SKU: SU.27020100
Four movements: I. Courtyard, Boston Public Library; II. The Ghosts of Blanchard, Maine; III. Walden Pond; IV. Rock River, Newfane, VermontDuration: ca. 18' Flute, Piano Composed: 2005 Published by: Distributed Composer.
SKU: MN.25-128
UPC: 688670251283.
Skilled musician and arranger Daniel Burton has set four familiar carols for the Advent/Christmas season.
SKU: BR.MR-2299
This volume, which marks the 300th anniversary of the king's birth, contains the first edition of four sonatas for solo flute and basso continuo composed by Frederick II, known as the Great (1712-1786), King of Prussia from 1740 to 1786.
ISBN 9790004488669. 9 x 12 inches.
In the four sonatas presented here for the first time, the royal composer can lay uncontested claim to an above-average talent. The works stand out for their imaginative power, their skill and their stylistic variety. The grand rooms of Sanssouci Palace must have been filled with heartfelt Adagios and brilliant Allegros that confirmed the virtuoso flute technique of the Quantz pupil. The sonatas were recently recorded on CD (Hungaroton) by the editor who, as a performer, is a recognized expert on the music of J. J. Quantz and Frederick the Great.This volume, which marks the 300th anniversary of the king's birth, contains the first edition of four sonatas for solo flute and basso continuo composed by Frederick II, known as the Great (1712-1786), King of Prussia from 1740 to 1786.
SKU: BR.MR-2266
ISBN 9790004488560. 9 x 12 inches.
SKU: BR.MR-2301
ISBN 9790004488683. 9 x 12 inches.
SKU: BR.MR-2298
ISBN 9790004488652. 9 x 12 inches.
SKU: BR.MR-2300
ISBN 9790004488676. 9 x 12 inches.
SKU: M7.APUE-516315
ISBN 9781875516315.
These musical gems offer a diverse array of musical styles, ensuring a rich and engaging journey into the world of flute music. From lyrical melodies to lively dances, each piece has been crafted to nurture both technique and expressive playing, exploring the beauty and versatility of the flute. There are biographies of all the composers at the end of the flute part, as well as notes and helpful performance suggestions for each work. Free Flute and Piano recordings, and Piano backing tracks for every piece can be found on YouTube at 'theyoungfluteplayer' (no spaces) channel, see the playlist for Lyrical Flute Miniatures. You can also find the link and further information at www.allegromusicpublishing.com/flutemusic Lyrical Flute Miniatures will delight students, flute teachers, and audiences alike, a valuable addition to your Flute repertoire!
SKU: HL.48183277
UPC: 888680872526. 9x12 inches.
“Four easy pieces is a set of four works by Eugène Bozza written for Flute and Piano accompaniment. Charming and easy to play, these pieces are perfect for a recital. They are divided as per below: 1. Rêves d'enfant: Andantino, 2/4 2. Le campanile: Allegretto giocoso, 2/4 3. Menuet des pages: Moderato, 3/4 4. Eili-Eili (Jewish tune): Andante espressivo, 3/4 Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin, conducting and composition, as well as the Grand Prix de Rome. He composed several operas, chamber works and ballets, among others.&rdquo.
SKU: HL.48186311
UPC: 888680838713. 9x12 inches.
“Composed between 1920 and 1921, this set of Stories is a suite of four short movements by Jacques Ibert selected out of the ten initial ones, for Flute and Piano. This publication was commissioned by the Alphonse Leduc editors and increased Jacques Ibert's popularity. This four pieces are as followed : 3. Le vieux mendiant (The old beggar) 4. 'A Giddy girl' 6. Le palais abandonné (The abandoned palace) 7. Bajo la mesa (Under the table) The difficulty of these works will fit intermediate to upper intermediate players. Jacques Ibert (1890-1962) also composed many symphonic suites, operas and seven orchestras, including 'Angelique' (1926) and 'Entertainment' (1930). He also was in charge of the French Academy in the Villa Médicis (Roma) and became later administrator for the Paris Opera.&rdquo.
