| Pia Dialogo Drammatico - Musicale In Un Atto Opera [Score] Ricordi
Opera SKU: HL.50499148 Dialogo Drammatico - Musicale In Un Atto. C...(+)
Opera SKU: HL.50499148 Dialogo Drammatico - Musicale In Un Atto. Composed by Corghi A. MGB. Contemporary Music. Score Only. Composed 2006. Ricordi #NR139224. Published by Ricordi (HL.50499148). Italian. $40.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Etude Drammatico Piano solo - Intermediate FJH
By Nancy Faber. For Piano. Achievement Solo Sheets. Level: Early Intermediate/ L...(+)
By Nancy Faber. For Piano. Achievement Solo Sheets. Level: Early Intermediate/ Level 3B. Solo Sheet. Published by The FJH Music Company Inc.
$3.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Fero Dolore Cantata Drammatica Per Voce Femminile, Viola Solista [Score] Ricordi
Voices and Orchestra SKU: HL.50498836 Cantata Drammatica Per Voce Femm...(+)
Voices and Orchestra SKU: HL.50498836 Cantata Drammatica Per Voce Femminile, Viola Solista. Composed by Corghi A. MGB. Contemporary Music. Score Only. Composed 2006. Ricordi #NR139448. Published by Ricordi (HL.50498836). Italian. $54.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Musica Dramatica [Score and Parts] Shawnee Press
Woodwind Quintet (Woodwind Parts) SKU: HL.35014732 Woodwind Quintet, P...(+)
Woodwind Quintet (Woodwind Parts) SKU: HL.35014732 Woodwind Quintet, Percussion. Composed by Luigi Zaninelli. Woodwind quintet/percussion. Shawnee Press. Print on demand - publisher prints this title after order is received. Concert, Contest, Quintet. Score and Parts. Shawnee Press #LD0069. Published by Shawnee Press (HL.35014732). UPC: 884088914882. 8.5x11.0x0.115 inches. $16.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Intrada Dramatica Trumpet ensemble - Intermediate Triplo Press
Composed by Joseph Price. Trumpet Ensemble. For 8 trumpets. Small Ensemble. ...(+)
Composed by Joseph Price.
Trumpet Ensemble. For 8
trumpets. Small Ensemble. Key:
B-flat Major. Modern. Grade 5.
Score and parts. Standard
notation. Composed 2006. 26
pages. Duration 3 minutes, 11
seconds. Published by Triplo
Press
$28.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Intrada Dramatica Trumpet ensemble - Intermediate Triplo Press
Composed by Joseph Price. Trumpet Ensemble. For 5 trumpets. Small Ensemble. ...(+)
Composed by Joseph Price.
Trumpet Ensemble. For 5
trumpets. Small Ensemble. Key:
B-flat Major. Modern. Grade 5.
Score and parts. Standard
notation. Composed 2006. 22
pages. Duration 3 minutes, 11
seconds. Published by Triplo
Press
$19.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Carmen Suite Concert band [Score] - Intermediate De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1012709-140 Composed by Georg...(+)
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1012709-140 Composed by Georges Bizet. The Great Classics. Score Only. Composed 2001. De Haske Publications #DHP 1012709-140. Published by De Haske Publications (BT.DHP-1012709-140). Ook buiten de theatrale context heeft de operamuziek van Bizet een beeldende kracht. Tohru Takahahsi’s bewerking van de Carmen Suite doet recht aan de dramatiek en grandeur van het origineel.
Carmen ist wohl das berühmteste und meistgespielte Werk des Musiktheaters. Auch außerhalb des Theaterkontexts mangelt es der Musik von Georges Bizet nicht an Ausdruckskraft und Dramatik. Nach dem Tode des Komponisten wurden einige Passagen der Oper für die Carmen Suite exzerpiert, die mit dieser Bearbeitung von Tohru Takahashi, die der Dramatik und Größe des Originals vollkommen gerecht wird, nun auch für Blasorchester zugänglich ist.
Carmen est l’œuvre la plus célèbre du compositeur français Georges Bizet (1838-1875). Cette brillante transcription reste fidèle l’atmosphère pétillante et vive des scènes de l’opéra. $52.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Carmen Suite Concert band [Score and Parts] - Intermediate De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1012709-010 Composed by Georg...(+)
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1012709-010 Composed by Georges Bizet. The Great Classics. Set (Score & Parts). Composed 2001. De Haske Publications #DHP 1012709-010. Published by De Haske Publications (BT.DHP-1012709-010). Carmen is the best known work by the French composer Georges Bizet (1838-1875). Criticised by the French public at the time of its creation because its plot was deemed indecent, the opera nevertheless came to be considered as a major work due to its captivating melodies, Spanish character and energetic rhythms. In this brilliant transcription for concert band Tohru Takahasi has remained faithful to the sparkling, joyful atmosphere of the scenes from the opera.
