| E-Z Play Today #400. Classical Masterpieces Keyboard - Easy Hal Leonard
E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and...(+)
E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and electronic keyboard). Size 9x12 inches. 136 pages. Published by Hal Leonard.
(4)$12.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Music Medals Gold - Violin (Ensemble Pieces) Violin ensemble ABRSM Publishing | | |
| Classical Jazz, Rags and Blues, Book 3 Piano solo [Sheet music] - Intermediate Alfred Publishing
10 Classical Melodies Arranged in Jazz Styles for Intermediate to Late Intermedi...(+)
10 Classical Melodies Arranged in Jazz Styles for Intermediate to Late Intermediate Pianists. By Martha Mier. For Piano. Piano Collection. Classical Jazz, Rags and Blues. Blues; Jazz. Level: Intermediate / Late Intermediate. Book. 24 pages. Published by Alfred Publishing.
(2)$6.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Piano Treasury of Classical Music Piano solo [Sheet music + CD] - Intermediate Music Sales
Edited by Amy Appleby. Collection and examples CD for solo piano. Over 125 great...(+)
Edited by Amy Appleby. Collection and examples CD for solo piano. Over 125 great masterpieces from the Baroque, Classical, Romantic, and Modern eras. Series: Piano Treasury Series. 399 pages. Published by Music Sales.
(1)$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Homage Marching band [Score and Parts] - Intermediate De Haske Publications
Fanfare Band - Grade 5 SKU: BT.DHP-0940571-020 Composed by Jan Van der Ro...(+)
Fanfare Band - Grade 5 SKU: BT.DHP-0940571-020 Composed by Jan Van der Roost. Sovereign Series. Festive and Solemn Music. Set (Score & Parts). Composed 1994. De Haske Publications #DHP 0940571-020. Published by De Haske Publications (BT.DHP-0940571-020). In the most literal sense: a piece for an occasion. The actual occasion was Jan de Haan’s twentieth anniversary as a conductor of the top Dutch brass band, “Soli Deo Gloria†(Leeuwarden). To mark the occasion, the band commissioned the Belgian comopser Jan Van der Roost to create a surprise piece: without knowledge of the person being celebrated, a suitable source of inspiration was sought for. After some thought the chorale-theme from Camille Saint-Saëns organ symphony was chosen, a piece with which Jan de Haan has a special bond.Apart from this chorale, Homage is also based on the names of notes taken from ‘Jan de Haan’ and ‘Soli Deo Gloria’, resulting in the tonerow: DEGAH. Both elements are combined together and form a grand climax towards the end of the piece when the whole band unites in the Saint Saëns’ theme.
Homage wurde von Jan Van der Roost im Auftrage der Brass Band Soli Deo Gloria aus Leeuwarden geschrieben. Direkter Anlass dazu war das 20-jährige Jubiläum von Jan de Haan als Dirigent dieses Ensembles. Als Inspiration diente dem Komponistendas Choralthema der Orgelsymphonie von Camille Saint-Saëns, ein von Jan de Haan geschätztes Werk. Nebst diesem Choral basiert Homage ebenfalls auf den Notenbezeichnungen aus ‘Jan de Haan’ und ‘Soli Deo Gloria’, was die Notenreihe DEGAH ergab.Beide Elemente werden durcheinander verwendet, bis sich schließlich die ganze Band im Finale mit dem Saint-Saëns-Thema wieder zusammenfindet. $143.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Puff The Magic Dragon And 54 Other All-Time Children's Favorites - Easy Piano
Piano, Voice [Sheet music] - Easy Cherry Lane
For voice and piano. Format: easy piano/vocal/chords songbook. With vocal melody...(+)
For voice and piano. Format: easy piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, big note notation and optional duet part. Children's. 128 pages. 9x12 inches. Published by Cherry Lane Music.
