| Spring in Dresden [Score] Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Marimba, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Tam-tam, Trombone 1 and more. SKU: PR.11641963S Composed by Chen Yi. Full score. 58 pages. Duration 20 minutes. Theodore Presser Company #116-41963S. Published by Theodore Presser Company (PR.11641963S). UPC: 680160684472. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer. Full of excitement and inner power, the musical image is vivid, energetic, sometimes lyrical and sometimes dramatic. The major angular thematic material (a three note motive) consists of big leaps in interval (a perfect fourth downward and then a minor seventh upward, first introduced by the violin solo in measures 27-29). Except for the cadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments. The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty. Happy Rain on a Spring Night by Du Fu (712-770 in Tang Dynasty) Happy rain comes in time, When spring is in its prime. With night breeze it will fall, And quietly moisten all. Clouds darken wild roads, Light brightens a little boat. Saturated at dawn, With flowers blooming the town. (English translation by Chen Yi from the original poem in Chinese) The following is the poem in its original Chinese form, and the detailed introduction on the structural plan of the violin concerto Spring in Dresden. It's like the welcome rain on a quiet spring night that nurtures the budding seeds, our new society is pushing us forward to the new future. The music reflects the scenes and the expression according to the meaning of the poem when it's being unfolded line by line. Although the tempo is set 63 quarter notes per minute throughout (played vividly, never slow down), the tension is being built up from the quiet background in the beginning, to the sustained climax towards the end. The musical image in Rehearsal A and B (measures 39-80) represents the first four lines of the poem. The wind instruments response to the rustling of fast moving notes on muted string triplets, decorated by occasional strokes produced by metallic string sound and high woodwind gestures. The music in Rehearsal C and D (measures 81-126) represents the next two lines of the poem. It's so dark, a little light in the boat is shimmering on the lake... The breathy sound and key slaps on the flutes create a mysterious atmosphere, in a dialogue with other instruments. The cello glissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. The music in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led by the marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G, the location of the Golden Section, according to the length of the music without cadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), which stands on the energetic peak until the clear cutoff on measure 239, followed by the short, yet powerful solo conclusion with the lingering echo produced by the high string harmonics. On the top, there is a recall of the three note motive in the sound of wonderland, touched by the motor-on vibraphone meaningfully. The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1: xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings. Duration is about 20 minutes. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer.Full of excitement and inner power, the musical image is vivid, energetic, sometimeslyrical and sometimes dramatic. The major angular thematic material (a three notemotive) consists of big leaps in interval (a perfect fourth downward and then a minorseventh upward, first introduced by the violin solo in measures 27-29). Except for thecadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments.The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty.Happy Rain on a Spring Nightby Du Fu (712-770 in Tang Dynasty)Happy rain comes in time,When spring is in its prime.With night breeze it will fall,And quietly moisten all.Clouds darken wild roads,Light brightens a little boat.Saturated at dawn,With flowers blooming the town.(English translation by Chen Yi from the original poem in Chinese)The following is the poem in its original Chinese form, and the detailed introduction onthe structural plan of the violin concerto Spring in Dresden.It’s like the welcome rain on a quiet spring night that nurtures the budding seeds, our newsociety is pushing us forward to the new future. The music reflects the scenes and theexpression according to the meaning of the poem when it’s being unfolded line by line.Although the tempo is set 63 quarter notes per minute throughout (played vividly, neverslow down), the tension is being built up from the quiet background in the beginning, tothe sustained climax towards the end. The musical image in Rehearsal A and B (measures39-80) represents the first four lines of the poem. The wind instruments response to therustling of fast moving notes on muted string triplets, decorated by occasional strokesproduced by metallic string sound and high woodwind gestures. The music in RehearsalC and D (measures 81-126) represents the next two lines of the poem. It's so dark, a littlelight in the boat is shimmering on the lake... The breathy sound and key slaps on theflutes create a mysterious atmosphere, in a dialogue with other instruments. The celloglissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. Themusic in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led bythe marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G,the location of the Golden Section, according to the length of the music withoutcadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), whichstands on the energetic peak until the clear cutoff on measure 239, followed by the short,yet powerful solo conclusion with the lingering echo produced by the high stringharmonics. On the top, there is a recall of the three note motive in the sound ofwonderland, touched by the motor-on vibraphone meaningfully.The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1:xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings.Duration is about 20 minutes. $35.