Ook buiten de theatrale context heeft de operamuziek van Bizet een beeldende kracht. Tohru Takahahsi’s bewerking van de Carmen Suite doet recht aan de dramatiek en grandeur van het origineel.
Carmen ist wohl das berühmteste und meistgespielte Werk des Musiktheaters. Auch außerhalb des Theaterkontexts mangelt es der Musik von Georges Bizet nicht an Ausdruckskraft und Dramatik. Nach dem Tode des Komponisten wurden einige Passagen der Oper für die Carmen Suite exzerpiert, die mit dieser Bearbeitung von Tohru Takahashi, die der Dramatik und Größe des Originals vollkommen gerecht wird, nun auch für Blasorchester zugänglich ist.
Carmen est l’œuvre la plus célèbre du compositeur français Georges Bizet (1838-1875). Cette brillante transcription reste fidèle l’atmosphère pétillante et vive des scènes de l’opéra. $335.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Violin - Concerto Orchestra, Violin SATB, Orchestra Editorial de Musica Boileau
Violin and orchestra SKU: BO.B.3340 Composed by Jordi Cervello. Instrumen...(+)
Violin and orchestra SKU: BO.B.3340 Composed by Jordi Cervello. Instrumental Sets. Duration 29:00. Published by Editorial de Musica Boileau (BO.B.3340). ISBN 9788480207591. English comments: My dedication to the string instruments has been a constant throughout my compositional career and I knew that sooner or later the time would come to compose a concerto for violin and orchestra. That moment came in the autumn of 2002 and after ten months of uninterrupted work I finished it in August of 2003. It is a work structured similarly to the traditional concertos. An important impetus for the elaboration of my concerto was due to the ill-fated violinist Ginette Neveu. Her version of Sibelius' Concerto has always stayed with me. For this reason the first movement, Moderato-Allegro, begins with a contemplative atmosphere similar to that of Sibelius' Concerto in which the principal thematic ideas appear tentatively. These ideas, two rhythmic and two melodic, are reaffirmed through a broad development that culminates in an orchestral fullness. A calm, mysterious passage recalls the introduction and after becoming blurred, three bars burst in leading to the rapid section of the movement. Soloist and orchestra engage in a dialectic struggle of a dramatic nature. The agitation subsides leaving only a tranquil and suggestive clarinet phrase. This will be taken up by the soloist who leads up to the movement's most dramatic moment playing an accelerating triplet figure supported by an orchestral pedal in crescendo. From here the soloist's cadenza emerges beginning with soft double notes. It finishes with an ascending progression and the soloist settles into the high register to elicit the orchestra's intervention in a soft and transfigured atmosphere. Once internalised the second movement, Adagio poco sostenuto e leggero begins. It has a solemn character and opens with two trumpet calls answered by the violoncellos and the contrabasses. The violin soloist introduces and plays two nostalgic themes, the first in the low register and the second, more extensive, in the middle register. The soft and delicate Misterioso e leggero begins with the violin singing on high. The rhythm of the constant quaver figures gradually accelerates until the soloist provokes a dramatic full orchestra as in a cadenza. Once again, the Calmo, in which the soloist with less and less orchestral attire serenely bids farewell. A rising series of double stops by the soloist serves to initiate the Finale-Scherzo. In 6/8 rhythm and with the character of a rondo it carries us along in a carefree, virtuosic ambiance. The principal motives, brief and concise, emerge from the happy, playful theme presented by the soloist. With an intricate progression of rapid sixths in double stops it reaches a tense and somewhat combative moment. However this resolves itself in a diminuendo that the soloist peacefully takes up with the notes re-la to commence the cadenza. This culminates in a series of tied notes to reintroduce the principal theme. A moment of melodic suspension serves as a farewell before the brief and jovial final coda. --The author
