| Rondo in C Major, Op. 51, No. 1 Piano solo G. Henle
For Piano. Composed by Ludwig van Beethoven (1770- 1827). Edited by Joanna Co...(+)
For Piano. Composed by
Ludwig van Beethoven (1770-
1827). Edited by Joanna Cobb
Biermann. Henle Music
Folios. Softcover. G. Henle
#HN1456. Published by G.
Henle
$9.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Cello Sonata C Major Op. 102 No. 1 Cello, Piano G. Henle
Cello and Piano. Composed by Ludwig van Beethoven (1770- 1827). Edited by Jen...(+)
Cello and Piano. Composed by
Ludwig van Beethoven (1770-
1827). Edited by Jens Dufner.
Henle Music Folios.
Classical. Softcover. 43
pages. G. Henle #HN1474.
Published by G. Henle
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| Easiest Sonatina Album Piano solo Willis Music
By Various. Arranged by Franz Hoffmann. Willis. Book only. Size 9x12 inches. 44 ...(+)
By Various. Arranged by Franz Hoffmann. Willis. Book only. Size 9x12 inches. 44 pages. Published by Willis Music.
$5.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Best of Beethoven Cello, Orchestra [Sheet music] Alfred Publishing
Edited by Paul Paradise. For Cello. String Orchestra Collection. The Best of.. L...(+)
Edited by Paul Paradise. For Cello. String Orchestra Collection. The Best of.. Level: Medium-Advanced. Book. 36 pages. Published by Alfred Publishing.
$6.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Rondo in G Major, Op. 51, No. 2 Piano solo G. Henle
For Piano. Composed by Ludwig van Beethoven (1770- 1827). Edited by Joanna Co...(+)
For Piano. Composed by
Ludwig van Beethoven (1770-
1827). Edited by Joanna Cobb
Biermann. Henle Music
Folios. Softcover. G. Henle
#HN1457. Published by G.
Henle
$10.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Symphony Nr. 9 in D minor, op. 125 (Facsimile of the autograph score in the Staatsbibliothek zu BerlinHaus Bonn and the Bibliotheque nationale de France) Orchestra [Facsimile] Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Lewis Lockwood, Marti...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Lewis Lockwood,
Martina Rebmann, and
Jonathan Del Mar. This
edition: facsimile. Half-
leather binding. Documenta
musicologica II/42 /
Barenreiter Facsimile.
Facsimile. Opus 125, No. 9.
476 pages. Baerenreiter
Verlag #BVK02471. Published
by Baerenreiter Verlag
$1168.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Classical Fake Book - 2nd Edition
Fake Book [Fake Book] - Easy Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.
(8)$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Concerto for Pianoforte und Orchestra Nr. 1 C major op. 15 Piano and Orchestra Barenreiter
Piano and orchestra SKU: BA.BA09021-40 Composed by Ludwig van Beethoven. ...(+)
Piano and orchestra SKU: BA.BA09021-40 Composed by Ludwig van Beethoven. Edited by Jonathan Del Mar. Stapled. Critical commentary. Opus 15. 59 pages. Baerenreiter Verlag #BA09021_40. Published by Baerenreiter Verlag (BA.BA09021-40). ISBN 9790006542994. 24 x 17 cm inches. Key: C major. Language: English. $76.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Three Sonatas for Piano F minor, A major, C major op. 2 Piano solo [Score] Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This e...(+)
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This edition: urtext edition. Paperback. Performance score, anthology. Opus 2. Published by Baerenreiter Verlag (BA.BA10859).
$38.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| String Quartet In C Major Op. 61 B 121 String Quartet: 2 violins, viola, cello G. Henle
Parts. Composed by Antonin Dvorak (1841-1904). Edited by Peter Jost. Henle Mus...(+)
Parts. Composed by Antonin
Dvorak (1841-1904). Edited by
Peter Jost. Henle Music
Folios. Softcover. 80 pages.
