SKU: HL.49019308

ISBN 9783795707996. 6.0x8.25x0.531 inches. German.

Generation after generation of pianists and aficionados have taken an interest in Beethoven's piano sonatas. For each of them, this New Testament of piano literature represents a challenge. Jan Marisse Huizing supports the search for their own tone. In his new study book, he deals with the performance practice and the history of piano making as well as Beethoven's own piano playing. He also traces the path from the original manuscript to the modern urtext edition. Quotations from piano methods and important pianists as well as a detailed, annotated discography complete the book. Jan Marisse Huizing was professor of piano at the Amsterdam Conservatory apart from his international concert activities. He has written numerous publications, including the guide Frederic Chopin: Die Etuden (Schott Music).

SKU: HL.49007813

ISBN 9783795702670. 7.0x9.75x0.665 inches. German.

Improvisation, Interpretation und Komposition sind drei grundlegende Bereiche des musikalischen Lebens, die vielfaltig voneinander abhangig sind und sich standig durchdringen.Dieses Buch sammelt und verarbeitet Erfahrungen aus uber einem Jahrzehnt. Seine Absicht ist nicht, eine Einfuhrung in den Bereich zeitgenossischer Pianistik zu geben oder ein Lehrwerk zu sein, obwohl es auch hierzu taugen mag; eher schon zielt es darauf, die Vielschichtigkeit der behandelten Themen zu verdeutlichen und auf die kunstlerische Notwendigkeit selbststandig zu suchender Wege und eigenverantwortlicher Entscheidungen hinzuweisen.

SKU: HL.49016760

ISBN 9783795787318. 5.75x8.25x0.596 inches. German.

In this book, Gerhard Mantel looks into the question which means and tools a performer should have in order to make a musical text into the intellectual and emotional experience intended by the composer. As is generally known, the 'actual music' does not exist in the printed work. But which are the aesthetic and creative criteria for how the performer can, or has to, treat the musical text in order to interpret it and explain it to the listener?The musical imagination, the inner anticipation of the musical effect, is a vital condition for an interpretation. In addition, it is important to know, however, whereupon this effect is based and how it can be achieved.Based on decades of concert and teaching experience, the author leads the reader to a unity of knowledge, planning, intuition and emotion and thus to an 'interpretation technique' which is indispensable to an inspired interpretation and can be achieved by every musician in his/her very personal form.

SKU: CA.6000400

ISBN 9790007107499. Language: German.

The 2nd part of the study of historical organ performance practice continues from part 1, Orgel und Orgelschule im Barock und in der Klassik (CV 60.002). It concerns the interpretation of organ music in Germany and France in the period from 1800 to 1930.