Violin and piano

SKU: LM.J31013

Composed by Armand Parent. Classical. Score. Edition Delrieu #J31013. Published by Edition Delrieu (LM.J31013).

ISBN 9790231705218.

RAMEAU : Menuet - CAIX D'HERVELOIS : Air gai - MOZART : Allegretto - FORQUERAY : Rigaudon - SCHUMANN : Reverie - SCHUBERT : Moment musical - WAGNER : Les Maitres Chanteurs - MENDELSSOHN : Romance - CORELLI : Grave - LECLAIR J. M. : Sarabande - TARTINI : Andante cantabile - SCHUBERT : La truite. (recueil en 1ere, 2eme, 3eme et 5eme position, sauf l'Andante Cantabile de Tartini : positions 1 a 6).

Violin and Piano - Grade 4

SKU: HL.14014078

Composed by Johan Halvorsen. Music Sales America. Classical. Book [Softcover]. Composed 2002. 20 pages. Edition Wilhelm Hansen #WH12091. Published by Edition Wilhelm Hansen (HL.14014078).

ISBN 9788759853306.

Johan Halvorsen's Air Norvegien for Violin with Piano accompaniment.

(Violin & Piano). By Howard Blake. For Violin, Piano Accompaniment. Music Sales America. Softcover. 4 pages. Chester Music #CH80080. Published by Chester Music

Violin Part with Piano Accompaniment and Analytical Exercises. Composed by Ottakar Sevcik (1852-1934). Edited by Stephen Shipps. LKM Music. Softcover. Lauren Keiser Music Publishing #S511029. Published by Lauren Keiser Music Publishing

By P. De Sarasate. Edited by Schuster. For violin, piano. Published by C.F. Peters.

Violin

SKU: HL.48184553

Composed by G. Peletsis. Leduc. Classical. Softcover. Alphonse Leduc #AL27647. Published by Alphonse Leduc (HL.48184553).

UPC: 888680835682. 9.0x12.0x0.055 inches.

G. Peletsis: Memoires claires (Violin & Piano).

Violin and piano (V/KL) - advanced

SKU: HL.49022770

Composed by Jean-Marie Leclair. Edited by Fritz Kreisler. This edition: Saddle stitching. Sheet music. Edition Schott. 7 pages. Schott Music #BSS 30951. Published by Schott Music (HL.49022770).

ISBN 9790001106955. 9.0x12.0x0.07 inches.

The edition is part of the Trinity syllabus 2007 (grade 6).

Violin and piano

SKU: LM.P03093

Composed by Henri Classens. Classical. Score. Editions Combre #P03093. Published by Editions Combre (LM.P03093).

ISBN 9790230300759.

CZERNY Carl : Chanson gaie - SENALLIE Jean-Baptiste : Sarabande en La min. - BRAHMS Johannes : Joie - CORELLI Arcangelo : Sarabande - LALANDE Michel-Richard de : Menuet - BIZET Georges : Melodie - BRAHMS Johannes : Dimanche - MOZART Wolfgang Amadeus : Serenite - BRAHMS Johannes : Sans pays, sans maison - HOTTETERRE Jacques : Petit air tendre - DUVAL Francois : Rondeau - CHEDEVILLE Nicolas : Gavotte - DESTOUCHES Andre Cardinal : Les Zephirs - GODARD Benjamin : Chanson - CZERNY Carl : Dans la vallee - CZERNY Carl : Marchons - CHEDEVILLE Nicolas : Musette - PINOLET de MONTECLAIR Michel : Menuet - DESTOUCHES Andre Cardinal : Air de ballet - CHEDEVILLE Nicolas : Gavotte allemande - TELEMANN Georg Philipp : Menuet - DAUVERGNE Antoine : Air CAIX d'HERVELOIS Louis : Menuet - LALANDE Michel-Richard de : Rigaudon - LALANDE Michel-Richard de : Passe-pied - FURSTENAU Kaspar : Ecossaise - MOZART Wolfgang Amadeus : La Petite Fileuse.

Violin and Piano. By Alfred Moffat. Arranged by Alfred Moffat. Schott. Size 9x12 inches. 45 pages. Published by Schott.

Composed by Jascha Heifetz, edited by Eric Wen. Collection and set of performance parts for violin solo and piano accompaniment. With bowings, fingerings, introductory text and discography. 128 pages. Published by Carl Fischer.

Chamber Music Cello, Piano, Violin

SKU: PR.414411630

Composed by Shulamit Ran. Set of Score and Parts. With Standard notation. 28+28+20+24+20+24 pages. Duration 20 minutes. Theodore Presser Company #414-41163. Published by Theodore Presser Company (PR.414411630).

ISBN 9781491114551. UPC: 680160089956. 9.5 x 13 inches.

EXCURSIONS is a one-movement work exploring two “characters.” A rhapsodic, descending passage is introduced by the cello, followed by a  static, chorale-like phrase for the violin and cello. Their individual developments are separated by a slow, contrasting middle section. The composer has written: “This is analogous to situations in life: we stand by a crossroad, choosing one option and forfeiting the other. But in art, the realm of the imagination, we can perhaps afford to pursue more than one route to its ultimate destination… or can we? It is symbolic that in this work both roads eventually lead to the same place.”.
Excursions for violin, cello and piano, is a one-movement work of tripartite structure in which materials explored in the first of three large sections are brought back in the last section.  The traditional statement-contrast-restatement form, which is readily suggested by such a description, is, however, not at all in the mold in which the work is cast.  Rather, my aim was to subject the essential materials of the piece (two “characters” –the rhapsodic, descending passage played by the cello in the very opening and, later, a static, slow moving, chorale-like phrase for the violin and cello) to two entirely different developments separated by a slow, contrasting middle section.  This is analogous to an exploration of the ramifications that two divergent choices made by the same person might lead to.  In life, as we stand by a crossroad, choosing one option usually means having to forfeit the other.  But in art, the realm of the imagination, we can perhaps afford to pursue more than one route to its ultimate destination…or can we?  It is, I believe, symbolic that in this work both roads eventually lead to the same place: in composing Excursions, it seemed absolutely inescapable that at the end the slow, contrasting middle sections – both more resigned and peaceful than the battling spirits of the outer parts – should return briefly to end the work. The piano trio combination (once highly favored, but to this composer still as challenging today) is approached here as a collaborative effort of three equal soloists – partners.  Of the available pairings, the two strings find themselves occasionally approached as a team pitted against the piano.  The cello-piano combination is also not uncommon here, and there is an extended violin cadenza toward the end of the piece.  The writing for the three instruments is closely and at times interlinked, but the players are all instructed to play from scores. Excursions was first performed at Brandeis University in 1982.