SKU: FL.FX072392-1
This piece is an evocation of the musical atmosphere of the Roaring Twenties where the swing was sweeping in smoky cellars of Saint-Germain-des-Pres quarter in Paris. - Patrice BERNARD ; Instruments: 1 Bb Clarinet 1 Piano; Difficuly Level: Grade 4; Duration: 1 mn 35 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Patrice BERNARD;.
SKU: HL.48181635
UPC: 888680846398. 9.0x12.0x0.032 inches.
Composed by Pierre-Max Dubois, Romance is a piece for Bb Clarinet and Piano accompaniment, dedicated to Fred Lockwood. This melodious piece is perfect for intermediate players. Interesting for both players and for the audience, it is a nice piece to play during a recital. Starting with the Piano, the Clarinet begins with the main theme after four measures, ?Allegretto?. Then follows a section ?Piu Mosso?, which is quite lyrical, before the main theme is played again, leading to the harmonious Piano finale. Pierre Max Dubois (1930-1995) was a French composer who was awarded the Prix de Rome in 1955. Mainly composing classical music, his works are mainly for woodwinds. He is one of the founder of the Les Six and which included his professor, Darius Milhaud..
SKU: BT.DHP-1165740-401
ISBN 9789043151511. English-German-French-Dutch.
Cette oeuvre en deux mouvements pour clarinette et orchestre fut commandée par Musica Reservata vof, Belgique, et est dédiée Eddy Vanoosthuyse, un bon ami et confrère du compositeur. Elle connut du succès sa première mondiale le 10 décembre 2008 Salt Lake City (Etats-Unis), interprétée par l’orchestre Utah Philharmonia sous la direction de Robert Baldwin, avec Eddy Vanoosthuyse comme soliste. Par la suite, l’oeuvre fut mise de côté pendant quelques années, surtout parce que les agendaschargés des deux protagonistes ne leur permettaient pas de trouver le temps pour un enregistrement discographique. Pour finir, l’oeuvre fut enfin enregistrée en juin 2015 Nagoya (Japon), avec le Central Aichi Symphony Orchestra, mené par l’étoilemontante vénézolane, SergioRosales. La même semaine, le 12 juin, l’oeuvre fut présentée en concert pour la première fois au Japon par les mêmes interprètes, et connut ici aussi un grand succès. Après Concerto Doppio pour deux clarinettes et orchestre cordes, composé en 2001,voici la deuxième oeuvre de concert de Jan Van der Roost qui met la clarinette en vedette.Le premier mouvement, Doloroso e Contemplativo, transmet le côté sérieux de la clarinette et, par conséquent, il n’y figure presque pas de virtuosité ou de spectacle. Au contraire, l’orchestration colorée et variée qui est entrelacée autour de lapartie solo est bien plus qu’un simple accompagnement, et prend la forme de partenairemusical, d’importance comparable au soliste. Une introduction un peu mystérieuse mène une première apogée orchestrale en passant par des cellules musicales ascendantes. Ensuite on entend l’entrée du soliste, d’abord par des idées musicales plusfragmentaires, puis par des lignes mélodiques plus longues. L’orchestre entre en dialogue avec le soliste, et son instrumentation délicate et colorée crée un parfait encadrement musical. Vers la fin, l’atmosphère du début est réaffirmée, et lesoliste finit par la même note par laquelle il avait commencé.Le deuxième mouvement, Giocoso e Con Bravura, est une toute autre histoire : ici, le côté virtuose, et parfois presqu’acrobatique, de la clarinette est exploré. Des cascades imposantes et continuelles de notes demandent une dextérité exceptionnelleau soliste, ce qui, un certain moment, et « récompensé » par l’orchestre, par un clin d’oeil au « Hallelujah » de Handel vraiment mérité après ces feux d’artifice ! De temps en temps, l’instrument solo présente une phrase humoristique : laclarinette ne peut pas que chanter, briller et pleurer, mais aussi rire et plaisanter. Plusieurs passages sont presque caricaturaux ! La palette variée de cet instrument magnifique est démontrée parfaitement, parfois avec un brin d’humour oud’ironie. En effet, les deux mouvements contrastants de ce concerto démontrent les différentes facettes de l’instrument qui s’est établi sur la scène de musique classique ainsi que la musique légère (quel nom peu prometteur !). Dans le deuxièmemouvement, rapide pour la plupart du temps, l’orchestre est nouveau traité de manière créative et variée, offrant une palette généreuse de couleurs : sans enlever l’attention de la partie solo difficile, on peut dire que l’orchestre n’est pas qu’ l’arrière-plan, mais saisit l’occasion de briller en même temps. Pourtant, les dernières notes sont accordées la clarinette : après un tuttiorchestral énergique, le soliste conclut l’oeuvre par trois notes courtes de pianissimo comme si, de façon subtile, il voulait avoir le dernier mot. Après les nombreuses notes jouées par le clarinettiste, cette conclusion modeste estune fin surprenante d’une oeuvre au style plutôt traditionnel, qui démontre clairement la passion du compositeur pour cette merveilleuse combinaison instrumentale.br> Un merci particulier Peter Knockaert pour cette réduction pour piano duClarinet Concerto, qui fut créée pour le 4th International Clarinet Competition Ghent en 2017.
