SKU: M7.DOHR-99689
ISBN 9790202006894.
SKU: KN.52355S
As recorded in 1972 by the Thad Jones-Mel Lewis Orchestra on their album Suite For Pops, this solo feature for scat vocalist or guitar opens with a big, full-band intro in slow swing before the 'funky 4 feel' takes over. Punctuated by screaming brass parts, ad lib solo fills by trumpet and tenor, and an optional solo cadenza before the final chord, this tribute to Louis 'Pops' Armstrong is intended for experienced bands only. Duration 11:30.
SKU: KN.52355
SKU: BT.ALHE33676
French.
As a prestigious musician during the early 1700s, Royer's Harpsichord Pieces remains a favourite in the instrument's repertoire. Joseph Nicolas Pancrace Royer (1705-1755) was born in Turin, however, he moved to Paris in 1925 andsoon became responsible for the musical education of King Louis XV's children. Royer is particularly known for his extravagant and virtuosic Harpsichord compositions, as displayed in La Pupitre's compilation of his HarpsichordPieces. Comprising famous works by the composer, including Suite Bagatelle and March of the Scythes, the collection exemplifies the composer's skills on the Harpsichord. Royer's Harpsichord Pieces is essential to the repertoire ofaspiring advanced players of the instrument.
SKU: M7.DOHR-99690
ISBN 9790202006900.
SKU: M7.BP-1764
ISBN 9790015176401.
SKU: GI.G-9779
UPC: 785147977902. English. Text by Mary Louise Bringle.
Listen to the music and follow the score in this preview video.
SKU: GI.G-7240
UPC: 785147724001. English, Spanish. Text Source: Based on 1 Corinthians 13:1–8, anonymous Spanish, v. 5, alt. Text by Traditional. Scripture: 1 Corinthians 13:1–8.
Based on 1 Corinthians 13:1–8, this is a truly bilingual setting, with a complete Spanish text and an equally singable English translation by Mary Louise Bringle. The two parts may be sung by soloists or by a two-part ensemble. Octavo includes reproducible material for the congregation. Two-part solos or choir Assembly part is optional.
SKU: GI.G-9537
UPC: 785147953708. English. Text by Mary Louise Bringle.
The text and music of this anthem were written for a women’s conference at Princeton Theological Seminary. Mary Louise Bringle gives us the words to celebrate the role of women in the church, acknowledging both difficult and joyful experiences. Sally Ann Morris’ flexible writing may be sung by SATB voices or in an SSA texture.