| Furtwaengler Ton Und Wort 1918 Schott
(LN) SKU: HL.49020856 Aufsatze und Vortrage 1918 bis 1954. Compose...(+)
(LN) SKU: HL.49020856 Aufsatze und Vortrage 1918 bis 1954. Composed by Jean-Pierre Rampal. This edition: Hardback/Hard Cover. Book. Edition Schott. 276 pages. Schott Music #ATL 6199. Published by Schott Music (HL.49020856). ISBN 9783254001993. German. Das kunstlerische Wirken des Komponisten und Dirigenten Wilhelm Furtwangler war ein Leben lang begleitet von dem Bemuhen, sich daruber auch theoretisch Rechenschaft zu geben. Zahlreiche Aufzeichnungen belegen das. So spannt sich ein weiter Bogen uber diese Aufsatze und Vortrage aus den Jahren 1918 bis 1954. Der Reichtum der Themen, die Allgemeingultigkeit der Problemstellung, die Gedanken und Auffassungen sind aus der Schule des Lebens selbst, aus der unmittelbaren Erfahrung von Werk und Publikum erwachsen. Furtwangler setzt sich in diesen Arbeiten mit grundsatzlichen Fragen, so u.a. der Werktreue, der Programmgestaltung, der kunstlerischen Verantwortung, der modernen Musik, auseinander und entwickelt seine Gedanken uber Bach, Beethoven, Brahms, Bruckner, Wagner, Hindemith, Strawinsky und andere Komponisten. $41.95 - See more - Buy online | | |
| Reger-Werkausgabe, Vol. II/3: Songs III (1901-1903) [Score] Carus Verlag
SKU: CA.5281000 Edited by Knud Breyer, Stefan König. Gesamt- und Werka...(+)
SKU: CA.5281000 Edited by Knud Breyer, Stefan König. Gesamt- und Werkausgaben: Max Reger. Hybrid Edition of works. Songs III (1901–1903). Full score (complete edition / selected edition). Carus Verlag #5281000. Published by Carus Verlag (CA.5281000). ISBN 9790007297220. The third volume in the Songs and Choral Works Series of the Reger Complete Works (RWA) contains the songs Max Reger composed (almost entirely in Munich) between 1901 and February 1903. With these compositions, Reger not only entered into direct competition with the so-called “Munich School†around Ludwig Thuille, Max von Schillings, and Richard Strauss, but also attempted to establish himself more widely as an uncompromising renewer of the genre. The songs contrast with the Romantic song aesthetic through their forward-looking declamatory style and they display a treatment of the piano which goes far beyond conventional song accompaniment.
In January 2008 the Max-Reger-Institut (MRI) in Karlsruhe began publishing a scholarly-critical edition of the works of Reger (RWA). This is supported by the Mainz Academy of Sciences and Literature, and as a Hybrid Edition is exploring new approaches in editorial techniques.
The digital offer belonging to the volume is published in an online portal.
Content Kompositionen. Acht Lieder op. 79c Lieder WoO VII/31und VII/32 Sechzehn Gesänge op. 62 Schlummerlied WoO VII/33 Zwölf Lieder op. 66 Sechs Gesänge op. 68 Siebzehn Gesänge op. 70 Wiegenlied WoO VII/35. $305.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Weber Cm Klav Kzt Nr2 (jv155) Ga 5-4/2 Schott
Orchestra; Piano (Score) SKU: HL.49042455 Concerto for piano and orche...(+)
Orchestra; Piano (Score) SKU: HL.49042455 Concerto for piano and orchestra No. 2 E flat major. Composed by Carl Maria von Weber. Edited by Markus Bandur. This edition: Full-cloth binding. Sheet music. Edition Schott. Classical. Hardcover. Op. 32. 206 pages. Schott Music #WGA1054-20. Published by Schott Music (HL.49042455). ISBN 9783795794828. 10.0x13.25x0.845 inches. German - English. Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. $201.00 - See more - Buy online | | |
| Weber Complete Edition 2/1 Choral SATB Schott
Mixed choir (SATB), 2 flutes, 2 oboes, 2 clarinets, 2 bassoons - 2 horns, 2 trum...(+)
Mixed choir (SATB), 2 flutes, 2 oboes, 2 clarinets, 2 bassoons - 2 horns, 2 trumpets, 3 trombones, timpani and strings (P+KRB) SKU: HL.49042434 Composed by Carl Maria von Weber. Edited by Frank Ziegler and Johannes Kepper. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. 306 pages. Schott Music #WGA1021. Published by Schott Music (HL.49042434). ISBN 9783795794491. 10.25x13.5x1.141 inches. German. Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. $257.00 - See more - Buy online | | |
| Weber Complete Edition 7/1 Piano solo Schott
Piano (P+KRB) SKU: HL.49042462 No. 1-4. Composed by Carl Maria von...(+)
Piano (P+KRB) SKU: HL.49042462 No. 1-4. Composed by Carl Maria von Weber. Edited by Markus Bandur. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. Op. 24+39+49+70. 372 pages. Schott Music #WGA1071. Published by Schott Music (HL.49042462). ISBN 9783795794637. German - English. Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. $354.00 - See more - Buy online | | |
| Quintet, Op. 32, Study Score Pocket, Study conductor Universal Edition | | |
| Glockenlieder, op.22 Piano, Voice Forberg
Voice and Piano SKU: BT.F-24019 Composed by Max von Schillings. Classical...(+)
Voice and Piano SKU: BT.F-24019 Composed by Max von Schillings. Classical. Book Only. Composed 2005. Forberg Edition #F 24019. Published by Forberg Edition (BT.F-24019). $30.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Jung Olaf, op. 28 [Score] Forberg
Voice and Orchestra SKU: BT.F-50291-01 Melodram für Sprecher und Or...(+)
Voice and Orchestra SKU: BT.F-50291-01 Melodram für Sprecher und Orchester. Composed by Max von Schillings. Contemporary Music. Score Only. Forberg Edition #F 50291-01. Published by Forberg Edition (BT.F-50291-01). $27.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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