SKU: BT.AMP-350-400
ISBN 9789043138680. 9x12 inches. English-German-French-Dutch.
Philip Sparke’s Skilful Solos is the second volume of a progressive series of solo books that takes the young wind player from beginner to accomplished musician. Following on from the first book in the series Starter Solos this collection generally contains longer pieces suitable for the developing young musician. Specifically tailored for each instrument, Skilful Solos introduces the concept of phrasing by suggesting suitable breathing points and takes the player into new keys with extended instrumental ranges, new notes being introduced in a gradual and logical manner.Skilful Solos comes with a play-along CD. The advantages of playing eitherwith piano or CD accompaniment are that the beginning player can now experience the important aspects of ensemble playing from their earliest lessons, thus developing the essential skills of listening while they play and maintaining strict tempo, which is not always achieved when playing alone. Skilful Solos past in het rijtje Starter Studies, Skilful Studies, Super Studies en Starter Solos, een succesvolle reeks van Philip Sparke. Net als de eerdergenoemde uitgaven bevat Skilful Solos waardevol,motiverend speelmateriaal dat de keuze voor een methode aanvult. Nieuwe muzikale elementen komen in een logische volgorde aan de orde - om de ontwikkeling van de complete muzikant te bevorderen. Uitgave met cd: De voordelen van het spelen metbegeleiding - hetzij op de piano, hetzij op de cd - zijn dat de beginnende speler de belangrijke aspecten van het ensemblespel kan ervaren vanaf de eerste lessen en essentiële vaardigheden kan aanleren: het luisteren tijdens het spelen en hethandhaven van een strak tempo. Bij het alleen spelen komen deze factoren minder aan de orde.Das frühe Lernstadium ist, neben einem guten Lehrer im Unterricht, für jedes Instrument zweifellos das Wichtigste. Von großer Bedeutung ist aber auch motivierendes Lehrmaterial.Für diese zwei Solobücher beriet sich Philip Sparke mit vielen Lehrern, wie man am besten neue Noten einführt und zugleich einen Rahmen schafft, in den sich neue musikalische Elemente in sinnvoller Reihenfolge einfügen lassen. Unterstützt von diesenSoli und Etüden in drei verschiedenen Schwierigkeitsstufen können Instrumentalschüler schnell zu richtigen Musikern heranreifen. Jedes Buch ist genau auf die Bedürfnisse und Anforderungen des einzelnen Instrumentes zugeschnitten.STARTER SOLOS und SKILFUL SOLOS können dank der im Buch und auf der CD enthaltenen Begleitungen auch gut alleine oder mit einem Pianisten einstudiert und aufgeführt werden. Der Vorteil dabei ist, dass Anfänger so nicht nur die wichtigsten Aspekte desEnsemblespiels erfahren sondern auch von Anfang an die Fähigkeit entwickeln, zu hören während sie spielen und das Tempo zu halten.
Inhalt: Nice to See You Again •Pony and Trap •Summer Siesta •Spring (Vivaldi) •A Victorian Ballad •Trumpet Tune •Promenade •Greensleeves •Could You Repeat That? •Alladale Aria •Scales of Justice •Largo from Winter (Vivaldi) •Waltz with Variations •Atthe Circus - Adagio (Mozart) - Marche Militaire (Schubert) - Thinking of You - Fives and Threes - Daydream - Rhode Island Rag
SKU: BT.AMP-356-400
ISBN 9789043138796. 9x12 inches. English-German-French-Dutch.
Inhalt: Nice to See You Again -Pony and Trap -Summer Siesta -Spring (Vivaldi) -A Victorian Ballad -Trumpet Tune -Promenade -Greensleeves -Could You Repeat That? -Alladale Aria -Scales of Justice -Largo from Winter (Vivaldi) -Waltz with Variations -Atthe Circus - Adagio (Mozart) - Marche Militaire (Schubert) - Thinking of You - Fives and Threes - Daydream - Rhode Island Rag
SKU: BT.AMP-349-400
ISBN 9789043138673. 9x12 inches. English-German-French-Dutch.
