SKU: BP.HB740
Written for 3 to 5 octave handbell choir. Level 3-.This beautiful setting of the hymntunes LAUDES DOMINI and ROYAL OAK is a great choice for worship or concert use. Approachable by intermediate ensembles, the varied styles and textures provide interest for advanced ringers. There's also the chance to add in the optional keyboard or harp for extra aural variation.
SKU: BP.HB740A
SKU: BP.HB447
Written for 3-6 octave handbell choir. Level 4+. A delicate, haunting opening melody line belies the frantic motion coming later in the piece. With frequent shifts in tempo, rhythm, and mood, this work is not for the faint of heart, but for those ensembles that do attempt it, a wild and wonderful musical ride awaits.
SKU: BP.HB767A
8.5 inches.
This arrangement by Karen Lakey Buckwalter featuring the hymntunes BROTHER JAMESââ¬â¢ AIR and NEW BRITAIN sets a simple yet powerful scene. The optional piano and C instrument parts balance well against the handbell choir.
SKU: LO.20-1208L
UPC: 000308055856.
Lush harmonies promise to enchant your audiences when you perform this setting based upon Robert Schumann's CANONBURY.
SKU: BP.HB767
This arrangement by Karen Lakey Buckwalter featuring the hymntunes BROTHER JAMES’ AIR and NEW BRITAIN sets a simple yet powerful scene. The optional piano and C instrument parts balance well against the handbell choir.
SKU: BP.HB634
Arranged for 3 -6 octave handbell choir and optional 3 - 4 octaves of handchimes. Level 2+. This arrangement of two different hymntunes associated with the same text moves through various moods and textures, giving each part of the ensemble the chance to shine. From an opening on suspended bells and handchimes, the tune DOMINUS REGIT ME is set over a simple eighth note accompaniment with occasional unexpected harmonies before the ST. COLUMBA tune is introduced with a countermelody in the bass. A final triumphant verse with bold, sometimes chromatic harmonies, rounds out the piece before returning to the gentle feeling of the opening. A perfect choice for worship throughout the church year.
SKU: HP.2905
UPC: 763628129057.
Classic hymn Bass bells and optional chimes are featured prominently in this accessible arrangement of the beloved gospel hymn. With an accompaniment alternating between flowing eighth-note arpeggios and sturdy quarter-note chords, this piece gives beginning-level choirs an opportunity to stretch themselves while allowing more advanced groups to focus on musical expression.
SKU: HP.C6174HB
UPC: 763628261740.
Original anthem An infectious, jazzy holiday song, with a dash of handbells thrown in for text-painting and a middle section verse of O Come, O Come Emmanuel, this Joel Raney original is a joyful, fun-filled number that will be a highlight on any Advent or Christmas program. The handbell part is included.
SKU: BP.HB756
Written for 5 to 8 octave handbell choir. Level 5+.Sandra Eithun has masterfully woven together the tune Creator of the Stars of Night with Do You Hear What I Hear? in this new addition to The Legacy Series. Changing meters and driving rhythms abound as listeners and ringers are treated to various styles and moods as the piece progresses. The tune rises in intensity and complexity before coming back to the opening feeling of rest and hopeful anticipation. A glorious choice for the advanced ensemble this holiday season!
SKU: BP.HB458
Arranged for 3-5 octave handbell choir and optional 3-5 octaves of handchimes. Level 3. Setting by Johannes Brahms. Gentle and endearing, this very accessible arrangement of a traditional German Christmas carol is simple enough for most choirs to attempt, but has enough challenge and potential for musicality to keep advanced choirs happy, as well. Handchimes feature prominently in the middle verse, making for some careful coordination for ringers between bell and chime.
SKU: LO.20-1903L
ISBN 9780787748692.
With varied stopped techniques and melodic material in both the treble and bass bells, your ringers will remain engaged from start to finish of this exuberant setting of the Swedish tune. Sundays concerning the second coming of Christ will particularly benefit from this piece.
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