$18.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Homage Concert band [Score and Parts] - Intermediate De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-0940571-010 Composed by Jan V...(+)
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-0940571-010 Composed by Jan Van der Roost. Sovereign Series. Set (Score & Parts). Composed 1994. De Haske Publications #DHP 0940571-010. Published by De Haske Publications (BT.DHP-0940571-010). In the most literal sense: a piece for an occasion. The actual occasion was Jan de Haan’s twentieth anniversary as a conductor of the top Dutch brass band, “Soli Deo Gloria†(Leeuwarden). To mark the occasion, the band commissioned the Belgian comopser Jan Van der Roost to create a surprise piece: without knowledge of the person being celebrated, a suitable source of inspiration was sought for. After some thought the chorale-theme from Camille Saint-Saëns organ symphony was chosen, a piece with which Jan de Haan has a special bond.Apart from this chorale, Homage is also based on the names of notes taken from ‘Jan de Haan’ and ‘Soli Deo Gloria’, resulting in the tonerow: DEGAH. Both elements are combined together and form a grand climax towards the end of the piece when the whole band unites in the Saint Saëns’ theme.
Homage wurde von Jan Van der Roost im Auftrage der Brass Band Soli Deo Gloria aus Leeuwarden geschrieben. Direkter Anlass dazu war das 20-jährige Jubiläum von Jan de Haan als Dirigent dieses Ensembles. Als Inspiration diente dem Komponistendas Choralthema der Orgelsymphonie von Camille Saint-Saëns, ein von Jan de Haan geschätztes Werk. Nebst diesem Choral basiert Homage ebenfalls auf den Notenbezeichnungen aus ‘Jan de Haan’ und ‘Soli Deo Gloria’, was die Notenreihe DEGAH ergab.Beide Elemente werden durcheinander verwendet, bis sich schließlich die ganze Band im Finale mit dem Saint-Saëns-Thema wieder zusammenfindet. $143.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Double bass (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-27(+)
Double bass (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-27 Urtext based on the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna. Composed by Johannes Brahms. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). EB 6043 is printed in score form; two copies are needed for performance. Have a look into study score PB 3654. Solo concerto; Romantic. Part. 8 pages. Duration 43'. Breitkopf and Haertel #OB 3210-27. Published by Breitkopf and Haertel (BR.OB-3210-27). ISBN 9790004300732. 10 x 12.5 inches. Johannes Brahms' first Piano Concerto was the fruit of a complex, protracted, and extremely trying creative process. Its origin goes back to a sonata in D minor for two pianos conceived in spring 1854. The impulse for the creation of the main subject was however a shocking event: According to Joseqph Joachim, the theme originated after hearing about Schumanns suicide attempt. A few months earlier, Schumann had revealed Brahms to the musical world in his essay New Paths. In this article, Brahms is extolled as the musician who is called to give expression to the feeling of his times in an ideal fashion. The unusually rapid genesis of the D-minor sonata and its prevailingly dark, monumental mood can be interpreted as an impassioned compositional response to Schumann's suicide attempt. However, the year-long struggle to arrive at the final form of the work should perhaps also be seen in the context of the resounding praise of Schumann's prophetic article. Brahms undoubtly felt a growing inner pressure to live up to the expectations aroused therein.Together with Clara Schumann, Brahms played the three so far existing movements of the sonata, but he was very self-critical. He felt that he had not been able to realize the monumentality he had envisioned, and which Clara Schumann felt, by merely doubling the piano sound. He soon decided to transform the sonata into a symphony (his first orchestral project). However, this idea did not seem to fit his vision either. Only in spring 1855 did he strike upon the definitive solution: a piano concerto. With Brahms as soloist, this concerto premiered in 1859, though he initially had little success. He wrote to Joachim about one of the first performances that the concerto was a brilliant and unmistakable - failure. This hardly surprised Brahms, for he was undoubtedly aware of the newness of the work, which surpassed the expectations of the audience. The work's complex structure and symphonic dimensions, the solo part's rejection of showy, elegant brilliance, and the uniquely Brahmsian orchestral density it maintains throughout; all of these qualities inevitably exasperated audiences at first - until they raised this work to the ranks of the most celebrated concertos of all time. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Violin 1 (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-15 ...(+)
