SKU: BR.EB-8029
ISBN 9790004174326. 9 x 12 inches.
This series of easy piano music for teaching purposes presents pupils in the lower and lower middle grades with a carefully chosen selection of well-known and lesser-known compositions by important masters. The volumes are deliberately kept small in extent, since it is more stimulating for children to change the teaching material frequently. There are four existing harpsichord books with a total of 226 compositions by Francois Couperin le Grand (1668 -1733). His works are as unknown to pianists as they are famous among harpsichord players. The grace and imaginativeness of his works lend themselves especially well to the sound of the harpsichord, which is why the piano interpretation of works by Couperin, Rameau, Scarlatti and other composers of that time has been categorically rejected. But, after all, the works of Bach and Handel were written for the haipsichord and clavichord, and no one would dare question their intetpretation on the pianoforte. In order to introduce these lmpressionists of the Baroque Era to piano instruction, the editor has added to this series a folio of both Couperin's and Rameau's (EB 8033) music. The selection of the pieces is based on two criteria: 1. relatively modest demands made on technique, 2. various musical forms of expression. The Butterflies and the Windmills are both especially typical of masterful character pieces. The demands made on technique certainly correspond to a level of moderate difficulty. The simplifications made are restricted to the artistically realized twopart accompaniment (eg. p. 4 f. and p. 8 f.) with regard to finger stretch and to the profuse ornamentation of the original. The indications for phrasing and articulation are those of the editor. The first two pieces have been precisely elaborated on in this respect to serve as a model, whereas the remaining pieces contain only suggestions. As in other folios of this series; what is here to be stressed, is the importance of working out independently the phrasing and the dynamics. Directions for this are given by the respective footnotes; these directions, however, are not obligatory. lndications pertaining to dynamics and tempo have been omitted completely; the clearly recognizable character of the individual pieces should be direction enough. The tonal possibilities of the piano should in any case be used subtly. The very precise fingerings have been adapted to the suggested phrasings and to the corresponding realization of trills (according to the table). Heinz Walter, Salzburg, Spring 1980.
SKU: BT.DHP-1084522-400
ISBN 9789043130219. 9x12 inches. English-German-French-Dutch.
This book contains 20 vocalises originally intended for the development and training of the singing voice, but which will also encourage many aspects of performance for trombone players, such as tone quality and phrasing. These attractive pieces are not only useful as studies, but also work well as performance pieces - either with a piano accompaniment using the printed score, or playing along with the CD. On the CD Ian Bousfield, principal trombonist of the Vienna Philharmonic, plays all the vocalises. In addition, the CD contains the piano accompaniments to play along with.Dit boek bevat twintig vocalises - die oorspronkelijk zijn ontwikkeld voor de scholing en training van de zangstem, maar ook veel aspecten van het spel van trombonisten zullen bevorderen, zoals toonvorming en frasering. Deze fraaiestukken zijn nietalleen nuttig als etudes, maar doen het ook goed bij optredens - met pianobegeleiding (die is meegeleverd) of met de cd. Naast de meespeeltracks staan op de cd ook de complete vocalises, ingespeeld door Ian Bousfield, solotrombonist van het WienerPhilharmoniker. Dieses Buch enthält 20 Vokalisen, die ursprünglich für die Entwicklung und das Training von Singstimmen gedacht waren, aber auch viele Aspekte des Posaunenspiels, wie z. B. Tonqualität und Phrasierung fördern. Die reizvollen Stücke eignen sich nicht nur zum Ã?ben, sondern können auch sehr gut aufgeführt werden - mit einem Pianisten, der aus den Klaviernoten im Buch spielt oder mit der beiliegenden CD. Auf der CD spielt Ian Bousfield, Soloposaunist der Wiener Philharmoniker, alle Vokalisen vor. AuÃ?erdem enthält die CD alle Klavierbegleitungen.Belcanto for Trombone contient vingt vocalises écrites lâ??origine pour le travail et le développement de la voix chantée. Ces études mélodiques, qui contribuent particulièrement au développement du phrasé et de la musicalité, sont parfaitement adaptées pour le trombone. Plus que de simples exercices, elles constituent dâ??excellentes pièces de récital que lâ??on peut interpréter soit avec un pianiste accompagnateur (accompagnements de piano joints au recueil) soit avec lâ??accompagnement de piano enregistré sur le compact disc. Sur le compact disc inclus, vous trouverez une version intégrale de chaque vocalise, dont lâ??interprétation a été confiée Ian Bousfield,trombone solo de lâ??Orchestre Philharmonique de Vienne. Bel Canto for Trombone racchiude 20 studi melodici scritti originariamente per la voce. Nel CD incluso è presentata sia la versione integrale di tutti i brani che quella col solo accompagnamento (play-along). Gli spartiti del piano sono inclusi nel libro.