Comentarios del Espanol: A lo largo de mi carrera compositiva mi dedicacion a los instrumentos de cuerda ha sido constante y sabia que, tarde o temprano, llegaria el momento de componer un concierto para violin y orquesta. Este llego en otono de 2002 y, tras diez meses de trabajo ininterrumpido, lo termine en agosto de 2003. Se trata de una obra estructurada de manera similar a los conciertos tradicionales. Un importante impulso a la elaboracion de mi concierto lo debo al recuerdo de la malograda violinista Ginette Neveu. Su version del concierto de Sibelius ha permanecido siempre dentro de mi. Por ese motivo, el primer movimiento Moderato-Allegro se inicia con una atmosfera contemplativa cercana a la del mencionado Concierto, en la que aparecen cautamente las principales ideas tematicas. Con un amplio desarrollo se llega a un lleno orquestal en el que estas ideas -dos ritmicas y dos melodicas- quedan reafirmadas. Un pasaje calmo y misterioso rememora la introduccion. Tras desdibujarse, irrumpen tres compases que nos llevan a la parte rapida del movimiento. Solista y orquesta establecen un combate dialectico de caracter dramatico. La inquietud desaparece hasta una tranquila e insinuante frase del clarinete. Esta sera recogida por el solista, quien, a base de una figuracion de tresillos cada vez mas rapidos apoyada por un pedal de la orquesta in crescendo, conduce hacia el momento mas dramatico del movimiento. De aqui nace la cadenza del solista, que se incia con suaves notas dobles. Finaliza con una progresion ascendente y el solista se coloca en el registro agudo para llamar la intervencion de la orquesta dentro de una atmosfera suave y transfigurada. Interiorizado es el segundo movimiento Adagio poco sostenuto e leggero. Con dos llamadas de las trompas respondidas por los violonchelos y contrabajos inicia el Adagio de caracter grave. El violin solista introduce y canta dos temas nostalgicos. El primero en el registro grave y el segundo, mas amplio, en el medio. Inicia el Misterioso e leggero, de caracter suave y delicado. Con el violin cantando en agudo. La constante figuracion de corcheas acelerara poco a poco el ritmo hasta que el solista a modo de cadenza provocara un dramatico lleno orquestal. De nuevo el Calmo, donde el solista, cada vez con menos ropaje orquestal, se despide serenamente. Una subida de dobles cuerdas a cargo del solista sirve para iniciar el Finale-Scherzo. Este, en ritmo de 6/8 y con caracter de rondo, nos transporta en un clima virtuosistico y despreocupado. Del tema alegre y jugueton presentado por el solista nacen los principales motivos, breves y concisos. Con una intrincada sucesion de rapidas sextas en doble cuerda se llega a un momento crispado y algo combativo que, sin embargo, se resolvera en un diminuendo que el solista recoge apaciblemente con las notas re-la para inciar la cadenza. Esta culmina con un suave rosario de notas en ligado para introducir de nuevo el tema principal. Un momento de suspension melodica sirve como despido antes de la breve y jovial coda final. La obra fue estrenada el 23 de septiembre de 2005 en el Teatre Monumental de Madrid por la Orquesta Sinfonica de RTVE con Markus Placci de solista y Uwe Mund de director. Gravacion: RNE y Canal Clasico de TVE. --El Autor. $42.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Vocalises minute Soprano voice, Piano [Score] Lemoine, Henry
Soprano voice and piano SKU: LM.29241 Composed by Elena Vassilieva. Class...(+)
Soprano voice and piano SKU: LM.29241 Composed by Elena Vassilieva. Classical: 20th Century (Contemporary). Score. 34 pages. Editions Henry Lemoine #29241. Published by Editions Henry Lemoine (LM.29241). ISBN 9790230992411. I. La Reine noire (soprano dramatico-coloratura) - II. Disperata donna (soprano dramatico-coloratura) - III. La Diva (soprano dramatico) - IV. Ah Madre del Cielo (soprano lirico-spinto) - V. Leonora (soprano lirico-spinto) - VI. La Mort des amants (soprano lirico-leggero) - VII. Anna Bolena (soprano lirico-leggero) - VIII. Je suis belle (soprano colorature) - IX. Mes grisgris (soprano soubrette) - X. La Pastorella (soprano soubrette). $30.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| The Last Friend of NAPOLEON Concert band [Score and Parts] - Intermediate/advanced De Haske Publications
Concert Band/Harmonie - Grade 6 SKU: BT.DHP-1185847-010 Composed by Dirk ...(+)
Concert Band/Harmonie - Grade 6 SKU: BT.DHP-1185847-010 Composed by Dirk Brossé. Concert and Contest Collection CBHA. Concert Piece. Set (Score & Parts). Composed 2018. De Haske Publications #DHP 1185847-010. Published by De Haske Publications (BT.DHP-1185847-010). English-German-French-Dutch. The Last Friend of Napoleon is based on a true piece of Dutch history. In October 1813, when Napoleon was beaten after his unsuccessful Russian campaign, the French withdrew from the Netherlands. At the beginning of 1814, the whole country had been liberated except for the town of Delfzijl, still occupied by French troops. This programmatic work is about political and military stubbornness, chasing dreams, and about love always following its own unequalled way. Being one of the most acknowledged composers of today, Dirk Brossé has created an epic work that depicts a dramatic story, using the full range of the symphonic band resulting in challenging brass passages, a widerange of percussion and a lot of strong, beautiful and melodic material.
