SKU: GI.G-10497
UPC: 785147049715. English. Text Source: Henry Francis Lyte, 1793-1847, alt. Text by Henry F. Lyte.
SKU: GI.G-8695
UPC: 785147869504. English. Text Source: Henry F. Lyte, 1793–1847, alt., based on Psalm 103.
Lary Visser’s take on lauda anima offers a wide spectrum of musical contrasts, from a spectacular introduction to a quiet interlude between verses 2 and 3. The sophisticated reharmonization of verses 3 and 4 alone are enough to keep this arrangement at your disposal!
SKU: GI.G-9918
UPC: 785147991809. English. Text by Henry F. Lyte.
SKU: GI.G-8695INST
English. Text Source: Henry F. Lyte, 1793–1847, alt., based on Psalm 103.
SKU: HL.1197414
UPC: 196288134473. 6.75x10.5x0.026 inches.
This unique setting of the familiar Henry F. Lyte text presents a compelling marriage of contrasts: liveliness and joy in a minor key. The added flute and djembe or conga drums bring a wave of fresh and spirited colors to your congregation's ears. Your choir will enjoy singing - and your congregation will enjoy hearing - this energetic expression of praise.
SKU: GI.G-10663
UPC: 785147066316. English. Text by Henry F. Lyte.
SKU: HP.C6177
UPC: 763628161774. By Cecil F. Alexander & Henry Gauntlett.
Hymn by Cecil F. Alexander & Henry Gauntlett This hymn is used to open the Service of Lessons and Carols, heard annually in the chapel of Cambridge College each Christmas Eve. That event is what Joel Raney had in mind when he crafted his new setting for SATB and children's choir. The pairing of the familiar words along with bits of O Little Town of Bethlehem, plus Joel's original themes, join together for a powerful anthem.
SKU: CA.332360
ISBN 9790007182755. Key: F minor. Language: English. Text: Heveningham, Colonel Henry.
SKU: MN.50-5049
UPC: 688670550492. English.
Michael Burkhardt's arrangement of this tune (Henry Gerike) and text (Jaroslav Vajda) makes the perfect festival anthem for Ascension. The use of the congregation is optional, as is the brass quartet. Either way, the organ part is exciting enough to carry things along beautifully.
SKU: GI.G-9846
UPC: 785147984603. English. Text Source: Corde natus ex parentis, Aurelius Prudentius, 345-413, sts.1-4 tr. John Mason Neale, 1818-1866, alt., st. 5 tr. Henry Williams Baker, 1821-1877, alt.; Translation: John Mason Neale. Text by Aurelius Clemens Prudentius.
The percussion part is for suspended cymbal. The brass and percussion parts are optional.
SKU: GI.G-9336
UPC: 785147933601. English. Text Source: Henry Emerson Fosdick, 1878–1969, alt. Text by Harry Emerson Fosdick.
One of the grandest tunes in Christian hymnody is CWM RHONDDA, and Raymond Haan has crafted a setting that magnifies the tune’s gravitas. The tune appears with its traditional partner, “God of Grace and God of Glory,†and would be ideal for festival or ecumenical celebrations. The brass and timpani are optional, horn in F may be substituted for the trombone I. The brass and timpani parts are optional and horn in F is a substitute for trombone I.
SKU: GI.G-9336INST
UPC: 785147933694. English. Text Source: Henry Emerson Fosdick, 1878–1969, alt. Text by Harry Emerson Fosdick.
The organ accompaniment is printed in full score. The brass and timpani parts are optional and horn in F is a substitute for trombone I.
SKU: PR.312415990
UPC: 680160049684. Key: F minor. Text: Anonymous. Anonymous.
SKU: GI.G-9044
UPC: 785147904403. English. Text Source: Edward H. Plumptre, 1821–1891, alt., words adapt. Ruth C. Duck. Text by Edward Hayes Plumptre.
Scored for SATB voices, assembly and organ with optional brass quintet and timpani, the time-honored tune MARION is set most festively in traditional style. Vocal parts are easy to master, and the brass quintet and timpani parts make the anthem crackle with energy. The organ accompaniment is printed in the full score.
SKU: CA.3113605
ISBN 9790007171612. Language: German/English. Translation: Henry Drinker. Scripture: Matthew 7:15-23.
The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score available separately - see item CA.3113600.
SKU: GI.G-9044INST
UPC: 785147904496. English. Text Source: Edward H. Plumptre, 1821–1891, alt., words adapt. Ruth C. Duck. Text by Edward Hayes Plumptre.
The organ accompaniment is printed in the full score.
SKU: GI.G-10867
English. Text Source:
",Christ Is Made the Sure Foundation,", Angularis fundamentum, Latin, 7th c., ,tr. John M. Neale, 1818&ndash,1866, alt. ",Lo, He Comes, with Clouds Descending,", ,sts. 1, 3 &, 4, Charles Wesley, 1. Text by Charles Wesley.
SKU: CA.3113600
ISBN 9790007171636. Language: German/English. Translation: Henry Drinker. Scripture: Matthew 7:15-23.
The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part.
SKU: CA.3113649
ISBN 9790007208158. Language: German/English. Translation: Henry Drinker. Scripture: Matthew 7:15-23.
The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score and part available separately - see item CA.3113600.
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