SKU: FH.WS3
ISBN 978-1-55440-552-7.
Unparalleled in scope, this groundbreaking series for E_Alto and B_Tenor offers a single collection of Repertoire and supporting materials written or arranged specifically for saxophone. With Repertoire spanning from the Baroque to contemporary eras, Recordings, Etudes, Technique, and Orchestral Excerpts, this comprehensive series serves as a balanced and organized pedagogical resource from the beginner to advanced levels of study. Nine progressive volumes of Repertoire expose students to original works and arrangements of diverse styles from W.A. Mozart to Violet Archer, with selected works by notable jazz artist Paul Desmon (Take Five), and living composer Phil Woods. Each level provides opportunities to explore Baroque, Classical, Romantic, and contemporary works, with original, unaccompanied selections from Levels 5 through 8 that use extended techniques such as multiphonics, key clicks, and bisbigliando. Earlier works pre-dating the origin of the saxophone have been carefully arranged with consideration of the unique quality of the instrument. Exposure to these works help to develop musicianship and an understanding of tonality, creating well-rounded and versatile performers. Selections written for both E_Alto and B_Tenor include piano accompaniments that function with both instruments.Eb Saxophone:Mainly Transcriptions:Sonata, op. 2, no. 1 - Benedetto Marcello, arr. Jason Noble- Third Movement- Fourth MovementMazurka, op. 67, no. 2 - Frederic ChopinSonata, BWV 1033 - attr. Johann Sebastian Bach, arr. Stephen Chatman- Menuet I- Menuet IITambourin (from Iphigenie en Aulide) - Christoph Willibald Gluck, arr. Christine DonkinAnglois con Variationi - Johann Gottlieb Nicolai, arr. Stephen ChatmanMainly Original Repertoire for Saxophone:Song - Walter S. HartleyIt's a Raggy Waltz - Dave Brubeck, arr. Paul Harris and Beverley CallandDancing Under the Afghan Sky - Christiaan VenterFlight - Noel GallonBb Saxophone:Mainly Transcriptions:Serenade - attr. Roman Hoffstetter, arr. John HarleSonata, K 13 - Wolfgang Amadeus Mozart- Menuetto I- Menuetto IIIntermezzo (from Cavalleria Rusticana) - Pietro Mascagni, arr. Eugene RousseauSinfonia (Arioso) - Johann Sebastian Bach, arr. Mark MrozinskiMainly Original Repertoire for Saxophone:Dancing Under the Afghan Sky - Christiaan VenterGrand Ole Duke - James RaeThe Blue Fox - Frank J. Halferty.
SKU: BT.AMP-348-400
ISBN 9789043138666. 9x12 inches. English-German-French-Dutch.
SKU: FH.WS7
ISBN 978-1-55440-556-5.
Unparalleled in scope, this groundbreaking series for E_Alto and B_Tenor offers a single collection of Repertoire and supporting materials written or arranged specifically for saxophone. With Repertoire spanning from the Baroque to contemporary eras, Recordings, Etudes, Technique, and Orchestral Excerpts, this comprehensive series serves as a balanced and organized pedagogical resource from the beginner to advanced levels of study. Nine progressive volumes of Repertoire expose students to original works and arrangements of diverse styles from W.A. Mozart to Violet Archer, with selected works by notable jazz artist Paul Desmon (Take Five), and living composer Phil Woods. Each level provides opportunities to explore Baroque, Classical, Romantic, and contemporary works, with original, unaccompanied selections from Levels 5 through 8 that use extended techniques such as multiphonics, key clicks, and bisbigliando. Earlier works pre-dating the origin of the saxophone have been carefully arranged with consideration of the unique quality of the instrument. Exposure to these works help to develop musicianship and an understanding of tonality, creating well-rounded and versatile performers. Selections written for both E_Alto and B_Tenor include piano accompaniments that function with both instruments.Eb Saxophone:Mainly Transcriptions:Sonata, op. 2, no. 6 (La bouget) - Michel Blavet- [Complete]Minuet and Dance of the Blessed Spirits (from Orphee et Euridice) - Christoph Willibald Gluck, arr. Stephen ChatmanMainly Original Repertoire for Saxophone:Dance with Sticks - Bela BartokHornpipe Dance - Bela BartokRagtime Waltz - Richard Rodney BennettSonata - Phil Woods- First MovementBb Saxophone:Mainly Transcriptions:Sonata in G minor, H 542.5 - attr. Carl Philipp Emanuel Bach- Third MovementSonata in G minor, HWV 364a - George Frideric Handel, arr. Harold Birston- [Complete]Mainly Original Repertoire for Saxophone:Souvenir - Robert WalkerSonata - Walter S. Hartley- First MovementI Got Unhappy - Neil CurrieEb Saxophone or Bb Saxophone:Unaccompanied Repertoire:Fantasia no. 6 in D minor, TWV 40:7 - Georg Philipp Telemann- [Complete]In the Company of My Soul - Kelly-Marie Murphy- First MovementSketch - Ronald L. Caravan.