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Marimba, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Tam-tam, Trombone 1 and more. SKU: PR.11641963SP Composed by Chen Yi. Part. 11 pages. Duration 20 minutes. Theodore Presser Company #116-41963SP. Published by Theodore Presser Company (PR.11641963SP). UPC: 680160684496. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer. Full of excitement and inner power, the musical image is vivid, energetic, sometimes lyrical and sometimes dramatic. The major angular thematic material (a three note motive) consists of big leaps in interval (a perfect fourth downward and then a minor seventh upward, first introduced by the violin solo in measures 27-29). Except for the cadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments. The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty. Happy Rain on a Spring Night by Du Fu (712-770 in Tang Dynasty) Happy rain comes in time, When spring is in its prime. With night breeze it will fall, And quietly moisten all. Clouds darken wild roads, Light brightens a little boat. Saturated at dawn, With flowers blooming the town. (English translation by Chen Yi from the original poem in Chinese) The following is the poem in its original Chinese form, and the detailed introduction on the structural plan of the violin concerto Spring in Dresden. It's like the welcome rain on a quiet spring night that nurtures the budding seeds, our new society is pushing us forward to the new future. The music reflects the scenes and the expression according to the meaning of the poem when it's being unfolded line by line. Although the tempo is set 63 quarter notes per minute throughout (played vividly, never slow down), the tension is being built up from the quiet background in the beginning, to the sustained climax towards the end. The musical image in Rehearsal A and B (measures 39-80) represents the first four lines of the poem. The wind instruments response to the rustling of fast moving notes on muted string triplets, decorated by occasional strokes produced by metallic string sound and high woodwind gestures. The music in Rehearsal C and D (measures 81-126) represents the next two lines of the poem. It's so dark, a little light in the boat is shimmering on the lake... The breathy sound and key slaps on the flutes create a mysterious atmosphere, in a dialogue with other instruments. The cello glissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. The music in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led by the marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G, the location of the Golden Section, according to the length of the music without cadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), which stands on the energetic peak until the clear cutoff on measure 239, followed by the short, yet powerful solo conclusion with the lingering echo produced by the high string harmonics. On the top, there is a recall of the three note motive in the sound of wonderland, touched by the motor-on vibraphone meaningfully. The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1: xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings. Duration is about 20 minutes. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer.Full of excitement and inner power, the musical image is vivid, energetic, sometimeslyrical and sometimes dramatic. The major angular thematic material (a three notemotive) consists of big leaps in interval (a perfect fourth downward and then a minorseventh upward, first introduced by the violin solo in measures 27-29). Except for thecadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments.The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty.Happy Rain on a Spring Nightby Du Fu (712-770 in Tang Dynasty)Happy rain comes in time,When spring is in its prime.With night breeze it will fall,And quietly moisten all.Clouds darken wild roads,Light brightens a little boat.Saturated at dawn,With flowers blooming the town.