Violin 1 (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-15 Urtext based on the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna. Composed by Johannes Brahms. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str. Solo concerto; Romantic. Part. 8 pages. Duration 43'. Breitkopf and Haertel #OB 3210-15. Published by Breitkopf and Haertel (BR.OB-3210-15). ISBN 9790004300695. 10 x 12.5 inches. Johannes Brahms' first Piano Concerto was the fruit of a complex, protracted, and extremely trying creative process. Its origin goes back to a sonata in D minor for two pianos conceived in spring 1854. The impulse for the creation of the main subject was however a shocking event: According to Joseqph Joachim, the theme originated after hearing about Schumanns suicide attempt. A few months earlier, Schumann had revealed Brahms to the musical world in his essay New Paths. In this article, Brahms is extolled as the musician who is called to give expression to the feeling of his times in an ideal fashion. The unusually rapid genesis of the D-minor sonata and its prevailingly dark, monumental mood can be interpreted as an impassioned compositional response to Schumann's suicide attempt. However, the year-long struggle to arrive at the final form of the work should perhaps also be seen in the context of the resounding praise of Schumann's prophetic article. Brahms undoubtly felt a growing inner pressure to live up to the expectations aroused therein.Together with Clara Schumann, Brahms played the three so far existing movements of the sonata, but he was very self-critical. He felt that he had not been able to realize the monumentality he had envisioned, and which Clara Schumann felt, by merely doubling the piano sound. He soon decided to transform the sonata into a symphony (his first orchestral project). However, this idea did not seem to fit his vision either. Only in spring 1855 did he strike upon the definitive solution: a piano concerto. With Brahms as soloist, this concerto premiered in 1859, though he initially had little success. He wrote to Joachim about one of the first performances that the concerto was a brilliant and unmistakable - failure. This hardly surprised Brahms, for he was undoubtedly aware of the newness of the work, which surpassed the expectations of the audience. The work's complex structure and symphonic dimensions, the solo part's rejection of showy, elegant brilliance, and the uniquely Brahmsian orchestral density it maintains throughout; all of these qualities inevitably exasperated audiences at first - until they raised this work to the ranks of the most celebrated concertos of all time. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Violoncello (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-23(+)
Violoncello (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-23 Urtext based on the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna. Composed by Johannes Brahms. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). EB 6043 is printed in score form; two copies are needed for performance. Have a look into study score PB 3654. Solo concerto; Romantic. Part. 8 pages. Duration 43'. Breitkopf and Haertel #OB 3210-23. Published by Breitkopf and Haertel (BR.OB-3210-23). ISBN 9790004300725. 10 x 12.5 inches. Johannes Brahms' first Piano Concerto was the fruit of a complex, protracted, and extremely trying creative process. Its origin goes back to a sonata in D minor for two pianos conceived in spring 1854. The impulse for the creation of the main subject was however a shocking event: According to Joseqph Joachim, the theme originated after hearing about Schumanns suicide attempt. A few months earlier, Schumann had revealed Brahms to the musical world in his essay New Paths. In this article, Brahms is extolled as the musician who is called to give expression to the feeling of his times in an ideal fashion. The unusually rapid genesis of the D-minor sonata and its prevailingly dark, monumental mood can be interpreted as an impassioned compositional response to Schumann's suicide attempt. However, the year-long struggle to arrive at the final form of the work should perhaps also be seen in the context of the resounding praise of Schumann's prophetic article. Brahms undoubtly felt a growing inner pressure to live up to the expectations aroused therein.Together with Clara Schumann, Brahms played the three so