Bassoon and Piano (Bassoon/Piano)

SKU: HL.48187803

Composed by Andre Jolivet. Leduc. Classical. Softcover. 34 pages. Heugel & Cie #HE31669. Published by Heugel & Cie (HL.48187803).

UPC: 888680873622. 9.0x12.0x0.125 inches. French.

“André Jolivet (1905-1974) established his love for composition from a young age. This remained throughout his life, and he held the post of Professor of Composition from 1966-1970 at Paris Conservatoire. Concerto for Bassoon was composed in 1954, and remains highly regarded. Jolivet, himself a cellist, wished to explore composition for all instruments, and therefore has a considerable number of works in all fields. The composer's style is also known for its spirituality, and the desire to associate the everyday with the magical, and the human with the universal. Jolivet draws on acoustics and atonality, as heard in his Concerto for Bassoon. The piece requires high, virtuosic skills due to its expansive use of extended techniques. For all advanced bassoonists, Jolivet provides an exciting, alternative piece for the instrument's repertoire.”.

Double Bass and Piano. Composed by Various. Edited by Oscar Zimmerman. String Solo. Collection, Classical. Softcover Audio Online. 80 pages. Published by G. Schirmer

By Various. Edited by Rodney Slatford. For Double Bass, Piano. Contrabass and Piano

Edited by J. Peter Close/Holger Sassmannshaus. For double bass and piano. Stapled. Barenreiter's Double Bass Collection. Level 2. Piano reduction, part(s). Text Language: German/English. 32/64 pages. Published by Baerenreiter Verlag

By Ian Denley. For Bassoon & piano. Bassoon and Piano. Level: 3, 4, 5, 6. 40 pages. Published by ABRSM (Associated Board of the Royal Schools of Music).

For Bassoon and Piano. By Peter Schickele. For bassoon, piano. Classical. Solo part with piano reduction. 23 pages. Duration 13:00. Published by Theodore Presser Company.

(Very First Solos for Double Bass with Piano Accompaniment). Edited by Tony Osborne. For String Bass and Piano. Book; Method/Instruction; String - Bass Studies or Collection. Faber Edition. Elementary. 32 pages. Published by Faber Music

(Foreword and Additional Editing by Joel Dibartolo). By Domenico Dragonetti Antonio Vivaldi. Edited by George Vance, Joel Dibartolo, Larry Clark, Nicholas Hopkins. For String Bass, String Bass and Piano. Book. 60 pages. Published by Carl Fischer

Double Bass; Piano Accompaniment - easy to intermediate

SKU: HL.49019606

Double Bass and Piano. Composed by Peter Wittrich. This edition: Saddle stitching. Sheet music. String. Kontrabass-Geschichten fur Kontrabass und Klavier. Classical, Contemporary. Softcover. Composed 2004. 64 pages. Schott Music #KBB16. Published by Schott Music (HL.49019606).

ISBN 9790001187176.

Teachers again and again ask for easy-to-play double bass music suitable for lessons or the competition 'Jugend musiziert'. The composer Peter Wittrich from Munich has undertaken this task and composed a varied cycle of seven easy pieces for double bass and piano. All pieces have been tried and tested in double bass lessons and are well positioned on the instrument. Some can even be played in the first position. The collection covers various styles, including blues, tango and classical. The piano part is more demanding so that the demands made on the ensemble playing are somewhat higher. An interesting addition to the repertoire for lessons and concerts. Contents: Giovannino discovers the Blues • Gostly Cadenza • Walking Bass with Johann Sebastian Bach • Salute to Vienna with a kiss on the hand for Elise • Danse grotesque • Drei Chinesen mit dem Kontrabass (Theme and Variations) • Basso doble.

By Arcangelo Corelli (1653-1713). Arranged by H. Samuel Sterling. For double bass and piano. String music. Published by Stainer & Bell Ltd.

Bassoon and Piano

SKU: BT.ALHE31669

Composed by Andre Jolivet. Classical. Book Only. 34 pages. Heugel & Cie #ALHE31669. Published by Heugel & Cie (BT.ALHE31669).

English.

André Jolivet (1905-1974) established his love for composition from a young age. This remained throughout his life, and he held the post of Professor of Composition from 1966-1970 at Paris Conservatoire. Concerto for Bassoon wascomposed in 1954, and remains highly regarded. Jolivet, himself a cellist, wished to explore composition for all instruments, and therefore has a considerable number of works in all fields. The composer's style is also known forits spirituality, and the desire to associate the everyday with the magical, and the human with the universal. Jolivet draws on acoustics and atonality, as heard in his Concerto for Bassoon. The piece requires high, virtuosicskills due to its expansive use of extended techniques. For all advanced bassoonists, Jolivet provides an exciting, alternative piece for the instrument's repertoire.

By Johann Sebastian Bach. Arranged by Frederick Zimmerman. For String Bass, Piano, and CD. Published by Carl Fischer.