU: DZ.DZ-2535
ISBN 9782897374525.
SKU: CU.EC7565
ISBN 9790215901698.
SKU: CU.EC1377
ISBN 9790215900929.
SKU: CU.EC1000
ISBN 9790215906433.
SKU: CA.2704413
ISBN 9790007199357. Language: Latin.
Following the Carus recording (Carus 83.169) of Ristori's Mass for the most holy birth of our Lord, this important discovery among the music of the Dresden Court is now presented in a critical edition. Its festive character is marked by a polished instrumentation, powerful choruses and highly expressive solo parts. Score and part available separately - see item CA.2704400.
SKU: HL.48181193
UPC: 888680925987. 9.0x12.0x0.085 inches.
For bassoon solo.
SKU: BT.PIL1063
SKU: UT.HS-307
ISBN 9790215327146. 9 x 12 inches.
Antonio Valente blind, Neapolitan since a long time according to the list of Neapolitan musicians by Scipione Cerreto and organist in S. Angelo a Nilo in Naples, is known in modern times for his two volumes of keyboard music: Versi spirituali published in 1580 and, some years before, the volume here in transcription, Intavolatura de cimbalo, printed by Giuseppe Cacchio in 1576.This volume has many original features: first keyboard tablature ever printed in Naples, itâ??s not written in musical characters but in a number-based system never met, according to the current studies, in any other print or manuscript both in and outside Italy. The dedication letter, written by Fraâ?? Alberto Mazza, praises Valente as the inventor of this writing method, so easy and effective that everybody, even uncouth youths that did not know music and keyboard, could attain the result of playing from it in two months.The Intavolatura presents different genres of music: a fantasia, six ricercatas, a Salve Regina on a cantus firmus, four vocal chansons intabulated for keyboard with more or less diminutions,and nine dances, variations and dance/variations on long-living tenors like Romanesca or Zefiro. There are no liturgical compositions, both because unsuitable in a collection for amateurs and because Valente will publish a new book of sacred music in a few years. The book is a sort of compendium of the keyboard genres of the period, similar to some older Spanish publications and to the later Neapolitan ones by Trabaci and Majone. Other contemporary volumes on the contrary choose to present a single type of composition: this is the case of the Versetti by Valente and the Ricercate by Rocco Rodio.
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