SKU: BT.DHP-1033404-400
ISBN 9789043105477. English-German-French-Dutch.
19 original concert studies by such well-known composers as James Curnow, Jacob de Haan, Jan Van der Roost and Allen Vizzutti. This book will be of great use to all euphonium players who are looking for short unaccompanied solos. (With Demo CD). Studeren hoeft niet saai te zijn. De 19 concertetudes in deze uitgaven vormen stuk voor stuk een inspirerende uitdaging voor iedere euphoniumspeler. Alle belangrijke aspecten van het euphoniumspel komen aan bod. De bijgeleverde demo-cdis natuurlijk ingespeeld door Steven Mead!Der zweite Band Konzertetüden von bekannten Komponisten u.a. James Curnow, Jacob de Haan, Jan Van der Roost, Allen Vizzutti, Otto M. Schwarz, André Waignein. Jedes Stück behandelt andere, wesentliche Spielweisen und Techniken des Euphoniumspiels. Steven Mead spielte wiederum alle Etüden auf die jeweils beiliegende CD ein. 19 studi da concerto firmati James Curnow, Piet Swerts, Jan Van der Roost, Peter Graham, e altri.
SKU: MA.EMR-5756
Thinking It Over Blues / Free Time Blues / Determination Blues / Complaining Blues.
SKU: HL.1215601
ISBN 9781705195239. UPC: 661239453205. 4.5x11.75x1.32 inches.
OFFICIALLY LICENSED Billy F Gibbons of ZZ TOP Collection * Every model includes a COA and individually numbered box (BFG QR code tracks the authentication of this product). GG-137 - Billy F Gibbons Aged Gibson Les Paul Pearly Gates 1:4 Scale Mini Guitar Model AXE HEAVEN® is proud to present an incredible officially licensed miniature guitar collection with Gibson and Billy F Gibbons. These model tributes represent signature guitars BFG has played before millions of fans during his career and influenced multiple generations of players around the world. AXE HEAVEN® is the originator of handcrafted miniature guitars. Now, we are recreating the same Gibson high level of craft and quality in each miniature. This miniature replica model honors the Holy Grail of electric guitars. The stain on this handcrafted collectible is an amazing reproduction of the original solid body instrument. Each model is approximately 10″ in length and comes complete with a high-quality miniature adjustable A-frame stand and a gold foil stamped Gibson by AXE HEAVEN® guitar case gift box. AXE HEAVEN® Ornamental Miniature Replica Guitars Make Great Gifts! To be sure you're getting high quality official Gibson merchandise make sure your mini guitar has a real Gibson guitar pick product tag. If it doesn't have the real Gibson pick it's not official. AXE HEAVEN® Miniature Replicas look great but are not playable.
SKU: HL.35003019
Following a stately introduction that reflects the massive grandeur of medieval cathedrals, the orchestra takes off with an energetic original theme that culminates with the inspiring classic hymn, “Praise to the Lord.†The substantial use of multiple meters keeps everyone alert, including the conductor. Optional notes are provided for less experienced ensembles to make this playable in first position (except basses). Technically conservative enough for 3rd year groups, musically and rhythmically interesting enough to hold the attention of advanced players. This flexible piece will work for concert, contest, and sacred settings.
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