SKU: CA.3324012

ISBN 9790007302658. German. Text: Ramler, Carl Wilhelm.

Of the three oratorios which Carl Philipp Emanuel Bach composed when he was music director in Hamburg, Die Auferstehung und Himmelfahrt Jesu is particularly intended to create splendor and effect with its use of magnificent-sounding trumpets and timpani. Bach liked this work very much and had it published in 1787, the year before his death. The following year the oratorio was performed by Mozart in Vienna.

The text of the oratorio by Carl Wilhelm Ramler (1725–1798; better known as the poet of the frequently-set “Der Tod Jesu”) covers the Easter story of the disciples at Emmaus and the doubting Thomas, up to the image of Jesus ascending to heaven.

The score is published as Vol. IV,2 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute. Carus publishes the vocal score and choral score for this work. The full score and parts can also be obtained from Carus.

SKU: CA.3324003

ISBN 9790007262198. German. Text: Ramler, Carl Wilhelm.

Of the three oratorios which Carl Philipp Emanuel Bach composed when he was music director in Hamburg, Die Auferstehung und Himmelfahrt Jesu is particularly intended to create splendor and effect with its use of magnificent-sounding trumpets and timpani. Bach liked this work very much and had it published in 1787, the year before his death. The following year the oratorio was performed by Mozart in Vienna.

The text of the oratorio by Carl Wilhelm Ramler (1725–1798; better known as the poet of the frequently-set “Der Tod Jesu”) covers the Easter story of the disciples at Emmaus and the doubting Thomas, up to the image of Jesus ascending to heaven.

The score is published as Vol. IV,2 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute. Carus publishes the vocal score and choral score for this work. The full score and parts can also be obtained from Carus.

SKU: CA.3324013

ISBN 9790007302665. German. Text: Ramler, Carl Wilhelm.

Of the three oratorios which Carl Philipp Emanuel Bach composed when he was music director in Hamburg, Die Auferstehung und Himmelfahrt Jesu is particularly intended to create splendor and effect with its use of magnificent-sounding trumpets and timpani. Bach liked this work very much and had it published in 1787, the year before his death. The following year the oratorio was performed by Mozart in Vienna.

The text of the oratorio by Carl Wilhelm Ramler (1725–1798; better known as the poet of the frequently-set “Der Tod Jesu”) covers the Easter story of the disciples at Emmaus and the doubting Thomas, up to the image of Jesus ascending to heaven.

The score is published as Vol. IV,2 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute. Carus publishes the vocal score and choral score for this work. The full score and parts can also be obtained from Carus.

SKU: CA.3324048

ISBN 9790007297138. German. Text: Ramler, Carl Wilhelm.

Of the three oratorios which Carl Philipp Emanuel Bach composed when he was music director in Hamburg, Die Auferstehung und Himmelfahrt Jesu is particularly intended to create splendor and effect with its use of magnificent-sounding trumpets and timpani. Bach liked this work very much and had it published in 1787, the year before his death. The following year the oratorio was performed by Mozart in Vienna.

The text of the oratorio by Carl Wilhelm Ramler (1725–1798; better known as the poet of the frequently-set “Der Tod Jesu”) covers the Easter story of the disciples at Emmaus and the doubting Thomas, up to the image of Jesus ascending to heaven.

The score is published as Vol. IV,2 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute. Carus publishes the vocal score and choral score for this work. The full score and parts can also be obtained from Carus.

SKU: HL.44013337

WINNING PERFORMANCE EBBC LILLE 2016 Raveling, Unraveling - In Search of 'La Valse' was written for the Cory Band as their own-choicetest piece for the 2016 European Brass Band Championships in Lille. The piece found its genesis in Sparkes The Unknown Journey (2014) for concert band, and the use of Ravels La Valse as a structural undercurrent to the original piece is an act of reverence. Sparkes aim was to produce a work that is organic rather than episodic in nature. The composers view is that little in music does this better than La Valse and for this reason he uses various sections of this masterpiece, both manipulated and quoted verbatim (including much of its stunningclosing passages) to provide the overall geography of his new work. As the music progresses, more of the Ravel appears, surfacing completely as the piece reaches its climax - a gesture of homage to the French master.

SKU: SP.TS71612

ISBN 9781585606924. UPC: 728941716124.

Teach Yourself Guitar published by Santorella Publications is the first in a series including CD that was initially created as an impulse product for a typical independent Guitar & Amp shop. In a market flooded with similar products, we swiftly learned that our edition was more than just a quick fix for the beginner. Although titled, Teach Yourself Guitar, it contains much more than basic instruction. Accordingly, Teach Yourself Guitar has become the standard for countless educators as a private lesson study guide.

There are numerous products on the market that falsely proclaim incomprehensible results in just minutes. Unfortunately, none of these products cultivate permanent advancement. Becoming a better musician is only possible through hard work, discipline and dedication.

Our challenge was to create an approach to guitar that was easy to understand and followed a logical step by step progression. To truly master the guitar, one must have their eyes set on short-term goals in order to achieve long-term results. We are proud to say that we have met this challenge by providing a proven curriculum to learning the many facets of playing the guitar in this one of a kind guide.

Topics covered include:

• Types of Guitars
• Tuning the Guitar
• Holding the Guitar
• Musical Notation
• Timing and Note Values
• The First String-E
• The Second String-B
• The Third String-C
• Playing Chords
• It's Time To Rest
• Notes on the Fourth String-D
• Notes on the Fifth String-A
• High A
• Notes on the Sixth String-E
• Bass Chord Accompaniments
• The F Chord Using Three Strings
• Accidentals
• Ascending Scales
• Descending Scales
• Enharmonic Notation
• Arpeggios
• Transposition
• Major Scale and Key Signatures
• Important Tablature Symbols