(English translation by Chen Yi from the original poem in Chinese)The following is the poem in its original Chinese form, and the detailed introduction onthe structural plan of the violin concerto Spring in Dresden.It’s like the welcome rain on a quiet spring night that nurtures the budding seeds, our newsociety is pushing us forward to the new future. The music reflects the scenes and theexpression according to the meaning of the poem when it’s being unfolded line by line.Although the tempo is set 63 quarter notes per minute throughout (played vividly, neverslow down), the tension is being built up from the quiet background in the beginning, tothe sustained climax towards the end. The musical image in Rehearsal A and B (measures39-80) represents the first four lines of the poem. The wind instruments response to therustling of fast moving notes on muted string triplets, decorated by occasional strokesproduced by metallic string sound and high woodwind gestures. The music in RehearsalC and D (measures 81-126) represents the next two lines of the poem. It's so dark, a littlelight in the boat is shimmering on the lake... The breathy sound and key slaps on theflutes create a mysterious atmosphere, in a dialogue with other instruments. The celloglissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. Themusic in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led bythe marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G,the location of the Golden Section, according to the length of the music withoutcadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), whichstands on the energetic peak until the clear cutoff on measure 239, followed by the short,yet powerful solo conclusion with the lingering echo produced by the high stringharmonics. On the top, there is a recall of the three note motive in the sound ofwonderland, touched by the motor-on vibraphone meaningfully.The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1:xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings.Duration is about 20 minutes. $25.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Marimba, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Tam-tam, Trombone 1 and more. SKU: PR.11641963L Composed by Chen Yi. Large Score. 58 pages. Duration 20 minutes. Theodore Presser Company #116-41963L. Published by Theodore Presser Company (PR.11641963L). UPC: 680160684489. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer. Full of excitement and inner power, the musical image is vivid, energetic, sometimes lyrical and sometimes dramatic. The major angular thematic material (a three note motive) consists of big leaps in interval (a perfect fourth downward and then a minor seventh upward, first introduced by the violin solo in measures 27-29). Except for the cadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments. The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty. Happy Rain on a Spring Night by Du Fu (712-770 in Tang Dynasty) Happy rain comes in time, When spring is in its prime. With night breeze it will fall, And quietly moisten all. Clouds darken wild roads, Light brightens a little boat. Saturated at dawn, With flowers blooming the town. (English translation by Chen Yi from the original poem in Chinese) The following is the poem in its original Chinese form, and the detailed introduction on the structural plan of the violin concerto Spring in Dresden. It's like the welcome rain on a quiet spring night that nurtures the budding seeds, our new society is pushing us forward to the new future. The music reflects the scenes and the expression according to the meaning of the poem when it's being unfolded line by line. Although the tempo is set 63 quarter notes per minute throughout (played vividly, never slow down), the tension is being built up from the quiet background in the beginning, to the sustained climax towards the end. The musical image in Rehearsal A and B (measures 39-80) represents the first four lines of the poem. The wind instruments response to the rustling of fast moving notes on muted string triplets, decorated by occasional strokes produced by metallic string sound and high woodwind gestures. The music in Rehearsal C and D (measures 81-126) represents the next two lines of the poem. It's so dark, a little light in the boat is shimmering on the lake... The breathy sound and key slaps on the flutes create a mysterious atmosphere, in a dialogue with other instruments. The cello glissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. The music in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led by the marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G, the location of the Golden Section, according to the length of the music without cadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), which stands on the energetic peak until the clear cutoff on measure 239, followed by the short, yet powerful solo conclusion with the lingering echo produced by the high string harmonics. On the top, there is a recall of the three note motive in the sound of wonderland, touched by the motor-on vibraphone meaningfully. The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1: xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings. Duration is about 20 minutes. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer.Full of excitement and inner power, the musical image is vivid, energetic, sometimeslyrical and sometimes dramatic. The major angular thematic material (a three notemotive) consists of big leaps in interval (a perfect fourth downward and then a minorseventh upward, first introduced by the violin solo in measures 27-29). Except for thecadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments.The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty.Happy Rain on a Spring Nightby Du Fu (712-770 in Tang Dynasty)Happy rain comes in time,When spring is in its prime.With night breeze it will fall,And quietly moisten all.Clouds darken wild roads,Light brightens a little boat.Saturated at dawn,With flowers blooming the town.