SKU: FH.WCS1
ISBN 978-1-55440-585-5.
This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques.Level 1:Etude in F Major - Friedrich DemnitzMay the Fourths Be With You - James RaeLevel 2:Schnitzel Waltz - James RaeEtude in C Major - Henry LazarusEtude in D Minor - Friedrich DemnitzMoto perpetuo - Chris AllenEtude in F Major - Friedrich DemnitzBeyond the Mist - James RaeEtude in G Major - Victor PolatschekEtude in C Major - Friedrich DemnitzEtude in F Major - Henry LazarusAutumn Clouds - James RaePrairie Lament - Ted HegvikLevel 3:The Bear Is Dancing - Ted HegvikThe Demon's Delight - James RaeEtude in G Minor - Nilo W. HoveyLatin - Chris AllenEtude in C Major - Gustave Langenus Strange, but True - James RaeSummer Day - Leon LesterPromenade - Leon LesterEtude in F Major - Jean-Xavier LefevreLevel 4:Soft-shoe Dance - Leon LesterEtude in C Major - Friedrich DemnitzEtude in C Major - Jean-Xavier LefevreEtude in G Minor - Jean-Xavier LefevreSwing Five - James RaeEtude in A Minor - Friedrich DemnitzWhole-tone Capers - Leon LesterAndante - Chris AllenEtude in D Major - Nilo W. HoveyReflections - Leon Lester.
SKU: FH.FLR01
ISBN 978-1-55440-289-2.
Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental repertoire and supporting materials such as Studies, online audio, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study. This compilation of standard orchestral passages for flute is an indispensable resource for the developing years and beyond. Teachers and students will find this unrivalled volume essential for examination or audition preparation.The Rakes o' Mallow Traditional Irish, arr. Akiko and Forrest Kinney Early One Morning Traditional English, arr. Akiko and Forrest KinneyRollerblading! Louise ChamberlainZalotny (Like a Kitten) Witold Lutos_awski, arr. Ian Denley Cavatina, from The Marriage of Figaro Wolfgang Amadeus Mozart, arr. Stephen ChatmanMinuet in G Major, BWV 114 Christian Petzold, arr. Akiko and Forrest KinneyRonde No. 6 Tylman Susato, arr. Kathleen WoodChanson de l'ile de Java Francois Veilhan Nouvelle agreable (noel) 18th-century French carol, arr. Akiko and Forrest KinneyShe's Like the Swallow Traditional Canadian (Newfoundland), arr. Akiko and Forrest KinneyAndante Thomas Attwood, arr. Kathleen WoodFolksong Bela Bartok, arr. Vilmos Bantai and eva B. Sipos Pierrot Paul HarrisVoyage en Micheline Thierry MassonPromenade sur la berge Thierry MassonWaltz Franz Schubert, arr. Theobald Boehm First Star I See Tonight Nancy Telfer.
About Overtones
Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental Repertoire and supporting materials such as Etudes, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study and is the official series for those using The Royal Conservatory Music Development program.
SKU: FH.WC8
ISBN 978-1-55440-584-8.
SKU: AP.46704
UPC: 038081536996. English.