SKU: HL.48185739
Born in 1970, Eric Ledeuil is a versatile musician, working as a flautist, composer, conductor and teacher. All his expertise combined have created the sublime At the Castle of Marquis for Flute and Piano accompaniment. Suitable for intermediate flautists, At the Castle of Marquis is made up of four sections which depict the life within the castle. At the Castle of Marquis is an exciting and varied addition to the young flautist's repertoire, with a typical performance lasting around four minutes. Ledeuil's At the Castle of Marquis is essential to intermediate flautists seeking to improve and expand their repertoire for performances..
SKU: KU.GM-1941
ISBN 9790206206603.
In the four movements Earth/Gaia, Kyklos Aquae, Aulos – recitativo del vento and the fire dance il fuoco, Daniel Schnyder describes the four elements: earth, water, air and fire, which have always fascinated people and can be both vital and deadly.
SKU: HL.253939
9.0x12.0 inches.
Allegretto for flute and piano by Jozef Swider is a work of a great artistic value that comprises a perfect didactic material, filling a gap in the Polish flute literature. Allegretto for flute and piano is a one-part composition of an ABA1 structure with a cadenza. A four-bar piano introduction developsinto the flute part intoning a dance and folk-style melody, which becomes fragmented in terms of rhythm and densified in its facture. The dialogue between the flute and the piano involves mutual motif complementation. The melody gathers momentum (numerous ascending and descending progressions, undulations, typical ties, trills), a dynamic gradation develops into the middle, more peaceful and cantilena-style, part. The culmination, initially outlined by the flute and continued by the piano, leads to the cadenza characterised by considerable performative freedom across motifs in parts A and B, exhibiting the colour and sound values ofthe instrument. The link A1 comprises a quasi-variation development of the first passage of the work; it is the most dynamic,energetic and diversified in terms of the applied sound registers (characteristic alloctava marking), articulation and agogics. Themarking piu vivo in bar 136, combined with irregular metric divisions and shifts in accents, intensified dynamics and expression adds spontaneity, ultimately leading to the work's finale. The application of the minor mode, the economy of expressive means and a changeable course of narration reflect introvert characteristics of the composer a man of outstanding humbleness and modesty, at the same time full of unrest, self-criticism and little faith towards himself, which is confirmed by recently found notes of his.
SKU: BR.EB-8912
World premiere: Stockholm, May 4, 1974
ISBN 9790004185780. 9 x 12 inches.
The flute concerto 'Dances with the Winds' was composed in 1974 for the Swedish flautist Gunilla von Bohr, a specialist in all members of the flute family. The ordinary flute thus alternates with a bass flute at the beginning and end of the four-movement concerto, the second movement is assigned to the shrill piccolo and the third to the sensuous alto flute. The last movement is a summary of all the musical events in the concerto. At the end the bass flute soars to the top of its register, the note D acting as the pivot to many of the symmetries in the work, against a resigned B flat minor chord on the orchestra. (Einojuhani Rautavaara) CD: Patrick Gallois (flute), Helsinki Philharmonic Orchestra, cond. Leif Segerstam ODE 921-2World premiere: Stockholm, May 4, 1974 Additional to the original scoring for flute, piccolo, alto flute, and bass flute, the flute part in the piano reduction contains ossias for alto flute instead of the bass flute.
SKU: PR.114422710
ISBN 9781491136072. UPC: 680160688227.