SKU: HL.48181192
UPC: 888680864644. 9.0x12.0x0.06 inches.
Raymond Gallois Montbrun (1918-1994) composed his Concertstuck for Clarinet and Piano in 1946, two years after he won the Grand Prix de Rome. His Violin Concerto, Japan Symphony and Concertstuck for Clarinet and Piano remain popular to this day. Concertstuck for Clarinet and Piano begins with a virtuosic clarinet cadenza, covering a wide range on the instrument. The piece remains virtuosic throughout, with many changes of tempo, articulation, dynamics, rhythms, key signatures and time signatures throughout. As a suitable and varied piece for the repertoire of advanced clarinetists, Gallois Montbrun's Concertstuck for Clarinet and Piano cannot be missed.
SKU: HL.48186547
UPC: 888680795733. 9.0x12.0x0.077 inches.
Gabriel Pierne (1863-1937) was a French composer, conductor and organist. Despite being predominantly remembered as a conductor, his Canzonetta remains a recognised piece in the Clarinet repertoire. Pierne studied at the Paris Conservatoire before taking up the position of chief conductor for the concert series, Concerts Colonne in 1910. He remained in the post until 1933, and during this time, he notably conducted the world premiere of Igor Stravinsky's The Firebird. Pierne composed for a variety of instruments, Canzonetta for Clarinet with Piano accompaniment being one of four solo works by the composer. This Pierne piece for Clarinet contains many characteristics typical of the French style, such as lyrical melodies, a significant number of performance directions, flourishes of semiquavers, chromaticism and many changes in dynamics. Canzonetta is a varied piece, essential to the repertoire of aspiring clarinetists..
SKU: BT.DHP-1196125-404
ISBN 9789043157353. Italian.
Ascolta, leggi & suona rappresenta oggi il testo di riferimento dedicato all’insegnamento della musica per ottoni e legni. Questo fantastico metodo, costituito da libro e CD, include canzoni, indovinelli musicali e giochiche permetteranno all'allievo principiante di progredire nella conoscenza della musica, fornendogli al contempo utilissime informazioni sul suo strumento e numerosi brani da suonare divertendosi. I tre volumi che compongonol’opera sono i primi della collana e sono affiancati da testi contenenti materiale supplementare per i differenti livelli del corso.
Incontra l’opera offre utile materiale complementare a tutti e tre i volumi della serieAscolta, leggi & suona e include arie famose, cori e ouvertures, proposti secondo un ordine di difficolt crescente. Una selezione delle più belle melodie mai scritte per l’opera, corredate da un quadro storico esplicativo.L’allievo potr esercitarsi da solo, utilizzando le tracce registrate disponibili online, scaricabili o ascoltabili in streaming. Questa edizione contiene l’accompagnamento pianistico, arrangiato sapientemente a un moderatolivello di difficolt .
SKU: BT.EMBZ15061
Zoltán Kocsis (1952 - 2016) was not just a phenomenal pianist. He was also regarded as a musical 'polymath' whose genius embraced the activities of a composer, conductor, editor, instrumentalist, and arranger. In the last capacity, he added some 150 works to symphonic, chamber, song and piano repertoire. He gladly adapted music of the turn of the 20th century, as appears from his transcriptions of Richard Strauss, Ravel, Rachmaninoff, Enescu, and above all, Debussy. (Many of these are distributed by Editio Musica Budapest.) 'In Debussy's case, (...) I was always interested in works that offered possibilities beyond the bounds of the piano, possibilities for orchestration.Just as with Liszt it was often possible to see that certain of his works had been written for piano for publication purposes, so with Debussy it is clear that mainly his song accompaniments exceeded the bounds of possibility for the piano,' Kocsis stated in one interview. Perhaps that recognition also encouraged him to arrange the popular piano work Valse romantique (1890) for clarinet and piano. The arrangement superbly pinpoints the sensitive, almost ingratiating tunefulness of the Waltz, adding a piece that sounds great and is rewarding to perform to the clarinet repertoire. Mit dem unlängst verstorbenen Zoltán Kocsis betrauert die Nachwelt nicht nur einen phänomenalen Pianisten, sondern auch einen 'Polyhistor der Musik': Sein außergewöhnliches Talent entfaltete sich ebenfalls in seiner Tätigkeit als Komponist, als Dirigent, als Herausgeber und nicht zuletzt auch als Arrangeur und Bearbeiter organisch. Durch letztere Aktivität bereicherte er die symphonische, Kammer-, Lied- und Klavierliteratur um etwa einhundertfünfzig Werke. Sehr gern adaptierte er die Musik aus der Zeit der Wende zum 20. Jahrhundert, wie auch seine Richard-Strauss-, Ravel-, Rachmaninov-, Enescu- und vor allem Debussy-Transkriptionen belegen. (Mehrere davon werden auch von unseremVerlag vertrieben.).