The Last Friend of Napoleon is gebaseerd op een waargebeurd stukje Nederlandse geschiedenis. Als Napoleon in oktober 1813 na zijn mislukte Russische veldtocht wordt verslagen, trekken de Fransen zich terug uit Nederland. Begin 1814 is heel het land bevrijd, behalve de plaats Delfzijl, die nog bezet wordt door Franse troepen. Dit programmatische werk gaat over politieke en militaire stijfkoppigheid, over het najagen van dromen en over de liefde, die altijd haar eigen, onnavolgbare weg gaat. Dit werk van Dirk Brossé, een van de meest gerenommeerde hedendaagse componisten, vertelt een dramatisch verhaal door middel van volledig symfonisch blaasorkest waarin koper, eenscala van slagwerk en vooral veel prachtig melodisch materiaal de hoofdrol spelen.
The Last Friend of Napoleon basiert auf einer wahren Episode aus der niederländischen Geschichte. Als Napoleon im Oktober 1813 nach seinem erfolglosen Russlandfeldzug geschlagen wurde, zogen sich die Franzosen aus den Niederlanden zurück. Anfang 1814 wurde das ganze Land befreit, mit Ausnahme der Stadt Delfzijl, die noch von französischen Truppen gehalten wurde. Dieses programmatische Werk handelt von politischer und militärischer Starrköpfigkeit, vom Verfolgen von Träumen, und darum, dass die Liebe immer ihren eigenen Weg geht. Dirk Brossé, der zu den bekanntesten zeitgenössischen Komponisten zählt, stellt mit diesem epischen Werk eine dramatischeGeschichte dar. Er verwendet hierfür das große Spektrum des Sinfonischen Blasorchesters: Er hat anspruchsvolle Episoden für die Blechbläser, eine große Bandbreite für Schlagwerk und zahlreiche wunderschöne Melodien geschaffen.
The Last Friend of Napoleon est basé sur une histoire vraie néerlandaise.Alors que Napoléon est vaincu après sa campagne infructueuse en Russie en octobre 1813, les Français se retirent des Pays-Bas. Au début de 1814, le pays entier a été libéré l’exception de la ville de Delfzijl, toujours occupée par les troupes françaises. Cette œuvre programme aborde l’entêtement politique et militaire, la poursuite de rêves, et l’amour qui suit toujours son propre chemin. De l’un des compositeurs les plus reconnus de nos jours, cette œuvre épique de Dirk Brossé met en musique une histoire dramatique. Il profite pleinement de la palette complète d’un orchestre d’harmoniesymphonique, ce qui entraîne des épisodes stimulants pour les cuivres, une grande variété de percussion et une abondance de matériau mélodique magnifique et puissant.
The Last Friend of Napoleon (L'ultimo amico di Napoleone) si basa su un episodio di storia olandese. Dirk Brossé ha creato un'opera epica che descrive una storia drammatica, utilizzando tutte le potenzialit della banda che si esprimono in impegnativi passaggi degli ottoni, nell’ampia gamma di percussioni e in molto materiale bello e melodico. $322.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Music Concert band [Score and Parts] - Easy Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-046-010 Composed by John Mile...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-046-010 Composed by John Miles. Arranged by Philip Sparke. Anglo Music Midway Series. Concert Piece. Set (Score & Parts). Composed 2002. Anglo Music Press #AMP 046-010. Published by Anglo Music Press (BT.AMP-046-010). 9x12 inches. Born in Jarrow, northeast England, in 1949, John Miles was something of a child prodigy, learning the piano from the age of five. In the early '60s he persuaded his father to buy him a guitar and by the end of the decade he had joined asemi-professional band, The Influence. The group soon disbanded and by 1969 Miles was recording with his own group, The John Miles Band, releasing a dozen singles in the early '70s. In 1975 Miles decided to move to London and secured a dealwith Decca Records. By October that year, a newly formed band, John Miles and Co, had released their debut single, Highfly, but their greatest hit, which stormed the British charts in March 1976, was Music.
In 1976 bestormde het nummer Music van de band John Miles and Co de hitparades. Music, vaak bekritiseerd als pompeus en hoogdravend in een periode die steeds meer de kant van de punk opging, was in feite typisch Britsetechnopop en daarbij een bepalende plaat voor die tijd, samen met nummers als Queen’s Bohemian Rhapsody. Met veel gevoel voor dynamiek en dramatiek werkt deze ode aan de muziek nog altijd aanstekelijk.
