By Pietro Antonio Locatelli (1695-1764). Edited by Nicolas Fromageot. Violon et basse continue. For Violin. Facsimiles. Collection Dominantes. Grade 0. 78 pages

By Johann Pachelbel. Edited by Frohmut Dangel-Hofmann. 2 violins and continuo. For Violin, Continuo. Facsimiles. Collection Dominantes. Level: Grade 0. 68 pages. Published by Editions Fuzeau Classique - France (French import).

Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Songbook. Size 8.75x11.75. 176 pages. Published by Mel Bay Pub., Inc.

Violin - very easy

SKU: HL.49007122

Geigenschule fur den Anfang. Composed by Renate Bruce-Weber. Arranged by Mark Bruce. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. The most important aspect of the violin method 'Die frohliche Violine' is the fun of learning to play the violin: The textbook is aimed at an early playful beginning with the instrument. Over the course of the lessons, the pupils are deliberately addresse. Classical. 96 pages. Schott Music #ED 7299. Published by Schott Music (HL.49007122).

ISBN 9783795722197. UPC: 196288077480. 9.0x12.0x0.282 inches. German.

The most important aspect of the violin method 'Die frohliche Violine' is the fun of learning to play the violin: The textbook is aimed at an early playful beginning with the instrument. Over the course of the lessons, the pupils are deliberately addressed in a language that corresponds to their age. Furthermore, the method provides a stylistically varied range of classical and folkloristic instrumental pieces, and always gives a lot of interesting information on the music and its composers.Vol. 1: Detailed introduction to the bow hold - songs and instrumental pieces, using exclusively the first type of fingering while focussing on rhythmic, melodic and technical variety - playful touching and feeling of violin-playing techniques such as pizzicato, position playing, harmonics and double stops. Vol. 1 is accompanied by a CD (T 3272) containing all songs and pieces with funny dialogues spoken by children. A motivating addition to violin lessons and a great gift idea!

Violin (Violin)

SKU: HL.50585892

Composed by Pascal Dusapin. Salabert. Score Only. Composed 2007. Editions Salabert #SLB5798. Published by Editions Salabert (HL.50585892).

(Violin). Arranged by Various. For Violin. Book; CD; Play-Along; String Series. Top Hits Instrumental Solos. Broadway; Movie; TV. Grade 2; Grade 3. 76 pages. Published by Alfred Music

By Beldessare Galuppi; David Larson. Violin. Sacred. Major work. Published by Roger Dean.

By Pietro Nardini (1722-1793). Edited by Hauser, M./Sitt, H./Havemann, G. For Violin and Orchestra. Solo part: Violin

(Violin). For Violin. Book; CD; Play-Along; String Series. Ultimate Pop Instrumental Solos Series. Pop. Grade 2; Grade 3. 88 pages. Published by Alfred Music Publishing

Violin

SKU: FZ.6392

Serie VII - Germany-Austria - 1600-1800. Edited by Siegbert Rampe, Dominik Sackmann. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.6392).

ISBN 9790049063920. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in four books. Francesco GEMINIANI - Giuseppe TARTINI - F. A. W. ANONYME - Johann Adam HILLER - Ignaz SCHWEIGL (2) - George Simon LoHLEIN. Table of contents: Geminiani Francesco: Grundliche Anleitung oder Violin Schule 1782. Tartini Giuseppe: Brief des Joseph Tartini an Magdalena Lombardini 1786. Anonyme: Anmerkungen uber die Violin und den Violinspieler 1788. Hiller Johann Adam: Anweisung zum Violinspielen, fur Schulen, und zum Selbstunterrichte c. 1792. Schweigl Ignaz: Grundlehre der Violin. Erster Theil 1794. Schweigl Ignaz: Grundlehre der Violin. Zweiter Theil 1795. Lohlein George Simon: George Simon Lohlein's Anweisung zum Violinspielen (. . . ) mit Verbesserungen und Zusatzen - 1797. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - British Library of London (England). - Royal Library of Brussels (Belgium). - Bayerische Staatsbibliothek of Munich (Germany). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.

Chamber Music Violin

SKU: PR.144407530

Composed by Lauren Bernofsky. 12 pages. Duration 10 minutes, 30 seconds. Merion Music #144-40753. Published by Merion Music (PR.144407530).

ISBN 9781491136614. UPC: 680160687992.

A violinist herself, Lauren Bernofsky has described SONATA FOR SOLO VIOLIN as drawn from autobiographical inspiration, including gestures from Bachâ??s beloved Partita in E Major. Bernofsky opens with a Preludio movement whose references to Bach may be disguised, but they are surely lurking. The second movement is lusciously contrapuntal with the idiomatic finesse of a violinist composing for her own instrument, while musically journaling the emotional pain of living through 2020. The third and final movement is aptly marked â??white-hot,â? and the music certainly is.
My SONATA FOR SOLO VIOLIN was commissioned by violinist Megan Healy as part of The Maud Powell Project, which celebrated the 100th anniversary of the ratification of the 19th Amendment. The project included the creation of five new works for solo violin inspired by and dedicated to the memory of pioneering American violinist Maud Powell (1867-1920). Healy premiered the sonata on May 8, 2021 at PianoForte Studios in Chicago.Among the works Powell most frequently performed in her recitals was the â??Preludioâ? movement from Bachâ??s E major Partita, and I decided to refer to that music in my own first movement, also titled â??Preludio.â? The beginning subtly reflects Bachâ??s opening three-note motive, wherein the music dips down a semitone and then comes back up. This melodic material returns throughout the movement in various forms. I also refer to Bachâ??s sixteenth-note dominated texture, and the gesture in the third measure, which outlines a perfect fifth and then fills it in with notes that alternate between a scale and a pedal tone. The corresponding passage in my piece occurs in the same place, measure 3. Apart from these references to Bach, my sonata is much more modern sounding, especially in its chromatic character.I was still thinking of Bachâ??s solo violin writing while composing the second movement, particularly the polyphonic nature of the slow movements, where the melodic interest moves around between the voices. Emotionally, I wanted my movement to reflect the acute sadness I had been experiencing over the political and social situation in the United States as I wrote the piece. I realized that this is a historically noteworthy time in U.S. history, marked not only by political unrest, but also by a challenge to the very values that I consider essential to what makes a person fundamentally human. I wanted to create a record of that pain in my music.The final movement is marked â??White-hot.â? It is imbued with a relentless, passionate intensity. Wanting again to reflect aspects of our own time, I included glissandi that refer to rock music, specifically the â??fall-offsâ? I frequently hear played by electric guitarists. I borrowed from another (completely different) musical tradition as well, one that is near-and-dear to my heart: Klezmer. Klezmer (Eastern European Jewish folk music) is characterized in part by scales colored by augmented seconds, and is often performed by solo instrumentalists who improvise embellishments like quick grace notes. The second, more lyrical theme in this movement is my nod to Klezmer style.While this piece is an homage to Maud Powell, I also think of it as my own musical autobiography, as it combines some of my favorite aspects of music, and is played on my own instrument.

By Heinrich Ignaz Franz Biber. For Bass, Violin, Basso Continuo. Deutscher Verlag fuer Musik. Paperback. 26 pages. Published by Breitkopf and Haertel (German import).