SKU: HF.FH-2995
ISBN 9790203429951. 9 x 12 inches.
1. Leise rieselt der Schnee (Ed. Ebel); 2. Ach, bittrer Winter (17. Jhd.); 3. Nikolauslied (Rheinland); 4. Morgen, Kinder, wird's was geben (Berliner Volksweise, 1800); 5. Ihr Kinderlein, kommet (J.A.P. Schulz, 1747-1800); 6. Alle Jahre wieder (F. Silcher, 1789-1860); 7. Vom Himmel hoch da komm' ich her (M. Luther); 8. Frohlich soll mein Herze springen (J. Cruger, 1598-1662); 9. Uns ist geboren (Altflamisch); 10. Es ist ein Ros entsprungen (Speiersches Gesangsbuch, 1599); 11. O du frohliche (sizilianische Volksweise); 12. Nun singet und seid froh (Klug's Gesangbuch, 1535); 13. Vom Himmel hoch ihr Englein (Kolner Gesangbuch, 1632); 14. Kommet, iht Hirten (Volksweise); 15. Auf, auf, ihr Hirten (Niederosterreich); 16. Spielt auf (Volksweise); 17. Lieb' Nachtigall, wach auf (1670); 18. Kindlein mein (Volkslied); 19. Kindlein zart (Volksweise); 20. Joseph, lieber Joseph mein (nach Handschrift 1305 der Universitats-Bibliothek Leipzig); 21. Still, still, weil's Kindlein schlafen will (Volkslied aus Salzburg, 1819); 22. O Tannebaum (Alte Volksweise); 23. O Tannebaum (Volkslied aus Westfalen); 24. Ach Tannenbaum (M. Franck, 1573-1639); 25. Am Weihnachtsbaum die Lichter brennen (Volksweise); 26. Frohliche Weihnacht uberall (aus dem Englischen); 27. Stille Nacht (F. Gruber, 1787-1863).
SKU: CF.CPS252
ISBN 9781491159699. UPC: 680160918287.
America is intended for any intermediate to professional concert band looking to honor the United States of America and/or members of the Armed Forces. It is therefore ideal for performance on or around any patriotic holiday. It is not a typical setting of the tune, in that many liberties are taken to showcase each instrument of the ensemble, with the melodic focus constantly shifting. The conductor and performers should seek out these moments, and bring them to life whenever possible. The introduction, mm. 1-12, should be approached in the style of a fanfare, with an emphasis on syncopation and exaggerated nuance in regards to articulation style. Here, hidden beneath woodwind flourishes and triumphant bugle calls, the low voices play quotes of familiar American tunes such as The Star-Spangled Banner (m. 1, beat 3) and Simple Gifts (m. 3, beat 4). In mm. 15-22 the melody is carefully hidden among counter lines. This should be carefully balanced to highlight the melody, while still shaping the counter melodies appropriately. A brief return to the fanfare style occurs in mm. 33-35 before melding back into the chorale style. In regards to dynamics, performers should be reminded that within any single dynamic exists a range of expressive shades. No two notes should be played at the same volume, ensuring direction in even the simplest of phrases. Generally speaking, the fortissimo dynamic should be approached thoughtfully, with the bulk of the sound coming from the lowest voices, and the least from the highest voices.America is intended for any intermediate to professional concert band looking to honor the United States of America and/or members of the Armed Forces. It is therefore ideal for performance on or around any patriotic holiday. It is not a typical setting of the tune, in that many liberties are taken to showcase each instrument of the ensemble, with the melodic focus constantly shifting. The conductor and performers should seek out these moments, and bring them to life whenever possible.The introduction, mm. 1–12, should be approached in the style of a fanfare, with an emphasis on syncopation and exaggerated nuance in regards to articulation style. Here, hidden beneath woodwind flourishes and triumphant bugle calls, the low voices play quotes of familiar American tunes such as The Star-Spangled Banner (m. 1, beat 3) and Simple Gifts (m. 3, beat 4). In mm. 15–22 the melody is carefully hidden among counter lines. This should be carefully balanced to highlight the melody, while still shaping the counter melodies appropriately.A brief return to the fanfare style occurs in mm. 33–35 before melding back into the chorale style.In regards to dynamics, performers should be reminded that within any single dynamic exists a range of expressive shades. No two notes should be played at the same volume, ensuring direction in even the simplest of phrases.Generally speaking, the fortissimo dynamic should be approached thoughtfully, with the bulk of the sound coming from the lowest voices, and the least from the highest voices.
SKU: CF.CPS252F
ISBN 9781491159705. UPC: 680160918294.
SKU: LP.MU-5520T
UPC: 765762025325.
Choraltrax CD includes stereo and split-channel mixes as well as demo recording for two Lillenas octavos: AN-9073 I'M IN HIS CARE and AN-9070 REDEEMED.
SKU: M7.VHR-3562
ISBN 9783864340574. German.
Von 'Eine kleine Nachtmusik' über 'Morning Has Broken', 'Salut d'amour' und 'Probier's mal mit Gemütlichkeit' bis zu 'He's A Pirate'. Die Bearbeitungen aller Werke bewegen sich im Fünftonraum. Zusätzlich gibt es zu jedem Stück eine Begleitstimme.
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