SKU: HL.48182024
UPC: 888680846992. 9.0x12.0x0.086 inches.
G.F.Handel's (1685-1759) Sonata in B flat is well-known to the Oboe repertoire. Therefore, when French clarinetist, Emile Stievenard arranged the popular piece for the Clarinet, it was very well-received. The Sonata in B flat is made up of four movements; Adagio, Allegro, Adagio and Allegro. Handel's Sonata in B flat was first published in 1707-10 for Oboe. Stievenard's editions ensure that the Clarinet part contains the articulation, performance directions, phrasing and breath marks necessary to the instrument. For all clarinetists, this arrangement of the popular Sonata in B flat is essential..
SKU: HH.HH555-FSP
ISBN 9790708185703.
Jean-Xavier Lefèvre’s Clarinet Method, published at the beginning of the 19th century, contains a number of sonatas that are significant stepping-stones to the more difficult clarinet master works of Mozart and Weber. They are also invaluable first pieces for those studying period performance on the classical clarinet. Lefèvre’s original notation for the instrument has been retained, and the bass lines are transposed down a tone so that the sonatas are playable on the B flat clarinet. The piano accompaniments, whose right-hand parts have been realized from a single, unfigured bass line probably intended for the cello, are stylistic, always complementary to the clarinet line, and satisfying (if occasionally challenging) to play.
SKU: HH.HH539-FSP
ISBN 9790708185543.
SKU: BR.EB-9440
ISBN 9790004189177. 9 x 12 inches.
The two sonatas of Johannes Brahms's op. 120 are widely hailed as crowning points of the repertoire for clarinet and piano. Moreover, in the version for viola and piano arranged by Brahms himself, they rank among the most frequently played viola works of the 19th century. They far surpass in compositional substance the relatively few original sonatas written for these instrumentations during the same period.Of the two fellow works, the Sonata No. 2 in E flat major is the more accessible. Diverging from the classical-romantic tradition, Brahms used the key of E flat major here not to express the heroic or monumental, but to obtain lyrical, chiefly restrained characterizations. The serenade-like beauty of the principal theme, which opens the sonata, has always been particularly admired. In his review of the world premiere, the renowned Viennese music critic Eduard Hanslick, a friend of Brahms's, raves with the words it was as if it had fallen from the Heavens. The closing set of variations also follows with gentle gracefulness this lyrical character. However, the middle movement, with its tempestuous outer sections in E flat minor and the hymnic trio in B major provides a passionate and serious contrast, which allows the flanking idyll to unfold its beauties all the more insistently.
SKU: SU.50015190
For David Widder and Nitza KatsCopyright 1981. Published by: Seesaw Music.
SKU: IM.3105
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