By Eugene Ysaye (1858-1931). Edited by Jerrold Rubenstein. For Violin and piano. Violin and piano

Edited by Amy Appleby. Music Sales America. Baroque and Classical Period. Set of performance parts (includes separate pull-out violin part, softcover). With solo part and piano accompaniment (spiral bound). 238 pages. Music Sales #AM948926. Published by Music Sales

Violin and Piano (Violin/Piano)

SKU: HL.50578641

Composed by Antoni Szalowski. Max Eschig. Score Only. Composed 2001. Hal Leonard #ME4945. Published by Hal Leonard (HL.50578641).

Violin and piano

SKU: FG.042-08516-5

Composed by Jean Sibelius. Published by Fennica Gehrman (FG.042-08516-5).

ISBN 979-0-042-08516-5.

The F major sonata is the last and the most developed of all the works Sibelius wrote during his youth for his own instrument, the violin. It was completed in the summer of 1889 in Loviisa and premiered there the same year at a charity gala. During his youth Sibelius looked to the music of Grieg, which is clearly to be heard in this work - not only in the melodies or harmonies but also in the formal structure, which is more romantically oriented than that of many early works from Sibelius's youth, which are more closely tied to the classical tradition. In the andante Sibelius introduces aspects of folk music for the first time, thereby anticipating the Finnish stamp of many of his pieces from the 1890's.

Music Minus One Violin. Composed by Ludwig van Beethoven (1770-1827). Sheet music with CD. Music Minus One. Classical. Softcover Audio Online. 32 pages. Music Minus One #MMO6180. Published by Music Minus One .

Violin

SKU: HL.49002627

Violin and Piano. Composed by Anton Diabelli. Edited by Walter Bergmann. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 8 pages. Schott Music #ED11030. Published by Schott Music (HL.49002627).

ISBN 9790220107481. UPC: 884088072506. 8.5x11.5x0.048 inches.

For Violin, Piano Accompaniment. Romantic, Classical. Sheet Music. 48 pages. Published by Music Sales.

By Jack Long (Arranger). For Violin, Piano. Classical. Sheet Music. 120 pages. Published by Chester Music.

Edited by Gail Acosta. Arranged by Daniel Kelley. For Violin and Piano. Solos. Recital. Level: Intermediate. Piano Score and Solo Part. Published by Last Resort Music Publishing.

For violin And Piano. Composed by J. B. Viotti. Edited by Ferdinand David; W. F. Ambrosio. Carl Fischer Music Library. Classical. Solo part with piano reduction. With Standard notation. 40 pages. Carl Fischer #L000406. Published by Carl Fischer

Violin and Piano - Book/Audio. Composed by George Gershwin (1898-1937). For Classical Players. Softcover Audio Online. 56 pages. Published by Hal Leonard

Composed by Otto Luening. For violin and piano. Published by E.C. Schirmer Publishing

Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Nichols. Arranged by Simon Fischer. For violin and piano. This edition: Urtext. Composed 1830. Edition Peters #EP72426. Published by Edition Peters

Violin, piano

SKU: BR.EB-32065

Urtext. Composed by Richard Franck. Edited by Nick Pfefferkorn. Solo instruments; stapled. Edition Breitkopf. Late-romantic. Score. 20 pages. Duration 10'. Breitkopf and Haertel #EB 32065. Published by Breitkopf and Haertel (BR.EB-32065).

ISBN 9790004186558. 9 x 12 inches.

Die Entstehung von op. 52 fallt in ein zeitlich und inhaltlich schwer abzugrenzendes Spannungsfeld. Die Stucke erschienen 1910 im Verlag von Albert Stahl in Berlin, als Richard Franck sich bereits nach Heidelberg zuruckgezogen hatte. Sie zahlen somit zu seinen letzten veroffentlichten Werken. Inhalt: I. Elegie wirkt ausgesprochen resigniert, fast wie ein Abschied. Die Flote steht ganz im Vordergrund dieses melancholischen, mit Chromatik angereicherten und klar strukturierten Adagio-Satzes. II. Der Reiter von Sankt Karli kommt als humorvolles Scherzo daher, wohl eine Anspielung auf die Schweiz, in der Franck einige Jahre verbrachte. Fast wirkt es wie eine Hommage an Schumann. Der Mittelteil dieses Scherzos, ein Andante, nimmt Bezug auf die elegische Stimmung des ersten Satzes. Es ist eine ruhigere Station, bevor der Reiter weiterzieht. III. Perpetuum mobile, so schnell als moglich kann man als Vorlaufer moderner Klangflachenkompositionen auffassen, aber naturlich auch als schlichtes, scherzhaftes Bravourstuck im Stile des Hummelflugs.