far existing movements of the sonata, but he was very self-critical. He felt that he had not been able to realize the monumentality he had envisioned, and which Clara Schumann felt, by merely doubling the piano sound. He soon decided to transform the sonata into a symphony (his first orchestral project). However, this idea did not seem to fit his vision either. Only in spring 1855 did he strike upon the definitive solution: a piano concerto. With Brahms as soloist, this concerto premiered in 1859, though he initially had little success. He wrote to Joachim about one of the first performances that the concerto was a brilliant and unmistakable - failure. This hardly surprised Brahms, for he was undoubtedly aware of the newness of the work, which surpassed the expectations of the audience. The work's complex structure and symphonic dimensions, the solo part's rejection of showy, elegant brilliance, and the uniquely Brahmsian orchestral density it maintains throughout; all of these qualities inevitably exasperated audiences at first - until they raised this work to the ranks of the most celebrated concertos of all time. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Viola (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-19 ...(+)
Viola (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-19 Urtext based on the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna. Composed by Johannes Brahms. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). EB 6043 is printed in score form; two copies are needed for performance. Have a look into study score PB 3654. Solo concerto; Romantic. Part. 12 pages. Duration 43'. Breitkopf and Haertel #OB 3210-19. Published by Breitkopf and Haertel (BR.OB-3210-19). ISBN 9790004300718. 10 x 12.5 inches. Johannes Brahms' first Piano Concerto was the fruit of a complex, protracted, and extremely trying creative process. Its origin goes back to a sonata in D minor for two pianos conceived in spring 1854. The impulse for the creation of the main subject was however a shocking event: According to Joseqph Joachim, the theme originated after hearing about Schumanns suicide attempt. A few months earlier, Schumann had revealed Brahms to the musical world in his essay New Paths. In this article, Brahms is extolled as the musician who is called to give expression to the feeling of his times in an ideal fashion. The unusually rapid genesis of the D-minor sonata and its prevailingly dark, monumental mood can be interpreted as an impassioned compositional response to Schumann's suicide attempt. However, the year-long struggle to arrive at the final form of the work should perhaps also be seen in the context of the resounding praise of Schumann's prophetic article. Brahms undoubtly felt a growing inner pressure to live up to the expectations aroused therein.Together with Clara Schumann, Brahms played the three so far existing movements of the sonata, but he was very self-critical. He felt that he had not been able to realize the monumentality he had envisioned, and which Clara Schumann felt, by merely doubling the piano sound. He soon decided to transform the sonata into a symphony (his first orchestral project). However, this idea did not seem to fit his vision either. Only in spring 1855 did he strike upon the definitive solution: a piano concerto. With Brahms as soloist, this concerto premiered in 1859, though he initially had little success. He wrote to Joachim about one of the first performances that the concerto was a brilliant and unmistakable - failure. This hardly surprised Brahms, for he was undoubtedly aware of the newness of the work, which surpassed the expectations of the audience. The work's complex structure and symphonic dimensions, the solo part's rejection of showy, elegant brilliance, and the uniquely Brahmsian orchestral density it maintains throughout; all of these qualities inevitably exasperated audiences at first - until they raised this work to the ranks of the most celebrated concertos of all time. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Woodwinds (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-30 ...(+)