DUO’s succinct movement titles (I. Here, II. Open, III. Stark, IV. Ardent) tease at revealing the grand and heartfelt inspiration for exuberant romanticism in this sonata-like work of symphonic proportions and depth. Charles Gibb is both an accomplished pianist and an award-winning flutist, who has written of this compelling major addition to the literature: “This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.†Gibb’s DUO is sure to become a favorite major work for flute recitalists.This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.“Here†begins with three notes that shape the rhythmic and harmonic content of the entire work. Melodies and harmonies including the tonic, dominant, and leading tone can be found in each of the four movements. The first moments of this movement introduce the melody, offering itself unencumbered and uninhibited. It shows itself as it is. The melodies soar, the harmonies become voiced more intricately, and the opening theme repeats in full grandeur. The momentum slows down, and the movement ends with a sense of completion, yet remains unbalanced.A striking piano gesture launches “Open,†the idea of instability reflected with the flowing flute trills and unclear meter patterns in the piano. The sensation of an unsteady grace in 5/8 time arrives with a piano ostinato. The melody is expressive, yet insecure and unbalanced due to changing meters. After a grand pause, the movement transitions to 4/4 time with the flute switching between duplet and triplet flourishes. After a rapid descent in the flute, the opening gesture returns, changed and abruptly interrupted.The third movement, “Stark,†is very static, beginning plainly but markedly. The falling fifth calls out continually throughout the movement, searching, lost. Melodies appear in pieces, some smooth and flowing, others rather disjunct. The piece climaxes with a line of mournfulness, yet revealing a deeper strength through intense projection of tone in the high register. However, the static harmonies return, this time unsteady all the way to its foundation. This destabilization repeats, and then quietly recedes.“Ardent†is the longest of the movements and spans a wide range of musical emotion. Part of the movement is fast paced, energetic, and balances order and disarray. However, once the chaos dies down, a gentle, expressive theme comes in. The theme itself is very resolute; it is order appearing from the pandemonium. Conflict returns, and order and chaos become less distinguishable from one another, and soon fuse together. However, order returns with new meaning, synthesized with previous musical content, creating a truer, deeper sense of awareness or understanding. A moment of ambiguity arises, but the flute persists, supported by the sensitive but firm figuration in the piano, and resoundingly comes to a close, unburdened and at ease.
SKU: HL.48181380
UPC: 888680984427. 9.0x12.0x0.13 inches.
“Wolfgang Amadeus Mozart's (1756-1791) Flute Concerto in D is an adaptation of the original Oboe Concerto in C, which the composer reworked in 1778. The Concerto remains widely studied and performed on both instruments, making it one of the more important Concerti in the woodwind repertoire. Concerto in D is in three movements; 1. Allegro aperto, 2. Adagio non troppo, and 3. Rondo: Allegretto. The first and last movements are in the tonic key, whilst the second movement is in the subdominant key of G major. A Dutch flautist of the time, Ferdinand de Jean, commissioned Mozart for four Flute quartets and three Flute concerti. However, the composer, who famously disliked the Flute, only completed three quartets and one concerto. Instead of composing a second concerto, Mozart rearranged his Oboe Concerto, with substantial changes for it to fit with the Flute. De Jean did not approve, yet the Concerto in D for Flute remains as popular to this day as the Concerto in C for Oboe.â€.
SKU: HL.48181379
UPC: 888680857073. 9.0x12.0x0.114 inches.
Wolfgang Amadeus Mozart's (1756-1791) Flute Concerto in G was written by the composer in 1778. The Concerto remains widely studied and performed on the Flute, making it one of the most important Concerti in the instrument's repertoire. Concerto in G is in three movements; 1. Allegro maestoso, 2. Adagio ma non troppo, and 3. Rondo: Tempo di Menuetto. The first and last movements are in the tonic key, whilst the second movement is in the subdominant key of D major. A Dutch flautist of the time, Ferdinand de Jean, commissioned Mozart for four Flute quartets and three Flute concerti. However, the composer, who famously disliked the Flute, only completed three quartets and two concertos. Instead of composing a second concerto, Mozart rearranged his Oboe Concerto, with substantial changes for it to fit with the Flute. This edition of Mozart's Concerto in G includes cadences by virtuosos Taffanel, Gaubert and Bozza, making for an unmissable version of the famed work. .
SKU: HL.48186403
UPC: 888680828219. 9.0x12.0x0.228 inches.
Contemporary Japanese composer, Yuko Uebayashi moved to Paris in 1998. Uebayashi's works have been met with much success in both Japan and France, Sonata for Flute and Piano being no exception. Flautist Jean Ferrandis described Uebayashi's works as gems that, although they are so different, they yet belong to the same world, a world of vivacity, dreams, tenderness, humour, and one that is subtly contradicted by vehemence, virtuosity, melancholy and sorrow. Sonata for Flute and Piano is made up of four movements with a typical performance lasting around 26 minutes. Sonata for Flute and Piano is modern in style, exploiting tonality, rhythm and the ensemble, making this a sublime addition to the advanced repertoire of the instrument.