G. Henle #HN1399. Published
by G. Henle
$24.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Quartet for two Violins, Viola and Violoncello no. 1 in E minor, op. 112 String Quartet: 2 violins, viola, cello Barenreiter
First violin,second violin,viola,cello (1. Violin, 2. Violin, Viola, Violoncello...(+)
First violin,second violin,viola,cello (1. Violin, 2. Violin, Viola, Violoncello) SKU: BA.BA10927 Composed by Camille Saint-Saens. Edited by Fabien Guilloux. This edition: urtext edition. In a folder. Barenreiter Urtext. Set of parts. Opus 112. 19/19/19/19 pages. Baerenreiter Verlag #BA10927_00. Published by Baerenreiter Verlag (BA.BA10927). ISBN 9790006566259. 31 x 24.3 cm inches. Key: E minor. Ludwig van Beethoven’s overpowering legacy caused many subsequent composers to avoid writing string quartets at all. Saint-Saëns was no exception in this respect and waited until 1899 and 1918 to produce his two contributions to the genre. Couched in classicism, they relate in form and style to early 19th-century French quartets and to a titan of the genre: Joseph Haydn.
Saint-Saëns’ string quartets appear here for the first time in a scholarly-critical edition. It is also the first edition to contain the original version of the Finale to String Quartet No. 2 in score and parts. An informative Introduction is included in the study score to complete this volume of important French chamber music, based on the Urtext from “Camille Saint-Saëns – Complete Edition of the Instrumental Worksâ€.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$48.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| From Bach to Ravel Clarinet [Sheet music + CD] Fentone Music
Clarinet. Fenton Play Along Books. Book and CD Package. Size 9x12 inches. 24 pag...(+)
Clarinet. Fenton Play Along Books. Book and CD Package. Size 9x12 inches. 24 pages. Published by Fentone Music/De Haske.
(3)$22.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 3e Symphonie en ut mineur, op. 78 - Advanced Barenreiter
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B,...(+)
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B, 2 bassoon, bassoon-Co, Hn1, Hn2 , Hn3(chrom.), Hn4(chrom.), 3Trp, 3trombone, timpani, Tr-Gr, Tri, Be, Org, piano-4ms, 2 Violin, Viola, Cello, Double Bass) - Level 5 SKU: BA.BA10303-01 Composed by Camille Saint-Saens. Edited by Michael Stegemann. This edition: Edition of selected works, Urtext edition. Linen. Saint-Saens, Camille. Oevres instrumentales completes I/3. Edition of selected works, Score. Opus 78. Duration 39 minutes. Baerenreiter Verlag #BA10303_01. Published by Baerenreiter Verlag (BA.BA10303-01). ISBN 9790006559503. 33 x 26 cm inches. Key: C minor. Preface: Michael Stegemann. The third symphony by Camille Saint-Saens, known as the Organ Symphony, is the first publication in a complete historical-critical edition of the French composer's instrumental works.
I gave everything I was able to give in this work. [...] What I have done here I will never be able to do again.Camille Saint-Saens was rightly proud of his third Symphony in C minor Op.78, dedicated to the memory of Franz Liszt. Called theOrgan Symphonybecause of its novel scoring, the work was a commission from the Philharmonic Society in London, as was Beethoven's Ninth, and was premiered there on 19 May 1886. The first performance in Paris followed on 9 January 1887 and confirmed the composer's reputation asprobably the most significant, and certainly the most independent French symphonistof his time, as Ludwig Finscher wrote in MGG. In fact the work remains the only one in the history of that genre in France to the present day, composed a good half century after the Symphonie fantastique by Hector Berlioz and a good half century before Olivier Messiaen's Turangalila Symphonie.