Woodwinds (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-30 Urtext based on the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna. Composed by Johannes Brahms. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library). EB 6043 is printed in score form; two copies are needed for performance. Have a look into study score PB 3654. Solo concerto; Romantic. Set of parts. 90 pages. Duration 43'. Breitkopf and Haertel #OB 3210-30. Published by Breitkopf and Haertel (BR.OB-3210-30). ISBN 9790004300749. 10 x 12.5 inches. Johannes Brahms' first Piano Concerto was the fruit of a complex, protracted, and extremely trying creative process. Its origin goes back to a sonata in D minor for two pianos conceived in spring 1854. The impulse for the creation of the main subject was however a shocking event: According to Joseqph Joachim, the theme originated after hearing about Schumanns suicide attempt. A few months earlier, Schumann had revealed Brahms to the musical world in his essay New Paths. In this article, Brahms is extolled as the musician who is called to give expression to the feeling of his times in an ideal fashion. The unusually rapid genesis of the D-minor sonata and its prevailingly dark, monumental mood can be interpreted as an impassioned compositional response to Schumann's suicide attempt. However, the year-long struggle to arrive at the final form of the work should perhaps also be seen in the context of the resounding praise of Schumann's prophetic article. Brahms undoubtly felt a growing inner pressure to live up to the expectations aroused therein.Together with Clara Schumann, Brahms played the three so far existing movements of the sonata, but he was very self-critical. He felt that he had not been able to realize the monumentality he had envisioned, and which Clara Schumann felt, by merely doubling the piano sound. He soon decided to transform the sonata into a symphony (his first orchestral project). However, this idea did not seem to fit his vision either. Only in spring 1855 did he strike upon the definitive solution: a piano concerto. With Brahms as soloist, this concerto premiered in 1859, though he initially had little success. He wrote to Joachim about one of the first performances that the concerto was a brilliant and unmistakable - failure. This hardly surprised Brahms, for he was undoubtedly aware of the newness of the work, which surpassed the expectations of the audience. The work's complex structure and symphonic dimensions, the solo part's rejection of showy, elegant brilliance, and the uniquely Brahmsian orchestral density it maintains throughout; all of these qualities inevitably exasperated audiences at first - until they raised this work to the ranks of the most celebrated concertos of all time. $92.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Violin 2 (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-16 ...(+)
Violin 2 (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-16 Urtext based on the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna. Composed by Johannes Brahms. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). EB 6043 is printed in score form; two copies are needed for performance. Have a look into study score PB 3654. Solo concerto; Romantic. Part. 8 pages. Duration 43'. Breitkopf and Haertel #OB 3210-16. Published by Breitkopf and Haertel (BR.OB-3210-16). ISBN 9790004300701. 10 x 12.5 inches. Johannes Brahms' first Piano Concerto was the fruit of a complex, protracted, and extremely trying creative process. Its origin goes back to a sonata in D minor for two pianos conceived in spring 1854. The impulse for the creation of the main subject was however a shocking event: According to Joseqph Joachim, the theme originated after hearing about Schumanns suicide attempt. A few months earlier, Schumann had revealed Brahms to the musical world in his essay New Paths. In this article, Brahms is extolled as the musician who is called to give expression to the feeling of his times in an ideal fashion. The unusually rapid genesis of the D-minor sonata and its prevailingly dark, monumental mood can be interpreted as an impassioned compositional response to Schumann's suicide attempt. However, the year-long struggle to arrive at the final form of the work should perhaps also be seen in the context of the resounding praise of Schumann's prophetic article. Brahms undoubtly felt a growing inner pressure to live up to the expectations aroused therein.Together with Clara Schumann, Brahms played the three so far existing movements of the sonata, but he was very self-critical. He felt that he had not been able to realize the monumentality he had envisioned, and which Clara Schumann felt, by merely doubling the piano sound. He soon decided to transform the sonata into a symphony (his first orchestral project). However, this idea did not seem to fit his vision either. Only in spring 1855 did he strike upon the definitive solution: a piano concerto. With Brahms as soloist, this concerto premiered in 1859, though he initially had little success. He wrote to Joachim about one of the first performances that the concerto was a brilliant and unmistakable - failure. This hardly surprised Brahms, for he was undoubtedly aware of the newness of the work, which surpassed the expectations of the audience. The work's complex structure and symphonic dimensions, the solo part's rejection of showy, elegant brilliance, and the uniquely Brahmsian orchestral density it maintains throughout; all of these qualities inevitably exasperated audiences at first - until they raised this work to the ranks of the most celebrated concertos of all time. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Piano Sonata No. 1 Piano solo [Score] Imagine Music