Musik war meine erste Liebe- so beginnt der Text dieses Pop-Klassikers aus den Siebzigern von John Miles, der mit dieser Zeile damit damals und heute den Nerv aller begeisterten Musiker und Musikfans der Welt traf. Leise undlaut, gefühlvoll und dramatisch, zieht diese schöne Liebeserklärung an die Musik in der Blasorchester-Bearbeitung von Philip Sparke noch immer Musiker und Zuhörer unweigerlich in ihren Bann.
Né en 1949 Jarrow dans le nord-est de l’Angleterre, John Miles est considéré comme un enfant prodige, apprenant le piano dès l’ ge de cinq ans. Au début des années 60, il persuade son père de lui acheter une guitare. En 1975, il s’installe Londres et signe un contrat avec la maison de disques Decca. En octobre de cette même année, John Miles et son nouveau groupe, le John Miles and Co., sortent leur premier single intitulé Highfly. Mais c’est avec le titre Music, leurplus grand succès, que le groupe conquit les hit-parades anglais en mars 1976.
E' con Music, il suo più grande successo, che John Miles (1949) conquista le hit-parade inglesi nel marzo 1976. Espressiva, potente e dinamica, questa canzone é un magnifico inno alla musica. L'arrangiamento di PhilipSparke é fedele alla versione originale. $140.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Music Marching band [Score and Parts] - Easy Anglo Music
Fanfare Band - Grade 3 SKU: BT.AMP-046-020 Composed by John Miles. Arrang...(+)
Fanfare Band - Grade 3 SKU: BT.AMP-046-020 Composed by John Miles. Arranged by Philip Sparke. Anglo Music Midway Series. Pop & Rock. Set (Score & Parts). Composed 2002. Anglo Music Press #AMP 046-020. Published by Anglo Music Press (BT.AMP-046-020). Born in Jarrow, northeast England, in 1949, John Miles was something of a child prodigy, learning the piano from the age of five. In the early ’60s he persuaded his father to buy him a guitar and by the end of the decade he had joined a semi-professional band, The Influence. The group soon disbanded and by 1969 Miles was recording with his own group, The John Miles Band, releasing a dozen singles in the early ’70s. In 1975 Miles decided to move to London and secured a deal with Decca Records. By October that year, a newly formed band, John Miles and Co, had released their debut single, Highfly, but their greatest hit, which stormed the British charts in March 1976, was Music.
In 1976 bestormde het nummer Music van de band John Miles and Co de hitparades. Music, vaak bekritiseerd als pompeus en hoogdravend in een periode die steeds meer de kant van de punk opging, was in feite typisch Britsetechnopop en daarbij een bepalende plaat voor die tijd, samen met nummers als Queen’s Bohemian Rhapsody. Met veel gevoel voor dynamiek en dramatiek werkt deze ode aan de muziek nog altijd aanstekelijk.
Music, ein Hit aus den bewegten 70er-Jahren, ist einer der Titel, die diese Ära nachhaltig geprägt haben. Leise und laut, gefühlvoll und dramatisch, zieht diese Hymne an die Musik in der Bearbeitung von Philip Sparke auch heute Orchester und Zuhörer unweigerlich in ihren Bann.
E’ con Music, il suo più grande successo, che John Miles (1949) conquista le hit-parade inglesi nel marzo 1976. Espressiva, potente e dinamica, questa canzone è un magnifico inno alla musica. L’arrangiamento di Philip Sparke è fedele alla versione originale. $140.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Odilia Concert band [Score] - Easy De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135395-140 Pop Overture f...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135395-140 Pop Overture for Band. Composed by Jacob De Haan. Concert and Contest Collection CBHA. Original Light Music. Score Only. Composed 2013. 18 pages. De Haske Publications #DHP 1135395-140. Published by De Haske Publications (BT.DHP-1135395-140). 9x12 inches. English-German-French-Dutch. Odilia is an up-tempo and joyful ode to Baume-les-Dames, a village in the department of Doubs in Franche-Comté, Eastern France.The title is derived from the legend of Odilia of Alsace (venerated as Saint Odilia, or Odile), the daughter of the Duke of Alsace. She was born blind, and literally saw the light at the age of twelve at the convent of Baume-les-Dames. From this miraculous occurrence, she was dubbed Odilia — child of light.Jacob de Haan was inspired by medieval dance music for the opening of this composition. In the slow movement that follows, a lyrical minor theme builds to a dramatic climax, which is followed by a calm passage featuring the repeatedlyrical theme. Finally, the medieval motif returns, this time presented in a festive gospel version.
