By Johann Pachelbel (Canon in D). Arranged by Ruth Elaine Schram. For Opt. Flute or Other C-Instrument. (SATB). Choral Octavo. Sacred Choral Series. Level: Moderate (grade III). Choral Octavo. 12 pages. Published by Alfred Publishing.

By Wolfgang Amadeus Mozart. Arranged by Donald Moore. For Choir. (SATB). Choral Octavo. Masterwork. Level: Level 4 (grade L4). Choral Octavo. 8 pages. Published by Alfred Publishing.

Arranged by Jean Anne Shafferman. For Choir. (SATB). Choral Octavo. Level: Level 3 (grade L3). Choral Octavo. 8 pages. Published by Alfred Publishing.

Choir (SATB choir)

SKU: AP.47633

Based on Pachelbel's Canon in D. Composed by Paul O'neill. Arranged by Andy Beck. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Christmas; Holiday Pops; Secular. Choral Octavo. 12 pages. Alfred Music #00-47633. Published by Alfred Music (AP.47633).

UPC: 038081543260. English.

From Trans-Siberian Orchestra's triple platinum album, Christmas Eve and Other Stories, this respectful treatment of Pachelbel's Canon features patterned vocal parts that can be quickly taught and layered. The four-hand piano accompaniment is for two players at one piano, but is not difficult to play. Combine with Bob Phillips' string orchestra arrangement or the classical sounding SoundTrax CD. A highlight for any holiday concert!

Arranged by Patrick M. Liebergen. For Choir. (SATB). Choral Octavo. Level: Level 3 (grade L3). Choral Octavo. 12 pages. Published by Alfred Publishing.

By Traditional Canon. Arranged by Larry Clark, Rae Moses. For Soprano, Alto, Tenor, Bass, Keyboard, Optional Flute, Optional Concert Band. Octavo. 8 pages. Duration 3 minutes, 21 seconds. Published by Carl Fischer

By Hal H. Hopson. Edited by Michael Perry. For SATB choir. Classics/Hymntune/Thanksgiving. Canon, Hymntune, Thanksgiving and Sacred. Choral octavo. Published by Hope Publishing Company

Choir Sacred (SATB choir)

SKU: AP.SV98130

Arranged by Carole Stephens. Performance Music Ensemble. Alfred Archive Edition: Studio PR Catalog. Form: Medley. Christmas; Sacred. Choral Octavo. 12 pages. Alfred Music #00-SV98130. Published by Alfred Music (AP.SV98130).

UPC: 029156915181. English.

Pachelbel's famous Canon in D is the backdrop for this medley of well-known Christmas carols. Carole Stephens weaves the songs together in a tasteful, singable concert work. It includes 'Ding Dong Merrily on High,' 'I Heard the Bells on Christmas Day,' and 'Ukranian Bell Carol.' Sure to be a welcome addition to any holiday concert!

Arranged by Patrick M. Liebergen. For SATB choir with optional flute. General Worship. Octavo. 12 pages. Published by Hope Publishing Company

SATB choir; flute

SKU: HP.C5889C

Arranged by Patrick M. Liebergen. General Worship, Sacred. Performance/Accompaniment CD. Hope Publishing Company #C5889C. Published by Hope Publishing Company (HP.C5889C).

UPC: 763628958893. By Joseph Haydn. Scripture: Psalm 96:1, Psalm 98:1, Psalm 149:1.

Classic hymn by Joseph Haydn Appropriate for church and concert use, this exuberant setting of a canon by Johann Michael Haydnhas been arranged with both small and large choirs in mind. Incorporating the well known Latin phrases: Gloria Deo (glory to God) and Cantate Domino (sing to the Lord), this is a perfect selection year around. The opt. Flute Part is included and offers a supportive obbligato for this jubilant Psalm setting.

Choral (SATB) - intermediate

SKU: HL.49001420

(Two Canons). Composed by Gyorgy Ligeti. This edition: Folding. Sheet music. Schott Chorverlag (Choral Music). Beide Kanons sind im strengen Stil gehalten, wirken aber ganz unterschiedlich: Wahrend der erste das Stromen des Flusses in tonaler Harmonik illustriert, versinnbildlicht der zweite (fur Frauenchor gedachte) Kanon wildes Tratschen durch Klangballungen und. Classical. Choral Score. Composed 1947-1952. 4 pages. Duration 3'. Schott Music #C47267. Published by Schott Music (HL.49001420).

ISBN 9790001128063. UPC: 884088085261. 7.5x10.75x0.012 inches. Hungarian - English - German.