SKU: HL.48181342
UPC: 888680856731. 9.0x12.0x0.096 inches.
“Jeanine Rueff (1922-1999) was a French composer and music educator. Her Concertino for Clarinet and orchestral or Piano accompaniment was first published in 1950 and remains a popular, alternative piece in the advanced clarinetist's performance repertoire. Rueff wrote extensively for the Saxophone and Clarinet and her compositions are often used as required contest solos. Concertino is fast and contains complex rhythms. Other appealing musical features include chromaticism, triplet motifs and the exploitation of the entire range of the Clarinet. Rueff's Concertino provides a challenging yet riveting piece for advanced clarinetists.â€.
SKU: BR.EB-32111
The first edition of a forgotten treasure
ISBN 9790004186763. 9 x 12 inches.
There are many composers of whom it is said today that they had gone back in time or had composed against contemporary taste. Today, the question arises, though, as to what of value is to be extracted, rediscovered, or re-edited. Camillo Schumann (1872-1946) is one of these nearly forgotten composers. His works are still largely unknown today. Schumann's tonal language combines the Brahmsian sound scape with the grand late romantic Liszt school. His piano pieces range even to sounds reminiscent of Rachmaninoff and are of tremendous power and virtuosity. The pronounced and inventive melody makes the works the testimony of a composer who has not yet come to the fore. His two sonatas for clarinet and piano have hitherto remained completely unknown. This is astonishing, for they are on the level of the sonatas of Johannes Brahms, who probably contributed the most essentially to this genre. Surfacing as a special treasure from the estate of the Saxon musicologist and collector Harald Schurz were the autographs of both clarinet sonatas, now to be published for the first time. Remember falling in love with the expressive qualities of the Brahms sonatas? You can rekindle that feeling with these works by Camillo Schumann. Commentators have compared Schumann's works not only to Brahms, but also to Liszt and Rachmaninoff. Run to your shop and order now.(Gregory Barrett, The Clarinet)The first edition of a forgotten treasure.
SKU: BR.EB-32112
ISBN 9790004186770. 9 x 12 inches.
SKU: HL.48181789
UPC: 888680788360. 9.0x12.0x0.071 inches.
Composed in 1956 by Bohuslav Martinu, the Sonatina for Bb Clarinet and Piano is a neo-classical piece. This work, to be played as a single movement has been written in three different sections: Moderato, Andante and Poco Allegro. The rhythms are reminiscent of a polka and a march and the piece contains unexpected syncopation. Being one of Bohuslav Martinu's later works, it was written in New York, after he spent some time in Paris. Bohuslav Martinu (1890-1959) was a Czech composer and a violinist. Even though he was interested in different styles, including romanticism, jazz and expressionism, he wrote mainly neo-classical pieces, including 16 symphonies, 14 ballets and 15 operas.
SKU: HL.49011082
ISBN 9790001098021. UPC: 073999175264. 9.0x12.0x0.09 inches.
The Clarinet Parts remain unaltered, whereas the Piano accompaniments have been transposed to suit the change of Instruments.
SKU: IS.CP7545EM
ISBN 9790365075454.
Paul Chatrou, born in the Netherlands, studied piano and composition in Utrecht. He played in various ensembles for which he also composed music. He is teaching the piano and composition both private and in various educational institutions. As a composer, he works mainly freelance. He writes both instrumental and vocal compositions in a romantic style based on classical technique.
SKU: HL.48025033
ISBN 9783793143024. UPC: 196288019978.
The Shoa never was a theme in the works of Ursula Mamlok - with the exception of Ruckblick for saxophone and piano which she wrote in 2002 on commission of the Temple University in memory of Kristallnacht. The contrast between slow and fast movements is much moreelaborate than in her other works from that period, with the fast movements appearing somewhat driven while the piano part for a fewmoments adopts an otherwise unknown severity. Near the end of the third movement, cantabile and fleeting gestures are suddenly pushed toward each other. The first fast movement arises from the destruction of attempted cantability. The Elegy (2nd movement) dies away with a four-fold reminder of its initial motif, the last attempt remaining fragmentary. The fourth movement Lament concludes with a figure that returns to its beginning. In addition to the original version with alto saxophone, versions with bass clarinet or for clarinet in Bb are available.