Odilia is een ode aan Baume-les-Dames, een dorp in het Franse departement Doubs (in de regio Franche-Comté). De titel verwijst naar de legende van Odilia, de dochter van de hertog van Elzas. Ze werd blind geboren, maar op twaalfjarige leeftijd zag ze in het nonnenklooster van Baume-les-Dames letterlijk het licht. Na dit mirakel werd ze Odilia, kind van het licht, genoemd. Middeleeuwse dansmuziek vormde de inspiratiebron voor Jacob de Haan. We horen het zowel aan het begin als het einde, terwijl in het langzame middendeel een lyrisch thema in mineur zich ontwikkelt tot een dramatisch hoogtepunt. Feestelijk en sfeervol!
Odilia ist eine schnelle und fröhliche Ode an das französische Dorf Baume-les-Dames. Die Einleitung der Komposition ist mittelalterlicher Tanzmusik inspiriert. Der nachfolgende langsame Satz in lyrischem Moll steigert sich zu einem dramatischen Höhepunkt, gefolgt von einer ruhigen Passage, die das lyrische Thema wieder aufnimmt. Schließlich kehrt das mittelalterliche Motiv aus der Einleitung wieder, diesmal in einer festlichen Gospelversion.
Odilia est une joyeuse et allègre ode Baume-les-Dames, un village situé dans le département du Doubs, dans l’est de la France. Jacob de Haan s’est inspiré de la musique de danse médiévale pour la première partie de cette composition. Dans le mouvement lent qui suit, un thème lyrique en mineur s’amplifie pour atteindre un passage en apogée, lui-même suivi d’un motif tranquille où réapparaît le thème lyrique. Enfin, la ligne médiévale revient, cette fois sous la forme d’un gospel festif.
Odilia è una veloce e gioiosa ode a Baume-les-Dames, una cittadina francese che ha ispirato la musica medioevale danzante che il compositore propone nell’introduzione del brano. Il movimento che segue è caratterizzato da un modo minore lirico che si sviluppa in una drammatica apoteosi, seguita da un passaggio calmo che riprende il tema lirico. Il motivo medioevale è nuovamente proposto, questa volta in una festosa versione gospel. $42.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Odilia Concert band [Score and Parts] - Easy De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135395-010 Pop Overture f...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135395-010 Pop Overture for Band. Composed by Jacob De Haan. Concert and Contest Collection CBHA. Original Light Music. Set (Score & Parts). Composed 2013. De Haske Publications #DHP 1135395-010. Published by De Haske Publications (BT.DHP-1135395-010). 9x12 inches. English-German-French-Dutch. Odilia is an up-tempo and joyful ode to Baume-les-Dames, a village in the department of Doubs in Franche-Comté, Eastern France.The title is derived from the legend of Odilia of Alsace (venerated as Saint Odilia, or Odile), the daughter of the Duke of Alsace. She was born blind, and literally saw the light at the age of twelve at the convent of Baume-les-Dames. From this miraculous occurrence, she was dubbed Odilia — child of light.Jacob de Haan was inspired by medieval dance music for the opening of this composition. In the slow movement that follows, a lyrical minor theme builds to a dramatic climax, which is followed by a calm passage featuring the repeatedlyrical theme. Finally, the medieval motif returns, this time presented in a festive gospel version.
Odilia is een ode aan Baume-les-Dames, een dorp in het Franse departement Doubs (in de regio Franche-Comté). De titel verwijst naar de legende van Odilia, de dochter van de hertog van Elzas. Ze werd blind geboren, maar op twaalfjarige leeftijd zag ze in het nonnenklooster van Baume-les-Dames letterlijk het licht. Na dit mirakel werd ze Odilia, kind van het licht, genoemd. Middeleeuwse dansmuziek vormde de inspiratiebron voor Jacob de Haan. We horen het zowel aan het begin als het einde, terwijl in het langzame middendeel een lyrisch thema in mineur zich ontwikkelt tot een dramatisch hoogtepunt. Feestelijk en sfeervol!
Odilia ist eine schnelle und fröhliche Ode an das französische Dorf Baume-les-Dames. Die Einleitung der Komposition ist mittelalterlicher Tanzmusik inspiriert. Der nachfolgende langsame Satz in lyrischem Moll steigert sich zu einem dramatischen Höhepunkt, gefolgt von einer ruhigen Passage, die das lyrische Thema wieder aufnimmt. Schließlich kehrt das mittelalterliche Motiv aus der Einleitung wieder, diesmal in einer festlichen Gospelversion.
Odilia est une joyeuse et allègre ode Baume-les-Dames, un village situé dans le département du Doubs, dans l’est de la France. Jacob de Haan s’est inspiré de la musique de danse médiévale pour la première partie de cette composition. Dans le mouvement lent qui suit, un thème lyrique en mineur s’amplifie pour atteindre un passage en apogée, lui-même suivi d’un motif tranquille où réapparaît le thème lyrique. Enfin, la ligne médiévale revient, cette fois sous la forme d’un gospel festif.