SKU: HL.48180783
Number 80 of the collection Classics for Flute by Marcel Moyse, Minuet of Mr. Duport is a piece initially composed by Mozart and arranged for flute and piano accompaniment. The main theme starts with a Tempo di Minuetto, which is then followed by four variations and a final part Allegro ending up with a Cadenza. Quite amazing, this piece is difficult to play and will fit upper intermediate players. It is a great piece to listen to that would definitely work well in a concert or in a recital.
SKU: HL.50488142
ISBN 9790080042748. A/4 inches. Janos Szebenyi; Imre Sulyok.
Franz Anton Hoffmeister (1754-1812) was a popular, very creative composer of his age. His oeuvre consists of nine operas, sixty-six symphonies, forty-two string quartets, eighteen string trios, eleven piano trios, five piano quintets, serenades and ecclesiastical works. He composed especially numerous chamber music works for flute in various arrangements (duets, trios, quartets, quintets etc.). Out of his twenty-four flute concertos the one hereby published is marked No. 18 in the catalogue of Hoffmesiter's works, published in 1800. (A copy of that catalogue has been preserved at the Belgian Royal Library, Brussels.) The contemporary handwritten orchestral part-material ofthe concerto is to be found at the King Stephen Museum at Szekesfehervar, it had got there in 1951 as part of the music collection of the family Verebi-Vegh. Franz Anton Hoffmeister (1754-1812) ist einer der beliebten und fruchtbaren Komponisten seiner Zeit. Er komponierte 9 Opern, 66 Symphonien, 42 Streichquartette, 18 Streichtrios, 11 Klaviertrios, 5 Klavierquintette, Serenaden und Kirchenmusik. Besonders fur Flote schrieb er viele Kammerwerke in verschiedenen Gruppierungen (Duette, Trios, Quartette, Quintette u. s. w.) Unter seinen 24 Flotenkonzerten ist das jetzt veroffentliche Konzert mit Nummer 18 in dem im Jahre 1800 erschienenen Katalog seiner Werke versehen. (Ein Exemplar des Kataloges befindet sich in der Brusseler Koniglich Belgischen Bibliothek.) Das handschriftliche Orchestermaterial aus dieser zeit befindet sich imSzekesfehervar Konig Stephan Museum, wohin es im Jahre 1951 mit der Notensammlung der Familie Verebi-Vegh belangt ist.
SKU: FP.FPD07
ISBN 9790570503957.
These little pieces are intended for flautists of about a year's standing. It is hoped that this small album will also help to foster in young players a taste for ensemble playing: the two simple trios also include oboe and clarinet, but if these instruments are not available the parts may be played on a violin.
SKU: HL.49046132
ISBN 9783795716639. UPC: 888680955762. 9x12 inches. German - English - French.
Even though Wolfgang Amadeus Mozart (1756-1791), admittedly, was no fan of the flute, he wrote unforgettable music for this instrument 'that I can't stand': two concertos, a double concerto with harp, the original version of the Wind Concertante and the four flute quartets. Commissioned by the Dutch physician and amateur musician Ferdinand Dejean, Mozart wrote his two solo concertos in 1777/78 during a stay in Mannheim. As the middle movement of the Concerto in G major KV 313 supposedly was too difficult for the client -with regard to the playing technique and/or music - the composer wrote an alternative version, 'Andante' KV 315 (285e). This nice individual movement is now presented in a carefully edited new edition, with a cadenza of the editor - a serenade-like setting that offers the soloist many possibilities for cantabile playing.
SKU: HL.48180548
UPC: 888680946098. 9.0x12.0x0.052 inches.
The Little White Donkey is a famous piece initially composed by Jacques Ibert (1890-1962). Arranged by the French flautist Marcel Moyse, and part of the set called Stories, this piece is the second one in the list of six. Rated as medium, its scores lasts two pages for flute and four for piano. Jacques Ibert (1890-1962), a neoclassical composer who won the Prix de Rome in 1919, also composed many symphonic suites, operas and seven orchestras, including Angelique (1926) and Entertainment (1930). He was also in charge of the Accademie de France in the Villa Medicis (Roma) and was later administrator for the Paris Opera.
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