SKU: HL.14021781
UPC: 884088524791. 9.0x12.0x0.056 inches.
Xavier Montsalvatge (1912-2002) was a consummate Spanish composer who explored many 20th century styles including Impressionism, Serialism, Modernism, and Wagnerism, while maintaining a distinctive Catalan character. He first came to prominence in 1940, after the Spanish Civil War, and is seen to represent the lost generation which was active in the second half of the 1900's. He helped to advance Spanish music from the Nationalistic style that dominated before the war, and began to introduce West Indian influences into European music. Self-Parafrasis for Clarinet and Piano was written around 1968, when Montsalvatge was just coming into the height of his compositional prowess. Itis presented here in a high-quality glossy cover, and would make the perfect gift for any clarinettist.
SKU: BT.AMP-381-400
ISBN 9789043135795. 9x12 inches. English-German-French-Dutch.
Part of the ANGLO MUSIC PLAY-ALONG Series, Philip Sparkes 15 INTERMEDIATE CLASSICAL SOLOS is aimed at the young instrumentalist who can play about an octave and a half and follows on from Sparkes 15 EASY CLASSICAL SOLOS. Specifically tailored to suitthe individual instrument, this book introduces the developing player to the world of the classics by using simple yet attractive melodies that fit their limited range.
The carefully selected pieces include music from the 17th to the 19th century and cover a wide variety of styles, from Handel to Tchaikovsky and from Clementi to Brahms.
The book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.
Genau auf jedes Instrument zugeschnitten, ermöglichen die sorgfältig ausgewählten Melodien noch mehr Spielerfahrung mit klassischer Musik. Die Stücke umfassen verschiedene Stilrichtungen und Komponisten wie z.B. Händel, Tschaikowsky, Clementi undBrahms.
Jeder Band bietet wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschule passt und enthält sowohl Klavier- als auch CD-Begleitungen.
SKU: HL.48181301
UPC: 888680867263. 9x12.25 inches.
“French composer and conductor, Paul Bonneau (1918-1995) published his Suite for Clarinet and Piano in 1944, and it remains popular to this day. Bonneau's composing was highly versatile, ranging from over fifty film scores, operettas, songs and other pieces for woodwind, including a concerto. His Suite is highly virtuosic, made up of four movements; 1) Improvisation, 2) Dance of Demons, 3) Complaint, and 4) Playfulness. The work contains typically French characteristics including chromaticism and difficult technical passages. All these elements combined make for an enjoyable and challenging piece for clarinetists.&rdquo.
SKU: BT.EMBZ14406
Hungarian-English-German-French.
In this volume we provide a wide selection of pieces with piano accompaniment, mainly for players in the first 3-4 years of their instrumental studies. In addition to original pieces for clarinet (e.g. Baermann, Klosé, etc.) we have included Renaissance and Baroque works, Classical, Romantic and 20th century transcriptions, and folk music arrangements.
SKU: HL.48184382
UPC: 888680846350. 9.25x12 inches.
“French composer, Robert Truillard published his Reverie in 1986. The work remains popular for intermediate clarinetists. With a typical performance lasting around 2 minutes and 46 seconds, Reverie is in Ternary Form, with the 'B' section marked 'Scherzando' and containing a short cadenza passage. The solo Clarinet part makes use of variety in articulation, tempo, dynamics and phrasing, amongst other aspects. For all aspiring, intermediate clarinetists, Truillard's Reverie provides exciting, alternative repertoire.&rdquo.
SKU: BR.EB-8980
ISBN 9790004187098. 9 x 12 inches.
Verdiana is a musical tribute to Giuseppe Verdi. It takes some of his most famous melodies and reimagines them in styles of Samba, Bossa Nova and Tango to produce a virtuosic showpiece for clarinet and orchestra. The work is structured in three movements. The titles of the movements do not only indicate from which operas the main melodies were taken, they also function as a hint to the styles in which the movements are written. The first movement, titled Il Sambatore, is a Samba based primarily on the melodic material from Verdi's Il Trovatore. The second one, Un Bossa in Maschera, is a slow Bossa Nova and consists of an aria from Un Ballo in Maschera. The third and the most virtuosic movement is called Don Tangoletto and derives most of its material from Don Carlos and Rigoletto. The piece exists in 4 versions: Solo clarinet with either full orchestra, string orchestra, string quartet or piano. This publication also includes an alto sax part that can be used instead of a clarinet.An Hommage to Giuseppe Verdi.
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