(English translation by Chen Yi from the original poem in Chinese)The following is the poem in its original Chinese form, and the detailed introduction onthe structural plan of the violin concerto Spring in Dresden.It’s like the welcome rain on a quiet spring night that nurtures the budding seeds, our newsociety is pushing us forward to the new future. The music reflects the scenes and theexpression according to the meaning of the poem when it’s being unfolded line by line.Although the tempo is set 63 quarter notes per minute throughout (played vividly, neverslow down), the tension is being built up from the quiet background in the beginning, tothe sustained climax towards the end. The musical image in Rehearsal A and B (measures39-80) represents the first four lines of the poem. The wind instruments response to therustling of fast moving notes on muted string triplets, decorated by occasional strokesproduced by metallic string sound and high woodwind gestures. The music in RehearsalC and D (measures 81-126) represents the next two lines of the poem. It's so dark, a littlelight in the boat is shimmering on the lake... The breathy sound and key slaps on theflutes create a mysterious atmosphere, in a dialogue with other instruments. The celloglissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. Themusic in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led bythe marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G,the location of the Golden Section, according to the length of the music withoutcadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), whichstands on the energetic peak until the clear cutoff on measure 239, followed by the short,yet powerful solo conclusion with the lingering echo produced by the high stringharmonics. On the top, there is a recall of the three note motive in the sound ofwonderland, touched by the motor-on vibraphone meaningfully.The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1:xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings.Duration is about 20 minutes. $55.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Drumnastics Snare drums - Easy De Haske Publications
Snare Drum - early intermediate SKU: BT.DHP-1084536-401 320 Excercises...(+)
Snare Drum - early intermediate SKU: BT.DHP-1084536-401 320 Excercises for Snare Drum. Composed by Gert Bomhof. De Haske Percussion Series. Book Only. Composed 2008. 36 pages. De Haske Publications #DHP 1084536-401. Published by De Haske Publications (BT.DHP-1084536-401). ISBN 9789043130912. 9x12 inches. English-German-French-Dutch. In this book, you will find a series of rhythmic patterns (motifs), each of which is followed by eight lines of musical exercises in which that rhythmic motif is incorporated. Lines 9 and 10 have been left blank: it is up to you to think of two exercises using the motif concerned to complete the missing staves. With the exercises in the book, together with those you have made up yourself, you have a total of 320 exercises. They are all intended to improve your drumming technique by means of ââ¬Ëdrum gymnasticsââ¬â¢. It is better and more effective to play one or two exercises often and thoroughly, than to rush through a number of exercises. Only an intensive and carefully built-uptraining programme will lead to the improvement and perfection of your technique - donââ¬â¢t give up too easily, keep practising, and keep going.
In dit boek vind je boven aan elke bladzijde een ritmische bouwsteen, gevolgd door acht notenbalken met oefeningen waarin deze bouwsteen is verwerkt. De balken 9 en 10 zijn nergens ingevuld: aan jou de uitdaging om zelf twee oefeningenmet de betreffende bouwsteen te bedenken en die in te vullen.De oefeningen die al in het boek staan komen dan, samen met de oefeningen die je zelf hebt bedacht, op een aantal van maar liefst 320. Ze hebben als doel door middelvan ââ¬Ëdrumgymnastiekââ¬â¢ de techniek van het trommelen te verbeteren.Het is beter en effectiever om elke dag een of twee oefeningen vaak en grondig door te nemen dan om meerdere oefeningen even snel door te spelen. Alleen een intensieveen zorgvuldig opgebouwde training zal leiden tot de gewenste verbetering en perfectionering van je techniek - geef daarbij niet te snel op, blijf oefenen en houd vol.
Drumnastics ist das ultimative Gymnastikprogrammââ¬Å für Anfänger am Schlagzeug vom Schlagzeugspezialisten Gert Bomhof. Ziel der zahlreichen ÃÅbungen ist, mit verschiedenen rhythmischen Mustern als Leitfaden die Schlagzeugtechnik zu verbessern. Selbst zu gestaltende ÃÅbungen fördern außerdem die musikalische Kreativität. Lehrreich und spaßbringend!
Drumnastics présente une série de schémas rythmiques travailler. Chaque motif est intégré dans huitlignes dââ¬â¢exercices musicaux. Les lignes 9 et 10 ont été volontairement laissées vides pour vous permettre de créer deux exercices personnels en utilisant le motif donné pour compléter les portées.En combinant les exercices présentés dans le recueil avec les exercices que vous aurez créés vous-même, vous obtiendrez un total de 320 exercices. Tous ces exercices sont destinés améliorer votre technique de caisse en effectuant de véritables exercices de gymnastique.Il est préférable et plus efficace de travailler un ou deux exercices fréquemment et consciencieusement que dese précipiter et survoler un grand nombre dââ¬â¢exercices. Un programme dââ¬â¢entraînement intensif et bien structuré permettra dââ¬â¢améliorer et de perfectionner votre technique. Ne baissez pas les bras au moindre problème, mais continuez de persévérer et dââ¬â¢aller de lââ¬â¢avant.