Odilia è una veloce e gioiosa ode a Baume-les-Dames, una cittadina francese che ha ispirato la musica medioevale danzante che il compositore propone nell’introduzione del brano. Il movimento che segue è caratterizzato da un modo minore lirico che si sviluppa in una drammatica apoteosi, seguita da un passaggio calmo che riprende il tema lirico. Il motivo medioevale è nuovamente proposto, questa volta in una festosa versione gospel. $176.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Fields of Honour Concert band [Score] - Intermediate De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1165758-140 Battle of the ...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1165758-140 Battle of the Somme. Composed by Thierry Deleruyelle. Concert and Contest Collection CBHA. Concert Piece. Score Only. Composed 2016. 52 pages. De Haske Publications #DHP 1165758-140. Published by De Haske Publications (BT.DHP-1165758-140). English-German-French-Dutch. Fields of Honour was commissioned by ‘l’Orchestre d’Harmonie de Beauquesne’, France, and tells the story of the terrifying Battle of the Somme during WW1, with more than one million of victims. The music depicts the events prior to the battle until the time after it. This impressive composition has the structure of a symphonic poem and is highly dramatic and emotional, offering challenges to all instrument groups.
Fields of Honour is geschreven in opdracht van l’Orchestre d’Harmonie de Beauquesne, Frankrijk. Het werk vertelt het verhaal van de Slag aan de Somme in de Eerste Wereldoorlog een strijd met meer dan een miljoen slachtoffers. De muziek beschrijft de gebeurtenissen voor de veldslag tot de tijd erna. De indrukwekkende compositie heeft de structuur van een symfonisch gedicht en is zeer dramatisch en emotioneel, waarbij elke instrumentgroep wel een uitdaging heeft om zich aan te wijden.
Das Stück Fields of Honour wurde vom Orchestre d’Harmonie de Beauquesne (Frankreich) in Auftrag gegeben und erzählt die Geschichte der entsetzlichen Schlacht an der Somme im ersten Weltkrieg mit mehr als einer Million Opfern. Die Musik beschreibt die Ereignisse vor der Schlacht bis danach. Diese eindrucksvolle Komposition ist wie eine sinfonische Dichtung aufgebaut und extrem dramatisch und emotional. Sie bietet für alle Instrumentengruppen große Herausforderungen.
Fields of Honour fut commandé par l’Orchestre d’Harmonie de Beauquesne, France, et raconte l’histoire de l’effroyable bataille de la Somme durant la Première Guerre Mondiale, qui compte plus d’un million de victimes. La musique dépeint les évènements qui précédent et suivent la bataille. Cette composition impressionnante est structurée comme un poème symphonique. Elle est très dramatique et émotionnelle, et offre des défis tous les registres. $36.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Pianto De La Madonna Piano, Voice [Score] Ricordi
Vocal and Piano SKU: HL.50493602 Lauda Drammatica Di Jacopone Da Todi ...(+)
Vocal and Piano SKU: HL.50493602 Lauda Drammatica Di Jacopone Da Todi Per Coro E Pianoforte. Composed by Elsa Olivieri-sangiacomo. MGB. Classical. Score Only. Composed 1983. Ricordi #NR124487. Published by Ricordi (HL.50493602). UPC: 884088926090. 8.0x11.5x0.2 inches. Italian. LAUDA DRAMMATICA DI JACOPONE DA TODI PER CORO E PIANOFORTE. $35.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sinfonia N 6 Orchestra [Score] Ricordi
Orchestra SKU: HL.50494782 Per Grande Orchestra 'Drammatica' (1976) - ...(+)
Orchestra SKU: HL.50494782 Per Grande Orchestra 'Drammatica' (1976) - Partitura. Composed by Bruno Bettinelli. MGB. Contemporary Music. Score Only. Composed 1982. Ricordi #NR132535. Published by Ricordi (HL.50494782). PER GRANDE ORCHESTRA 'DRAMMATICA' (1976) - PARTITURA. $75.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Music Marching band [Score] - Easy Anglo Music
Fanfare Band - Grade 3 SKU: BT.AMP-046-120 Composed by John Miles. Arrang...(+)
Fanfare Band - Grade 3 SKU: BT.AMP-046-120 Composed by John Miles. Arranged by Philip Sparke. Anglo Music Midway Series. Pop & Rock. Score Only. Composed 2002. Anglo Music Press #AMP 046-120. Published by Anglo Music Press (BT.AMP-046-120). Born in Jarrow, northeast England, in 1949, John Miles was something of a child prodigy, learning the piano from the age of five. In the early ’60s he persuaded his father to buy him a guitar and by the end of the decade he had joined a semi-professional band, The Influence. The group soon disbanded and by 1969 Miles was recording with his own group, The John Miles Band, releasing a dozen singles in the early ’70s. In 1975 Miles decided to move to London and secured a deal with Decca Records. By October that year, a newly formed band, John Miles and Co, had released their debut single, Highfly, but their greatest hit, which stormed the British charts in March 1976, was Music.