You would think that such a famous, much-performed and much recorded opus could not hold any more secrets, but far from it: in the first historical-critical edition of the Symphony, numerous inconsistencies and mistakes in the Durand edition in general use until now, have been uncovered and corrected. An examination and evaluation of the sources ranged from two early sketches, now preserved in Paris and Washington (in which the Symphony was still in B minor!) via the autograph manuscript and a set of proofs corrected by Saint-Saens himself, to the first and subsequent editions of the full score and parts. The versions for piano duet (by Leon Roques) and for two pianos (by the composer himself) were also consulted. Further crucial information was finally found in his extensive correspondence, encompassing thousands of previously unpublished letters. The discoveries made in producing this edition include the fact that at its London premiere, the Symphony probably looked quite different from its present appearance ...
No less exciting than the work itself is the history of its composition and reception, which are described in an extensive foreword. With his Symphony, Saint-Saens entered right into the dispute which divided French musical life into pro and contra Wagner in the 1880s and 1890s. At the same time, the work succeeded in preserving the balance between tradition and modernism in masterly fashion, as a contemporary critic stated:The C minor Symphony by Saint-Saens creates a bridge from the past into the future, from immortal richness to progress, from ideas to their implementation.
On 19 March 1886 Saint-Saens wrote to the London Philharmonic Society, which commissioned the work:
Work on the symphony is in full swing. But I warn you, it will be terrible. Here is the precise instrumentation: 3 flutes / 2 oboes / 1 cor anglais / 2 clarinets / 1 bass clarinet / 2 bassoons / 1 contrabassoon / 2 natural horns / [3 trumpets / Saint-Saens had forgotten these in his listing.] 2 chromatic horns / 3 trombones / 1 tuba / 3 timpani / organ / 1 piano duet and the strings, of course. Fortunately, there are no harps. Unfortunately it will be difficult. I am doing what I can to mitigate the difficulties.
As in my 4th Concerto [for piano] and my [1st] Violin Sonata [in D minor Op.75] at first glance there appear to be just two parts: the first Allegro and the Adagio, the Scherzo and the Finale, each attacca. This fiendish symphony has crept up by a semitone; it did not want to stay in B minor, and is now in C minor.
It would be a pleasure for me to conduct this symphony. Whether it would be a pleasure for others to hear it? That is the question. It is you who wanted it, I wash my hands of it. I will bring the orchestral parts carefully corrected with me, and if anyone wants to give me a nice rehearsal for the symphony after the full rehearsal, everything will be fine.
When Saint-Saens hit upon the idea of adding an organ and a piano to the usual orchestral scoring is not known. The idea of adding an organ part to a secular orchestral work intended for the concert hall was thoroughly novel - and not without controversy. On the other hand, Franz Liszt, whose music Saint-Saens' Symphony is so close to, had already demonstrated that the organ could easily be an orchestral instrument in his symphonic poem Hunnenschlacht (1856/57). There was also a model for the piano duet part which Saint-Saens knew and may possibly have used quite consciously as an exemplar: theFantaisie sur la Tempetefrom the lyrical monodrama Lelio, ou le retour a la Vie op. 14bis (1831) by Berlioz. The name of the organist at the premiere ist unknown, as, incidentally, was also the case with many of the later performances; the organ part is indeed not soloistic, but should be understood as part of the orchestral texture.
In fact the subsequent success of the symphony seems to have represented a kind of breakthrough for the composer, who was then over 50 years of age.My dear composer of a famous symphony, wrote Saint-Saens' friend and pupil Gabriel Faure:You will never be able to imagine what a pleasure I had last Sunday [at the second performance on 16 January 1887]! And I had the score and did not miss a single note of this Symphony, which will endure much longer than we two, even if we were to join together our two lifespans!
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$566.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Quartet [Score and Parts] Hal Leonard
Wind Ensemble SKU: HL.44012598 Composed by Ludwig van Beethoven. Dehaske ...(+)
Wind Ensemble SKU: HL.44012598 Composed by Ludwig van Beethoven. Dehaske Compusic. Classical. Set (Score & Parts). Hal Leonard #COMP426. Published by Hal Leonard (HL.44012598). UPC: 888680087586. Opus 18 No. 1. $33.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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