SKU: HL.49008199
ISBN 9783795753818. 9.0x12.0x0.27 inches.
'Fun with Jazz Flute' is a series for beginners of any age, a way of complementing traditional teaching material with an introduction to the characteristics of pop and jazz. To help with practicing, the CD contains just the piano part as well as the complete track with both instruments for each piece. Walking by the sea * Two Note Blues * Dreaming of You * Up and Down Boogie * Try It! * The hurdy-gurdy * Singing' in the Church * Love Waltz * Sunset * Waltzin' * Happy reunion * Farewell-Gospel * Happy Talk * Holidays * Folksong * Looking back * Cuba Libre * Recollections of autumn * Hot Stuff * Song for Peace * French Evening * Gangster chase * Flight over the mountains * In the summer meadow * March of the old fogies * Agaric Rag * Notes on Interpretation, Commentary and Tips * Notes on the piano accompaniment * Even and Swing Quavers * Beat * CD-Index.
SKU: M7.ART-42141
ISBN 9783866421417.
Nach den erfolgreichen Vorgängerbänden 'Emotional Piano Ballads' und 'Lovely Piano Moments' ist Michael Gundlach erneut eine außergewöhnliche Sammlung gefühlvoller und leicht spielbarer Klavierballaden gelungen. Die in 'Sentimental Piano Ballads' enthaltenen 14 leichten und sehr leichten Klavierstücke sind leicht melancholisch, romantisch-verträumt, zärtlich und beruhigend. Die eingängigen Melodien sind unterlegt mit einfachen Begleitfiguren der linken Hand. Die angegebenen Akkorde und die Akkordfolgen aus dem Bereich der populären Musik zeigen dem Spieler die harmonischen Zusammenhänge und verhelfen ihm zu einem besseren theoretischen Verständnis. Die Stücke sind in kurzer Zeit erlernbar, bereiten Spielfreude und lassen genügend Spielraum für die eigene kreative, fantasievolle Interpretation. 'Sentimental Piano Ballads' stellt eine perfekte Ergänzung zu bewährten Anfänger-Klavierschulen dar und ist bestens geeignet für alle Pianistinnen und Pianisten, die schöne Melodien und Spielspaß mit einem musikalischen Erfolgserlebnis kombinieren möchten. Die balladesken und verträumten Melodien eignen sich hervorragend für Vorspiele aller Art und begeistern sowohl Klavierspieler als auch Zuhörer. Der optionale Download der Spielstücke dient als praktische Lernhilfe um den Ausdruck und die richtige Artikulation nachvollziehen zu können und auch als 'Soundtrack' für unterwegs ist 'Sentimental Piano Ballads' ein musikalischer Genuss.
SKU: SU.00115946
Conductor Konstantin Krimets 1995 National Public Radio said about this CD, ...in Pavlova's music you will find a special quality of (the) Russian way of thinking. Let's say it comes from the way of thinking found in Checkhov, Tchaikovsky, Rachmaninoff. Six Piano Impressions After Fairy Tales By H.C. Anderson (1990) 1. The Mermaid 2. Little Took 3. Thumbelina 4. The Old Tombstone 5. The Rose From Homer's Grave 6. The Clock of the Snow Queen 7. Prelude Summer Pictures 8. Misty Morning 9. Summer Shower 10. Lullaby for Irene 11. Winter Morning 12. The Eyes, Begging For Mercy 13. The Dream 14. We Are The Love 15. Farewell, Russia.
SKU: HL.215268
9.0x12.0x0.117 inches.
Farewell for cello and piano (2013) has been commissioned by the Cracow Duo consisting of Jan Kalinowski (cello) and Marek Szlezer (piano). The composition has a single-movement structure but it differentiates internally. A poem written by Nakano Shigeharu (1902-1979) entitled Wakare (Parting) was the inspiration for the composition. In the poem, Nakano raises very important issues for all to consider: of love, fragility of well-being, suffering, death and vanishing. Deeply moved, I decided to write a compostion which gives the atmosphere of this muted and very personal poetry. -Marcel Chyrzynski.
SKU: CF.CM9768
ISBN 9781491160343. UPC: 680160923298. Key: G major. English.
About the WorkThe text of this work is most often attributed to Ralph Waldo Emerson, although it doesn't mirror his style, and no research credits an essay, book or letter with its source. Other individuals are occasionally suggested as possible authors, but equally unsubstantiated. Even whether the textis a poem or a quote seems unclear. But there is one thing that is without question: that this beloved text has inspired countless people and contributed toward a view of the world through eyes of hope, resilience, courage, beauty, and joy. Music for this text flowed more easily than about any text I have ever set. It has an emotional connection that is mystical, and after I read it for the first time, I immediately sat down and wrote this work without stop.Rehearsal NotesIn many cases, art is more expressive and reaches a wider range of human emotions when multiple artistic fields are fused together. Such is the case with choral music: the intertwining of literature, music, and very often dance, visual arts, and more. The story in choral music is often quite specific, much like film scoring. At times, the music is the picture frame (score) around the picture (text), while at others the music is the leading dramatic/emotional impetus.In the present case (My Farewell Wish), the text is sincere, innocent, heartfelt, and earnest. By all accounts, the message is altruistic, expressing selfless desire for another's present/future happiness. Capturing this message has a strong reliance on the performers to not only carry the emotional intent of the moment (a phrase of text or a measure), but the the energy and continuance of the message throughout.The use of the [o] vowel functions almost as instrumental interludes or underpinning of strings. The conductor may use the [o] as indicated in the score, or a [u] vowel, a hum (with [o] as the vowel inside the mouth), or all three at different times for different reasons. In an acoustical performance (no mic), the soloist and the ensemble are a reflection of each other's natural sound. And, even gentle, warm solo voices should have no trouble projecting.Two final thoughts: 1) the obbligato or added voice or two on high passages (m. 66) or a single note (final chord) will be best delivered by lyrical, pure voices with demonstrated control; and 2) the metronome marking of 80 bpm (mm. 1–81) was strongly considered and should be followed.About the ComposerZ. Randall Stroope is an American composer and conductor. His composition teachers were Normand Lockwood and Cecil Effinger, both students of the Nadia Boulanger, the famous French teacher (and student of Gabriel FaureÌ). Randall is the artistic director of two international summer music festivals, is an Honorary Board Member of the NationalAssociation of Italian Choral Directors, and has conducted in 25 countries. He has directed over 40 times at Carnegie Hall, and is a frequent conductor at other prestigious concert venues. Randall has 190 published works, and his music can be heard on Spotify, YouTube and other platforms, including his website (www.zrstroope.com).
SKU: CL.LDP-7156-00
The lovely old tune on which this composition is based is know by a variety of names: Farewell! But Whenever You Welcome the Hour, To Rodney We Will Go, and Moll Roone. The Andante e rubato used from the outset of the piece, gives conductors as much freedom as they might desire. Wonderful lyrical writing and a beautiful tribute to that special someone.
SKU: CL.LDP-7156-01
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