Piano SKU: IG.PFS201 Composed by Darin Tysdal. Score. Imagine Music Publi...(+)
Piano SKU: IG.PFS201 Composed by Darin Tysdal. Score. Imagine Music Publishing #PFS201. Published by Imagine Music Publishing (IG.PFS201). 9 x 12 inches. My first piano sonata was started when I was in college, but was recently revised. The main key is B-flat Major, with the first theme of the first movement being a fanfare. The second theme is more lyrical in nature, in D-flat Major. After an exposition repeat, the development deals mostly with the fanfare material. The recapitulation is by-the-book, with a sudden, surprising coda. The slow movement, placed second, has the character of a chaconne, using two different major scales in the treble and bass clefs. The tempo quickens to a dance, and an explosive climax. From out of the ashes comes the beginning of the piece, modified from it's original state. The scherzo played rather fast, mostly in octaves. There is a short trio which was influenced by Prokofiev's Fifth symphony. After the dacapo, the movement disappears into thin air. The last movement is a Rondo. The material for the A section is taken from the opening measures of the piece. The B and C sections are developments of the other themes of the first movement. The sonata ends with much finality. $22.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Klassik-Hits für Sopranblockflöte - Easy Schott
Recorder (NOTEN+CD) - easy SKU: HL.49033176 Composed by Hans Magolt and R...(+)
Recorder (NOTEN+CD) - easy SKU: HL.49033176 Composed by Hans Magolt and Rainer Butz. Edited by Hans Magolt and Rainer Butz. This edition: Saddle stitching. Sheet music with CD. Edition Schott. Classical. Edition with CD. 24 pages. Schott Music #ED 9576-50. Published by Schott Music (HL.49033176). ISBN 9783795756321. 7.5x11.0x0.138 inches. German. Karin Schliehe. Hasn't every recorder player dreamed of playing the most celebrated classical melodies as a soloist? Here you will find the finest pieces in arrangements for one or two descant recorders, with a CD to play along with. On a musical journey of discovery you will encounter many famous compositions, from Eine kleine Nachtmusik and Beethoven's Ode to Joy to the Birdcatcher's song from the Magic Flute and La donna e mobile from Verdi's Rigoletto. So that you can really enjoy making music the arrangements have been recorded in two versions on the CD: with and without recorders. $20.99 - See more - Buy online | | |
| Haydn's Surprise (Theme from Symphony #94, 2nd Movement) String Orchestra [Score and Parts] - Easy Kendor Music Inc.
By Franz Joseph Haydn (1732-1809). Arranged by John Caponegro. For string orches...(+)
By Franz Joseph Haydn (1732-1809). Arranged by John Caponegro. For string orchestra (88555) with optional 3rd Violin/Viola TC (3) and piano. Standard string orchestra (88555) with optional 3rd Violin/Viola TC (3) and piano. Cadet String Orchestra Series. Grade 2. Score and Set of Parts. Duration 2:50. Published by Kendor Music Inc
$52.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Luigi's Listening Lab Children choir [CD-ROM] Hal Leonard
(Multimedia Music History for the Classroom). By Cristi Cary Miller and John Jac...(+)
(Multimedia Music History for the Classroom). By Cristi Cary Miller and John Jacobson. For Choral (TEACHER BK and STUDENT ON CD ROM). Music Express Books. 32 pages. Published by Hal Leonard
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Music Medals Copper Clarinet Ensemble Pieces Clarinet Ensemble ABRSM Publishing
For Clarinet. Level: C. 16 pages. Published by ABRSM (Associated Board of the Ro...(+)
For Clarinet. Level: C. 16 pages. Published by ABRSM (Associated Board of the Royal Schools of Music).
$12.99 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Classical Hits for Treble Recorder (with additional 2nd part) 2 Recorders (duet) [Book + CD] - Intermediate Schott
Instrumental solo/duet book and accompaniment CD for 1-2 descant recorders. 24 p...(+)
Instrumental solo/duet book and accompaniment CD for 1-2 descant recorders. 24 pages. Published by Schott.