Written in a flowing waltz style, this piece depicts the non-stop motion of an old-fashioned carousel going round and round with horses smoothly gliding up and down. In the keys of D Major and G Major, this is a perfect piece for first year players as all fingered notes occur on the D and A strings (D and G for bass). The violin 2 and viola parts are doubled, as are the cello and bass parts. Correlated with Sound Innovations Book 1, Level 5, Carousel by Bob Phillips is easily accessible by beginners and advancing students alike.
SKU: BR.DV-6081
ISBN 9790200460032. 9.5 x 12 inches.
Duration: full eveningTranslation: German (W. Ebermann/M. Koerth), Engl. (D. Llyod-Jones), French (M. Delines) Place and time: Partly on the estate, partly in Petersburg, in 20ies of the 19th CenturyCharacters: Larina, Owner of the Estate (mezzo-soprano) - Tatiana (soprano) and Olga (alto), her Daughters - Filipjewna, Wet Nurse (mezzo-soprano/alto) - Eugen Onegin (baritone) - Lenskij (tenor) - Prince Gremin (bass) - A Commander (bass) - Saretzkij (bass) - Triquet, a French Man (tenor) - Guillot, a Valet (silent part) - Country Folk, Ball Guests, Squire, Officers (chorus) - Waltz, mazurka, polonaise and Russian dance (Ballet )There is an interesting parallel between the subject of the opera and Tchaikovsky's life during the year he wrote the work (1877): in each case, a letter provokes fateful developments in the lives of the protagonists. In the opera, Tatyana's love letter to Eugene sets off the tragedy, whereas in real life, the love letter of a pupil led the composer into a marriage, which lasted all of ... three months. Tchaikovsky took this doomed decision without love, solely because the circumstances want it and because I cannot act differently. Certain allusions made, for example, in a letter of January 1878 to Taneyev suggest that the composer's personal situation also flowed into the work: I did not want anything to do with the so-called 'grand opera.' I am looking for an intimate but powerful drama which is built on the conflict of circumstances which I myself have seen and experienced, a conflict which truly moves me. Partly for this reason the composer decided to call the work not an opera but lyrical scenes.Eugene Onegin, conceived by Tchaikovsky for limited resources and a small stage, is the most frequently performed Russian opera today along with Mussorgsky's Boris Godunov, which represents a completely contrary aesthetic stance. Tschaikowskys letzte Oper - auf ein Libretto seines Bruders Modest nach der Dramenvorlage des danischen Schriftstellers Henrik Hertz - lebt von den poetischen Momenten und den symbolbeladenen Charakterportrats der Hauptfiguren: Die junge blinde Jolanthe wird von ihrem Vater aus Sorge um ihren Makel und zum Schutz ihrer Jungfraulichkeit und vor den Widrigkeiten der Welt in einen paradiesischen Garten gesperrt. Er befielt zu ihrem Schutz sie um ihre Blindheit unwissend zu lassen. Ein Arzt warnt sehen werde sie nur konnen wenn sie es selbst wolle gleich welche Angste aus der vollstandigen Erkenntnis der Welt erwachsen. Als der junge Vaudemont in ihre Abgeschiedenheit einbricht und sich beide ineinander verlieben befreit er sie von ihrer Unwissenheit erklart was Farbe und Licht bedeuten. Erst die Liebe zu ihm macht sie sehend. Die dunkle Welt der Jolanthe zeichnet Tschaikowsky zu Beginn musikalisch durch eine Introduktion ausschliesslich fur Blaser. Erst mit dem Eintritt in die unbekannte Welt der Liebe und des Sehens verwendet Tschaikowsky einen warmen Streicherklang. Gerade dadurch stiess die Oper wohl bei Zeitgenossen auf Verstorung. Tschaikowskys ,,Jolanthe nimmt in seinem Opernschaffen eine Sonderstellung ein: neben dem glucklichen Ende einer Apotheose des Lichts und der Liebe mit einem religios gepragten Schlusschoral ist es eines der wenigen Buhnenwerke Tschaikowskys ohne Bezug zur russischen Geschichte. Der ausgepragte Lyrismus des Werks verweist stattdessen auf Tschaikowskys