Drumnastics è il libro di ginnastica che tutti i percussionisti dovrebbero avere. I numerosi esercizi di questa pubblicazione hanno come obiettivo di migliorare la tecnica del rullante attraverso lo studio di motivi ritmici. $21.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Focus [Complete Set] String Orchestra [Score and Parts] Jazz Lines Publications
By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Dubo...(+)
By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Duboff, Jeffrey Sultanof, Alex Chilowicz, and Andrew Homzy. Arranged by Eddie Sauter. For string ensemble (score and parts) (Soloist (parts in concert, B-flat, and E-flat), Violin I (8 parts), Violin II (8 parts), Viola (5 Parts), Cello (5 Parts) , Double Bass (3 Parts), Harp, Piano/Celeste, Percussion (Snare Drum, Marimba, Tambourine)). Advanced. Score and parts. Published by Jazz Lines Publications
$399.98 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| War Drum Peace Drum Snare drums [Sheet music + CD-ROM] - Advanced Tapspace Publications
(for solo snare drum with audio). Composed by David Reeves. Percussion Solos. Fo...(+)
(for solo snare drum with audio). Composed by David Reeves. Percussion Solos. For concert snare drum and audio (1 player). Difficulty: Advanced. Folio and CD-ROM. 10 pages. Duration 4:10. Published by Tapspace Publications
$24.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Minor Infraction Percussion Ensemble [Sheet music + CD-ROM] - Advanced Tapspace Publications
(for percussion ensemble). Composed by Rick Dior. For Percussion Ensemble (9-13 ...(+)
(for percussion ensemble). Composed by Rick Dior. For Percussion Ensemble (9-13 players). Percussion Ensembles. Medium-Advanced. Folio and Parts on CD-ROM. 18 pages. Duration 4 minutes, 15 seconds. Published by Tapspace Publications
$45.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Next Level, The Snare drums - Intermediate/advanced Tapspace Publications
Rudimental Drumming Techniques. Composed by Jeff Queen. Books and Education. ...(+)
Rudimental Drumming
Techniques. Composed by Jeff
Queen. Books and Education.
Book. Tapspace Publications
#JQP-TNL. Published by
Tapspace Publications
$26.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Steve Smith - Pathways of Motion Drums [Sheet music + DVD] Hudson Music
(Hand Technique for the Drumset Using Four Versions of Matched Grip). By Steve S...(+)
(Hand Technique for the Drumset Using Four Versions of Matched Grip). By Steve Smith. For Drum. Percussion. Softcover with DVD. Hudson Music #IHBK001. Published by Hudson Music
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Audio Recording Boot Camp Alfred Publishing
(Hands-On Basic Training for Musicians). Composed by Bobby Owsinski. Book; Books...(+)
(Hands-On Basic Training for Musicians). Composed by Bobby Owsinski. Book; Books and DVDs; DVD; Method/Instruction; Pro Audio; Pro Audio Textbook; Reference Textbooks. Boot Camp. 160 pages. Published by Alfred Music
$29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Stormbreak Percussion Ensemble - Easy Tapspace Publications
(For Percussion Octet (and optional wind ensemble)). By Jim Casella. For Glocken...(+)
(For Percussion Octet (and optional wind ensemble)). By Jim Casella. For Glockenspiel, xylophone, chimes, 4 timpani, bongos, congas, rainstick, vibra slap, suspended cymbal, woodblock, finger cymbal, snare drum, brake drum, hihat, ocean drum, 4 concert toms, cowbell, shaker, splash cymbal, china cymbal, tambourine, triangle, b (8 percussion players). This edition: Percussion ensemble and optional wind ensemble. Concert Percussion Ensembles. Optional Wind Ensemble Parts Included (divisi if applicable): Flute, oboe, clarinet, bass clarinet, contrabass clarinet (E-flat), bassoon, alto saxophone, tenor saxophone, baritone saxophone, trumpet, french horn, trombone, baritone, tuba. Medium-Easy. Folio parts on CD-Rom. 32 pages. Duration 3:30. Published by Tapspace Publications
$55.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Civil War Suite for Classical Guitar Guitar [Sheet music + Audio access] - Advanced Mel Bay
Guitar - Advanced SKU: MB.30762M Saddle-stitched, Solos. American Music. ...(+)