(3)$20.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Complete Works (JSW) Orchestra Breitkopf & Härtel
Orchestra SKU: BR.SON-633 Composed by Jean Sibelius. Orchestra; Linen. Co...(+)
Orchestra SKU: BR.SON-633 Composed by Jean Sibelius. Orchestra; Linen. Complete Works. Late-romantic; Early modern. Complete Works. 156 pages. Breitkopf and Haertel #SON 633. Published by Breitkopf and Haertel (BR.SON-633). ISBN 9790004803684. 10 x 12.5 inches. Symphony, symphonic poem, fantasy, or something else entirely different? For a long time while working on the Sixth Symphony, Sibelius was not certain what his new orchestral work was now about to become or what to call it. He had to interrupt work on the symphony time and again during the Finnish civil war and because of financial difficulties that forced him to earn a living with little things. So, it is not surprising that many small ideas for other works repeatedly culminated in the Sixth. In a letter to a friend, he describes his early ideas for the work: The 6th symphony is wild and turbulent in character. Gloomy with pastoral contrasts. Probably in 4 movements with a conclusion growing into a dark orchestral shower in which the main theme drowns. The editor Kai Lindberg now presents the definitive version within the context of the Sibelius Complete Edition. $208.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Antonin's New World Brass ensemble [Score and Parts] - Easy De Haske Publications
Brass Band - Grade 3 SKU: BT.DHP-0991507-030 Composed by Antonin Dvorak. ...(+)
Brass Band - Grade 3 SKU: BT.DHP-0991507-030 Composed by Antonin Dvorak. Arranged by Dizzy Stratford. Applause Series. Original Light Music. Set (Score & Parts). Composed 1999. De Haske Publications #DHP 0991507-030. Published by De Haske Publications (BT.DHP-0991507-030). Antonin’s New World is an excellent piece of musical theatre featuring a comedy act for triangle soloist and band. The music itself does not sound comical, being based on Anton Dvorak’s Symphony in E Minor (From the New World), but the right mix of seriousness and humour brings a surprising effect. With a bit of acting talent from your triangle soloist, this interpretation of the well known classical melody will be a major hit. Whether you choose Antonin’s New World as a “triangle solo†novelty piece or simply as a delightful adaptation of Dvorak’s immensely popular Ninth Symphony, both the band and the audience will love it!
Dieses Werk kann ad libitum mit einem Triangel-Solisten und Blasorchester als Komödie in Szene gesetzt werden. Die Musik selbst, basierend auf Themen von Antonin Dvoraks 9. Symphonie Aus der Neuen Welt, ist alles andere als komisch. Dizzy Stratford wählte sie bewusst, um durch Kombination von Ernsthaftigkeit und Humor einen größeren Effekt zu erzielen. Die Seriosität der Musik erlaubt übrigens auch eine Aufführung ohne Showelemente bzw. ohne den Charakter eines Solo-Stückes. $78.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Antonin's New World Marching band [Score and Parts] - Easy De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-0991507-020 Composed by Antonin Dvorak...(+)
Fanfare Band - Grade 3 SKU: BT.DHP-0991507-020 Composed by Antonin Dvorak. Arranged by Dizzy Stratford. Applause Series. Original Light Music. Set (Score & Parts). Composed 1999. De Haske Publications #DHP 0991507-020. Published by De Haske Publications (BT.DHP-0991507-020). Antonin’s New World is an excellent piece of musical theatre featuring a comedy act for triangle soloist and band. The music itself does not sound comical, being based on Anton Dvorak’s Symphony in E Minor (‘From the New World’), but the right mix of seriousness and humour brings a surprising effect. With a bit of acting talent from your triangle soloist, this interpretation of the well known classical melody will be a major hit. Whether you choose Antonin’s New World as a “triangle solo†novelty piece or simply as a delightful adaptation of Dvorak’s immensely popular Ninth Symphony, both the band and the audience will love it!