Nahe zur franzosischen Kultur die im 19. Jahrhundert einen starken Einfluss auf Russland hatte. Die Oper wurde 1892 am Mariinsky-Theater in Sankt Petersburg als Auftragswerk zusammen mit seinem Ballett ,,Der Nussknacker uraufgefuhrt.Neben der Produktion des Munchner Rundfunkorchesters wurde ,,Jolanthe szenisch erfolgreich bei den Festspielen Baden-Baden mit Anna Netrebko und Piotr Beczala als Liebespaar rehabilitiert. Ausserhalb Deutschlands lief die Opernraritat in Toulouse Tokyo San Sebastian und Monte Carlo. Zuletzt erneut die ,,Suddeutsche Zeitung: ,,Jolanthe ist eine Opernausgrabung die ,,wirklich zu Unrecht vergessen ist. Tchaikovsky's last opera - on a libretto by the composer's brother Modest based on the drama by the Danish author Henrik Hertz - derives its life-blood from its poetic moments and the symbol-laden portraits of the leading characters: the blind young Yolanta is kept prisoner in a paradisiacal garden by her father who fears for her purity and her virginity and seeks to protect her from the adversities of the world. To do so he orders everyone to keep her ignorant of the fact that she is blind. A doctor warns that she will only be able to see when she is ready to do so herself no matter what fears might result from a complete experience of the world. When the young Vaudemont breaks into her secluded world and the two fall in love he frees her from her ignorance and explains the significance of color and light. It is through her love for him that she is finally able to see. At the beginning of the work Tchaikovsky depicts Yolanta's dark world with an introduction scored exclusively for winds. It is not until her discovery of the unknown world of love and sight that Tchaikovsky uses a warm string sound. This is what many of the composer's contemporaries found disturbing about the opera.Tchaikovsky's Yolanta occupies a special place in the composer's operatic oeuvre: for one it has a happy ending an apotheosis of light and love with a religiously stamped closing chorale; for another it is one of Tchaikovsky's few stage works without any reference to Russian history. Instead the work's pronounced lyricism points to the composer's closeness to French culture. which exerted a strong influence on Russia in the 19th century.The opera was given its world premiere at the Mariinsky Theater in St. Petersburg in 1892. It had been commissioned along with the ballet The Nutcracker. Next to the production by the Munchner Rundfunkorchester Yolanta was also successfully rehabilitated in a recent staged production at the Baden-Baden Festival with Anna Netrebko and Piotr Beczala as the lovers. Outside of Germany the operatic rarity was performed in Toulouse Tokyo San Sebastian and Monte Carlo.In closing another quote from the Suddeutsche Zeitung: 'Yolanta' is an operatic rediscovery of a work that was truly 'wrongly forgotten'.
SKU: HL.49032791
ISBN 9783795753726. German. John Minnion.
Die Jazzmethode fur Klarinette eroffnet Neueinsteigern das reichhaltige und aufregende Repertoire des Jazz, in welchem die Klarinette eine bedeutende Rolle spielt. Sie zeigt Anfangern aller Altersstufen den Weg vom ersten Ton bis hin zu Stucken von Legenden des Jazz und fuhrenden Jazzmusikern unserer Zeit. Mit einer schrittweisen Einfuhrung und speziell fur diese Schule geschriebenen Stucken werden die grundlegenden Elemente einer soliden Klarinettentechnik -- Atemkontrolle, Tonbildung, Ansatz und Griffe -- zusammen mit den rhythmischen Finessen der Jazzmusik (z. B. synkopierte Rhythmen und Swing-Phrasierung) erklart. Die Audio-Tracks (Download mittels Code) liefern den musikalischen Hintergrund fur alle Stucke, so dass der Klarinettenschuler von Anfang an durch das Spielen mit einer erstklassigen Rhythmusgruppe aus Bass, Gitarre und Schlagzeug in den Genuss eines authentischen Jazz-Sounds kommt. Spater helfen die Playback-Tracks bei den ersten Improvisationsversuchen.
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