Guitar - Advanced SKU: MB.30762M Saddle-stitched, Solos. American Music. Book and online audio. 24 pages. Mel Bay Publications, Inc #30762M. Published by Mel Bay Publications, Inc (MB.30762M). ISBN 9781513465692. 8.75x11.75 inches. Civil War Suite for Classical Guitar is a collection of ten Civil War-era songs arranged in standard notation for the advanced solo classical guitarist. The suite includes music from the Confederacy and the Union, along with soldier's songs, parlor songs, and an African American spiritual. The sequencing of the pieces is designed to create a musical narrative, with songs grouped in a manner that shows various perspectives of the war before ultimately celebrating Union victory. Throughout the suite, extensive passages feature delightful special effects that emulate period instruments such as the banjo, snare drum, and fiddle. Includes access to online audio. $14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Triptych Boom Percussion Ensemble [Sheet music + CD-ROM] - Advanced Tapspace Publications
(for solo snare drum and percussion trio). Composed by Chad Floyd. For Percussio...(+)
(for solo snare drum and percussion trio). Composed by Chad Floyd. For Percussion quartet (4 players). Percussion Ensembles. Medium-Advanced. Folio and Parts on CD-ROM. 16 pages. Duration 5 minutes, 5 seconds. Published by Tapspace Publications
$42.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| George Spanky McCurdy - Off Time/On Time Drums [DVD] Hudson Music
By George Spanky McCurdy. For Drum. DVD. DVD. Hudson Music #HDDVDGM21. Published...(+)
By George Spanky McCurdy. For Drum. DVD. DVD. Hudson Music #HDDVDGM21. Published by Hudson Music
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Rite of Passage Percussion Ensemble - Advanced Tapspace Publications
By Jesse Monkman. Percussion Ensemble. For 5 octave marimba, 5 toms, 2 mounted t...(+)
By Jesse Monkman. Percussion Ensemble. For 5 octave marimba, 5 toms, 2 mounted tambourines, bongos, vibraphone, 2 snare drums, 3 sus. Cyms., china cymbal, Chinese opera gong, 2 bass drums, temple blocks, 5 roto toms, tam tam, brake drum, bell tree. (3 players). Level: Advanced. 2 scores (1 with full marimba and reduced percussion parts; 1 with percussion parts and marimba cues). Duration 12:30. Published by Tapspace Publications.
$38.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Dance of the Tumblers Percussion Ensemble [Score and Parts] - Advanced Tapspace Publications
(from The Snow Maiden). Composed by Nikolay Andreyevich Rimsky-Korsakov (1844-19...(+)
(from The Snow Maiden). Composed by Nikolay Andreyevich Rimsky-Korsakov (1844-1908). Arranged by Lewis Norfleet. Percussion Ensemble. For glockenspiel, xylophone, chimes, 2 vibraphones, two 4.3-octave (low A) marimbas, two smaller 4-octave marimbas, 4 timpani, snare drum, small and large crash cymbals (pairs), bass drum, triangle, gong, tambourine. Note for larger ensembles: If there is a f (13 players). Medium-Advanced. Score and parts on CD-ROM. 18 pages. Duration 3'00 . Published by Tapspace Publications
$36.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Breakdown 4 Percussions [Sheet music + CD-ROM] - Intermediate Tapspace Publications
(for percussion quartet). Composed by Bradley Slayter. For percussion quartet (6...(+)
(for percussion quartet). Composed by Bradley Slayter. For percussion quartet (6 concert toms, 1 drum set [kick, snare, 2 rack toms, 1 floor tom, hi-hat, crash cymbal], 1 set of bongos, 2 brake drums [high and low], 1 concert bass drum, hi-hat, ride cymbal, 2 china cymbals, 2 splash cymbals, 2 Zil-bells, 1 tambourine). Medium. Folio and parts on CD-ROM. 12 pages. Duration 4'00 . Published by Tapspace Publications
$38.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 200 B.C. Concert band [Score and Parts] - Intermediate Oxford University Press
Concert band - Grade 4 SKU: MH.0-931329-53-1 Composed by Gregory B.Rudger...(+)