Dieses Werk kann ad libitum mit einem Triangel-Solisten und Blasorchester als Komödie in Szene gesetzt werden. Die Musik selbst, basierend auf Themen von Antonin Dvoraks 9. Symphonie Aus der Neuen Welt, ist alles andere als komisch. Dizzy Stratford wählte sie bewusst, um durch Kombination von Ernsthaftigkeit und Humor einen größeren Effekt zu erzielen. Die Seriosität der Musik erlaubt übrigens auch eine Aufführung ohne Showelemente bzw. ohne den Charakter eines Solo-Stückes.d. $125.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Antonin's New World Concert band [Score and Parts] - Easy De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-0991507-010 Composed by Anton...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-0991507-010 Composed by Antonin Dvorak. Arranged by Dizzy Stratford. Applause Series. Set (Score & Parts). Composed 1999. De Haske Publications #DHP 0991507-010. Published by De Haske Publications (BT.DHP-0991507-010). Antonin’s New World is an excellent piece of musical theatre featuring a comedy act for triangle soloist and band. The music itself does not sound comical, being based on Anton Dvorak’s Symphony in E Minor (‘From the New World’), but the right mix of seriousness and humour brings a surprising effect. With a bit of acting talent from your triangle soloist, this interpretation of the well known classical melody will be a major hit. Whether you choose Antonin’s New World as a “triangle solo†novelty piece or simply as a delightful adaptation of Dvorak’s immensely popular Ninth Symphony, both the band and the audience will love it!
Dieses Werk kann ad libitum mit einem Triangel-Solisten und Blasorchester als Komödie in Szene gesetzt werden. Die Musik selbst, basierend auf Themen von Antonin Dvoraks 9. Symphonie Aus der Neuen Welt, ist alles andere als komisch. Dizzy Stratford wählte sie bewusst, um durch Kombination von Ernsthaftigkeit und Humor einen größeren Effekt zu erzielen. Die Seriosität der Musik erlaubt übrigens auch eine Aufführung ohne Showelemente bzw. ohne den Charakter eines Solo-Stückes. $125.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Three-Ring Wind-Up Brass choir [Score and Parts] - Intermediate Lovebird Music
By Brian Casey. Brass choir. For 3 trumpets, 3 trombones, euphonium, tuba. Score...(+)
By Brian Casey. Brass choir. For 3 trumpets, 3 trombones, euphonium, tuba. Score and set of parts. Published by Lovebird Music. (131)
Level: Grade 4.
$30.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concert de Rialp Guitar, Orchestra Editorial de Musica Boileau
Guitar and orchestra SKU: BO.B.3610 Composed by Jaume Torrent. Published ...(+)
Guitar and orchestra SKU: BO.B.3610 Composed by Jaume Torrent. Published by Editorial de Musica Boileau (BO.B.3610). The concerto establishes a dialogue which alternates constantly between the guitar and the symphony orchestra, with the two sound worlds being maintained in perfect balance while also exploring the unique possibilities presented by each: the guitar develops a surprising array of resources which enhance its expressive capacity to the utmost, while the orchestra envelops it in an extensive range of textures which at times give rise to subtle tones, and at others, all the tonal vigour of the tutti.
The language I employ is intended as a means of achieving an efficient symbiosis between modernity and tradition, continuing in the line of my previous works as a composer. It contains no references to popular music and at all times veers away from the expectations created by the language of folklore exploited in concertos of this kind by the majority of recognised composers. In Concerto de Rialp, modernity is reflected through a search for unique expressive forms, experimentation with new means of thematic development and a unique presentation of formal solutions, all the while, however, respecting expressiveness and lyricism as the foundations of communicating with the audience.
The concerto also explores the guitar's new technical resources. Thanks to specific work on left hand extensions, mechanical formulas have been developed which allow certain scales to be played at unprecedented speeds. In the cadenza of the first movement, the guitar develops the main theme in the form of an instrumental motif that has never been used before in guitar scores, producing a polyphonic effect of new dimensions.
I have worked to exploit the distinctive sound differences existing between the guitar and the orchestra -both from the dynamic and the tonal points of view- in order to really develop the dramatic effect that their being brought together affords. In the second movement -calmo assai- this dramatic quality is expressed in a way that is particularly powerful by means of a tension never before achieved in a concerto for guitar and orchestra. $55.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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