In 1976 bestormde het nummer Music van de band John Miles and Co de hitparades. Music, vaak bekritiseerd als pompeus en hoogdravend in een periode die steeds meer de kant van de punk opging, was in feite typisch Britsetechnopop en daarbij een bepalende plaat voor die tijd, samen met nummers als Queen’s Bohemian Rhapsody. Met veel gevoel voor dynamiek en dramatiek werkt deze ode aan de muziek nog altijd aanstekelijk.
Musik war meine erste Liebe“ - so beginnt der Text dieses Pop-Klassikers aus den Siebzigern von John Miles, der mit dieser Zeile damit damals und heute den Nerv aller begeisterten Musiker und Musikfans der Welt traf. Leise und laut, gefühlvoll und dramatisch, zieht diese schöne Liebeserklärung an die Musik in der Blasorchester-Bearbeitung von Philip Sparke noch immer Musiker und Zuhörer unweigerlich in ihren Bann.
E’ con Music, il suo più grande successo, che John Miles (1949) conquista le hit-parade inglesi nel marzo 1976. Espressiva, potente e dinamica, questa canzone è un magnifico inno alla musica. L’arrangiamento di Philip Sparke è fedele alla versione originale. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Fields of Honour Concert band [Score and Parts] - Intermediate De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1165758-010 Battle of the ...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1165758-010 Battle of the Somme. Composed by Thierry Deleruyelle. Concert and Contest Collection CBHA. Concert Piece. Set (Score & Parts). Composed 2016. De Haske Publications #DHP 1165758-010. Published by De Haske Publications (BT.DHP-1165758-010). English-German-French-Dutch. Fields of Honour was commissioned by ‘l’Orchestre d’Harmonie de Beauquesne’, France, and tells the story of the terrifying Battle of the Somme during WW1, with more than one million of victims. The music depicts the events prior to the battle until the time after it. This impressive composition has the structure of a symphonic poem and is highly dramatic and emotional, offering challenges to all instrument groups.
Fields of Honour is geschreven in opdracht van l’Orchestre d’Harmonie de Beauquesne, Frankrijk. Het werk vertelt het verhaal van de Slag aan de Somme in de Eerste Wereldoorlog een strijd met meer dan een miljoen slachtoffers. De muziek beschrijft de gebeurtenissen voor de veldslag tot de tijd erna. De indrukwekkende compositie heeft de structuur van een symfonisch gedicht en is zeer dramatisch en emotioneel, waarbij elke instrumentgroep wel een uitdaging heeft om zich aan te wijden.
Das Stück Fields of Honour wurde vom Orchestre d’Harmonie de Beauquesne (Frankreich) in Auftrag gegeben und erzählt die Geschichte der entsetzlichen Schlacht an der Somme im ersten Weltkrieg mit mehr als einer Million Opfern. Die Musik beschreibt die Ereignisse vor der Schlacht bis danach. Diese eindrucksvolle Komposition ist wie eine sinfonische Dichtung aufgebaut und extrem dramatisch und emotional. Sie bietet für alle Instrumentengruppen große Herausforderungen.
Fields of Honour fut commandé par l’Orchestre d’Harmonie de Beauquesne, France, et raconte l’histoire de l’effroyable bataille de la Somme durant la Première Guerre Mondiale, qui compte plus d’un million de victimes. La musique dépeint les évènements qui précédent et suivent la bataille. Cette composition impressionnante est structurée comme un poème symphonique. Elle est très dramatique et émotionnelle, et offre des défis tous les registres. $191.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Dai, Dimmi Su!' Conversazione Da Camera Per 11 Strum Co Opera [Score] Ricordi
Opera SKU: HL.50494866 Strumenti Come Scena Di Danza Drammatica. C...(+)
Opera SKU: HL.50494866 Strumenti Come Scena Di Danza Drammatica. Composed by Sylvano Bussotti. MGB. Contemporary Music. Score Only. Composed 1979. Ricordi #NR132845. Published by Ricordi (HL.50494866). Italian. ME SCENA DI DANZA DRAMMATICA. $56.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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