| Mash-Up -- Vol. 1 Concert band - Intermediate Alfred Publishing
Concert Band - Grade 3 SKU: AP.38373 Featuring: Forget You / Don't Sto...(+)
Concert Band - Grade 3 SKU: AP.38373 Featuring: Forget You / Don't Stop Believin'. Composed by Ari Levine, Christopher Brown, Don't Stop Believin': Jonathan Cain, Neal Schon, Peter Hernandez, Philip Lawrence, Steve Perry, and Thomas Cee Lo Callaway. Arranged by Patrick Roszell. Concert Band; Performance Music Ensemble; Single Titles. Pop Concert Band. Pop. Score and Part(s). 242 pages. Duration 3:30. Alfred Music #00-38373. Published by Alfred Music (AP.38373). UPC: 038081441269. English. Forget You: Words; music by Christopher Brown; Peter Hernandez; Ari Levine; Philip Lawrence; Thomas Cee Lo Callaway; Don't Stop Believin': Words; music by Jonathan Cain; Neal Schon; Steve Perry. Cee Lo Green's Forget You and Journey's Don't Stop Believin' collide in this exciting Mash-Up reminiscent of the popular television show Glee. This arrangement presents an exhilarating performance opportunity for your outstanding trumpet and trombone soloists and provides an entertaining experience for bands and audiences alike. Building on the Mash-Up concept, the two tunes are joined as one in the show-stopping arrangement. (3:30). $70.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Get Set! Piano Pieces Book 2 Piano solo - Beginner Lucks Music Library
Piano SKU: BT.9781408192788 Composed by Karen Marshall. Get Set! Piano. S...(+)
Piano SKU: BT.9781408192788 Composed by Karen Marshall. Get Set! Piano. Studies & Exercises. Book Only. 24 pages. Collins Music Publishing #9781408192788. Published by Collins Music Publishing (BT.9781408192788). ISBN 9781408192788. Designed to complement Get Set! Piano Tutor Book 2, Get Set! Piano Pieces Book 2 contains an exciting collection of pieces by Heather Hammond and Karen Marshall, arranged and written specially for thetwenty-first century child. Get Set! Piano Pieces Book 2 follows and supplements the tried and tested progressive teaching method of Get Set! Piano Tutor Book 2 (9781408193075), guiding the learner fromPrep test to Grade 1. It includes favourites like La Bamba, Frère Jacques and This Old Man as well as engaging new solo and ensemble pieces in a variety of styles. The perfect repertoire bookforgetting to Grade 1, Get Set! Piano Pieces Book 2 is attractively laid out and fully illustrated, with quizzes and crosswords to reinforce learning. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Rituals Theodore Presser Co.
Orchestra Bass Clarinet, Bass Trombone, Bassoon, Clarinet, Contrabass, Contrabas...(+)
Orchestra Bass Clarinet, Bass Trombone, Bassoon, Clarinet, Contrabass, Contrabassoon, English Horn, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe, Percussion, Trombone 1, Trombone 2, Trumpet 1, Trumpet 2, Tuba, Viola, Violin 1, Violin 2, Violoncello SKU: PR.44641192L For 5 Percussionists and Orchestra. Composed by Ellen Taaffe Zwilich. Contemporary. Large Score. With Standard notation. Composed 2003. 72 pages. Duration 30 minutes. Theodore Presser Company #446-41192L. Published by Theodore Presser Company (PR.44641192L). UPC: 680160610860. 11 x 14 inches. One of my greatest pleasures in writing a concerto is exploring the new world that opens for me each time I enter the sometimes alien, but always fascinating, world of a solo instrument or instruments. For me, the challenge is to discover the deepest nature of the solo instrument (its karma, if you will) and to allow that essential character to guide the shape and form of the work and the nature of the interaction between soloists and orchestra. In recent years, many of us have become more aware of the musical world outside the Western tradition of musics that follow different procedures and spring from other aesthetics. And contemporary percussionists have opened many of these worlds to us, as they have ventured around the globe, participating in Brazilian Samba schools, studying Gamelan and African drumming with local experts, collecting instruments from Asia and Africa and South America and the South Pacific, widening our horizons in the process. I will never forget our first meeting in Toronto when Nexus invited me into their world of hundreds of exciting percussion instruments. The vast array of instruments in the collection of the Nexus ensemble is truly global in scope as well as offering a thrilling sound-universe. I was inspired by the incredible range of sound and moved by the fact that so many of these instruments were musical reflections of a spiritual dimension. After long consideration, I decided that it would not only be impossible, but even undesirable for this Western-tradition-steeped composer to attempt to use these instruments in a culturally authentic way. My goal was an existential kind of authenticity: searching instead for universal ideas that would be true to both myself and the performers while acknowledging the traditional uses of the instruments. Since many percussion instruments are associated with various kinds of ritual, I decided that I would allow that concept to shape my piece. Rituals is in four movements, each issuing from a ritual associated with percussion, but with the orchestral interaction providing an essential element in the musical form. I. Invocation alludes to the traditions of invoking the spirit of the instruments, or the gods, or the ancestors before performing. II. Ambulation moves from a processional, through march and dance to fantasy based on all three. III. Remembrances alludes to traditions of memorializing. IV. Contests progresses from friendly competition games, contests to a suggestion of a battle of big band drummers, to warlike exchanges. In the 2nd and 4th movements, another percussion tradition, improvisation, is employed. Written into these movements are a number of seeds for improvisation. Indications in the score call for the soloists to improvise in three different ways, marked A for percussion alone; marked B for percussion with and in response to the orchestra; and C where the percussionists are free to add and embellish the written parts. These improvisations should grow out of and embellish previous motives and gestures in the movement. $95.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sacred Solos by Austin C. Lovelace - 3 |organ|piano|vocal| Darcey Press
27 Solos from Hymns, Poems, and Scriptures. For voice with keyboard. Includes sa...(+)
27 Solos from Hymns, Poems, and Scriptures. For voice with keyboard. Includes saddle-stitched book for the singer, and a foldout page book for the accompanist. 2 books. Published by Darcey Press.
$38.50 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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