Concert band - Grade 4 SKU: MH.0-931329-53-1 Composed by Gregory B.Rudgers. Suitable for high school, community, and college bands. Conductor score and set of parts. Duration 7:30. Published by Manhattan Beach Music (MH.0-931329-53-1). ISBN 9780931329531. Journey back to ancient Greece and view a place of long-gone legend. Follow the trail to the Kingdom of Ithaca, from the heroic palace, to a place of tranquility, to a reckless dance of abandon, to the return of Odysseus. The melodic material used in 200 B.C. is from a two thousand year old Greek hymn to Apollo. The legendary adventures of Odysseus as described by Homer in the Odyssey (ca. 700 B.C.) provide the programmatic material. The music is freely based upon the First Delphic Hymn (or Paen to Apollo), composed ca. 200 B.C. The source is a transcription appearing on pages 363 - 367 of Ancient and Oriental Music, Edited by Egon Wellesz (Oxford University Press: London, 1957). Each movement of the work depicts a key event in the epic Homeric poem, as described below. Movement I: Intrada - The first four notes of this movement, C - Bb - G - Bb, are the melodic and harmonic foundation for the entire work. These pitches, introduced in a simple and direct manner, are subsequently developed in more complex fashions throughout the suite. Following this stately introduction is a militaristic fanfare that introduces the dotted-eighth and sixteenth-note figure later reprised in the second and fourth movements. Indeed, all the musical ideas which will be central to the remaining movements first appear in the Intrada. This movement depicts the grandeur of Odysseus and his kingdom in Ithaca, and establishes the heroic mood of the entire work. Movement II: Ballad - After a brief restatement of the opening dotted-eighth-and-sixteenth fanfare, the second movement extracts the falling third (Bb to G) from the C - Bb - G - Bb motif and extends it and expands it into a haunting solo for alto saxophone. The C - Bb - G - Bb motif appears again (see measures 23 - 33 in trumpets) as counterpoint to this melody, now pulsing through the thick texture of the band. Many performers have come to view the Ballad as the emotional epicenter of the entire suite; my conception of the Ballad is to achieve a union of pathos and strength. Programmatically, this movement depicts Odysseus's son, Telemachos, as he both longs for Odysseus's return and stoically defends his father's kingdom. Movement III: Dance - It will take Odysseus twenty years to return to Ithaca. During his absence, noblemen besiege his palace, violating the sanctity of the household and seeking the hand of his wife, Penelope. This movement depicts the wanton revelries that result. The original four-note motif is chromatically altered and the meter is made irregular. The rapid tempo, driving percussion, and angular meter and melodies combine in an explosion of reckless abandon. Movement IV: March Building from a delicate woodwind ensemble accompanied by finger cymbals to a fully orchestrated statement replete with thundering percussion, this is a resounding march of victory. Odysseus has returned in triumph to restore dignity to his household and to reclaim the throne of the Kingdom of Ithaca. Ensemble instrumentation: 1 Piccolo, 8 Flute 1 - 2, 2 Oboe 1 - 2, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 1 Eb Alto Clarinet, 3 Bb Bass Clarinet, 2 Bassoon 1 - 2, 3 Eb Alto Saxophone 1, 3 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 2 F Horn 1-2, 2 F Horn 3-4, 2 Trombone 1, 2 Trombone 2, 2 Trombone 3, 3 Euphonium (B.C.), 2 Euphonium T.C., 4 Tuba, 1 Timpani, 2 Mallet Percussion: Bells, Xylophone, 2 Percussion 1: Snare Drum, Tambourine, 2 Percussion 2: Crash Cymbals, Suspended Cymbal, Tom-Tom, Finger Cymbals, 1 Percussion 3: Bass Drum. $135.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Double Take [Study Score / Miniature + CD] - Intermediate Tapspace Publications
(duet for multipercussion). By Jamieson Carr. Multipercussion Duet. For Concert ...(+)
(duet for multipercussion). By Jamieson Carr. Multipercussion Duet. For Concert bass drum, 2 concert snare drums, 2 sets of bongos, 2 woodblocks (or jam blocks), 2 cowbells, 2 splash cymbals, 2 opera gongs (2 players). Percussion Duets. Medium. Score and CD-ROM (containing printable parts). 20 pages. Duration 7'00 . Published by Tapspace Publications
$27.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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