By Steve Martin. Homespun Tapes. Softcover. Guitar tablature. 44 pages. Homespun #ADSMARB01. Published by Homespun

Transcribed by Steve Kahn, performed by Pat Martino. Guitar solo songbook for guitar. With standard notation (no tablature), chord names, guitar chord diagrams and performance notes. 48 pages. Published by Alfred Publishing.

Without Love We Have Nothing by James Michael Stevens and Joseph M. Martin. Arranged by Brant Adams. For SATB Choir (SATB). Glory Sound. Choral. 12 pages. Shawnee Press #A8007. Published by Shawnee Press

Marching band - Grade 2

SKU: RM.STEV03589-CO

Composed by Mort Stevens. Arranged by Eric Vireton. Marching band. Orchestra. Conductor's score. Editions Robert Martin #STEV03589-CO. Published by Editions Robert Martin (RM.STEV03589-CO).

(Hymns of Faith and Assurance). By Steve Martin. For Piano Solo. This edition: Paperback. Piano Music. Preludes, offertories, concerts, recitals, talent contests, personal worship, and instruction. Multicultural and Sacred. Moderate. Keyboard Book. 56 pages. Published by Lillenas Publishing Company

(Festive Hymn Settings for Organ). Composed by Steve Martin. For organ: 3-staff. Sacred. Moderate. Published by Lillenas Publishing Company

(Christmas Portraits for Solo Piano). Composed by Steve Martin. For piano. Christmas. Medium. Published by Lillenas Publishing Company

An All-Purpose Reference for Navigating Your Fretboard. By Andy Martin. Guitar Educational. Size 9x12 inches. 96 pages. Published by Hal Leonard.

Junior orcestra - Grade 2

SKU: RM.GREN05596-BA

Composed by Steven Greenber. Arranged by Yves Bouillot. Solo woodwinds. Orchestra. Score and parts. Duration 2'52. Editions Robert Martin #GREN05596-BA. Published by Editions Robert Martin (RM.GREN05596-BA).

ISBN 9790231055962.

By Stevens. Arranged by Vireton. For marching band. Orchestral Music. Easy (grade 2). Published by Editions Robert Martin

SATB and Organ. Composed by Brian Chapple. Choral. Octavo. Chester Music #CH88121. Published by Chester Music

Chamber Music String Quartet

SKU: CF.BE24

The Planet on the Table. Composed by Martin Bresnick. Folio. Set of Score and Parts. 48+20+16+16+16 pages. Duration 32 minutes. Carl Fischer Music #BE24. Published by Carl Fischer Music (CF.BE24).

ISBN 9781491156780. UPC: 680160915323. 9 x 12 inches. La.

Based on Wallace Stevens' poem The Planet on the Table this string quartet's world is made of the music and sounds of remembered times or of something heard that the composer, Martin Bresnick, liked. The quartet has five movements, each headed by a quotation from one of Stevens' poems as a point of departure or pathway into those remembered sounds and music. What matters is that my music, like his (Stevens') poetry, should bear some lineament or character, some affluence, if only half perceived in the poverty of its sounds, of the planet of which it was part..
Wallace Stevens' poem The Planet on the Table begins - Ariel was glad he had written his poems, They were of a remembered time Or of something seen that he liked. In this string quartet, also entitled The Planet on the Table, my planet is made of the music and sounds of a remembered time or of something heard that I liked. The quartet has five movements, each headed by a quotation from one of Stevens' poems* as a point of departure or pathway into those remembered sounds and music: I. Mrs. Anderson's Swedish Baby II. She Measured the Hour III. Scene 10 Becomes 11 IV. Someone Has Walked Across the Snow V. His Self and the Sun Like Stevens, my self and the sun are one, and my music, like his poetry, although makings of my self, is also makings of the sun. Stevens wrote it was not important that his poetry survive, which is also true of my work. What matters is that my music, like his poetry, should bear some lineament or character, some affluence, if only half perceived in the poverty of its sounds, of the planet of which it was part. *Sources for the titles: I. The Pleasures of Merely Circulating II. The Idea of Order at Key West III. Chaos in Motion and Not in Motion IV. Vacancy in the Park V. The Planet on the Table.
Wallace Stevens' poem The Planet on the Table begins -Ariel was glad he had written his poems,They were of a remembered timeOr of something seen that he liked.In this string quartet, also entitled The Planet on the Table, my planet is made of the music and sounds of a remembered time or of something heard that I liked.The quartet has five movements, each headed by a quotation from one of Stevens' poems* as a point of departure or pathway into those remembered sounds and music:I. Mrs. Anderson's Swedish BabyII. She Measured the HourIII. Scene 10 Becomes 11IV. Someone Has Walked Across the SnowV. His Self and the SunLike Stevens, my self and the sun are one, and my music, like his poetry, although makings of my self, is also makings of the sun. Stevens wrote it was not important that his poetry survive, which is also true of my work.What matters is that my music, like his poetry, should bear some lineament or character, some affluence, if only half perceived in the poverty of its sounds, of the planet of which it was part.*Sources for the titles:I. The Pleasures of Merely CirculatingII. The Idea of Order at Key WestIII. Chaos in Motion and Not in MotionIV. Vacancy in the ParkV. The Planet on the Table.