Beide Kanons sind im strengen Stil gehalten, wirken aber ganz unterschiedlich: Wahrend der erste das Stromen des Flusses in tonaler Harmonik illustriert, versinnbildlicht der zweite (fur Frauenchor gedachte) Kanon wildes Tratschen durch Klangballungen und Akzentverschiebungen. Die ungarischen, deutschen und englischen Sprachvarianten haben jeweils einen ganz eigenen sprachlichen Reiz.

SATB choir, cornetto, 3 trombones, organ (Or 2 violins, viola and basso continuo or 2 oboes, english horn and basso continuo)

SKU: CA.3550311

Arranged by J. S. Bach. Composed by Francesco Gasparini. Edited by Peter Wollny. This edition: urtext. Edition Bach-Archiv Leipzig - Musical Monuments. Basso continuo. Sacred vocal music, Masses, Latin. Single Part, basso continuo. 4 pages. Carus Verlag #CV 35.503/11. Published by Carus Verlag (CA.3550311).

ISBN 9790007213473. Text language: Latin.

Particularly during the early 1740s, Johann Sebastian Bach concentrated intensely on studying the compositional technique of strict vocal polyphony. As an inspiration, he studied the works of older masters, copying them and, for the most part, performing them as well. A set of single parts for the Missa canonica by Francesco Gasparini in an instrumentation by Bach were recently discovered in the collection of the former Ephoralbibliothek Weissenfels; some of the parts are in Bach's own handwriting. Gasparini was esteemed in Germany particularly as a master of elaborate counterpoint and audacious harmonic writing. Bach amended the music text with a view to certain aspects of performance practice, clearly following a very specific concept of sound organization. His interest in strict counterpoint was paralleled by a tangible re-orientation in Bach's own compositional technique at the beginning of the 1740s. Francesco Gasparini's Missa canonica therefore served as a practical model for the highly developed art of canon writing and the strict polyphony in Bach's late works, as we encounter them, for example, in the B minor Mass. Score and part available separately - see item CA.3550300.

SATB choir, cornetto, 3 trombones, organ (Or 2 violins, viola and basso continuo or 2 oboes, english horn and basso continuo)

SKU: CA.3550349

Arranged by J. S. Bach. Composed by Francesco Gasparini. Edited by Peter Wollny. This edition: urtext. Edition Bach-Archiv Leipzig - Musical Monuments. Organ. Sacred vocal music, Masses, Latin. Single Part, Organ. 8 pages. Carus Verlag #CV 35.503/49. Published by Carus Verlag (CA.3550349).

ISBN 9790007213503. Language: Latin.

Particularly during the early 1740s, Johann Sebastian Bach concentrated intensely on studying the compositional technique of strict vocal polyphony. As an inspiration, he studied the works of older masters, copying them and, for the most part, performing them as well. A set of single parts for the Missa canonica by Francesco Gasparini in an instrumentation by Bach were recently discovered in the collection of the former Ephoralbibliothek Weissenfels; some of the parts are in Bach's own handwriting. Gasparini was esteemed in Germany particularly as a master of elaborate counterpoint and audacious harmonic writing. Bach amended the music text with a view to certain aspects of performance practice, clearly following a very specific concept of sound organization. His interest in strict counterpoint was paralleled by a tangible re-orientation in Bach's own compositional technique at the beginning of the 1740s. Francesco Gasparini's Missa canonica therefore served as a practical model for the highly developed art of canon writing and the strict polyphony in Bach's late works, as we encounter them, for example, in the B minor Mass. Score and part available separately - see item CA.3550300.

SATB a cappella, piano reduction - Early intermediate

SKU: GI.G-009047

Composed by William Billings. Arranged by Kyle Johnson. Holy Week, Lent 5 A, Palm Sunday, Good Friday. Tune Name: When Jesus Wept. Sacred. Octavo. 8 pages. GIA Publications #009047. Published by GIA Publications (GI.G-009047).

UPC: 641151090474. Text Source: The New England Psalm Singer , 1770.

Kyle Johnson has taken the traditional canon “When Jesus Wept” and creatively deconstructed it. We never hear more than two parts in canon with each other at the same time. Then he introduces a new counter-melody in the other parts and fills out the harmonies in other ways. While the words can be lost in the traditional four-part canon, the overall effect of Johnson’s approach is to create a moving meditation on the text. Easily accessible and highly recommended for small SATB choirs, but any size group will appreciate the artistry of this piece.