SKU: TL.TCL014924
ISBN 9780857364654.
This audio CD contains exam pieces on the Trinity College London Violin syllabus for 2016-2019, featuring renowned violinist Liz Partridge. (alternative pieces are not included). In addition to full recordings of each piece, the CD also includes 'minus one' style backing tracks, allowing students to practise with the piano accompaniment played by Stephen Wilder.These recordings are not definitive but may be employed as an aid to preparation for Trinity College London examinations.
SKU: HL.44004207
UPC: 073999914436. 9.0x12.0x0.086 inches. James L. Hosay.
Your band can boldly go where no band has gone before with James L. Hosay's imaginative tone poem SPACE PROBE. Since the 1970s NASA has been launching long-range, solar-powered probes into space. This composition provides excellent opportunities for cross-curriculum teaching with science -- over the past 30 years, the Voyager, Pioneer, and Galileo series probes have sent back incredible photographs. The data sent to Earth by these probes (along with photos and information gathered by the Hubble telescope) has helped astronomers chart the ever-expanding universe all the way back to its origins. A scintillating musical spacescape ushers in a bold thematic statement in the trumpets and alto saxophones; French horns join in thrilling variation. A boundless contrasting espressivo theme soars through to the reprise of the initial ideas. Explore this inspiring work with your band this year.
SKU: WJ.SBW2402FS
9 x 12 inches.
This sparkling concert overture commemorates the 30th anniversary of the First Coast Wind Symphony. An opening majestic fanfare leads to a buoyant main theme in 12/8 time. A lyrical contrasting section is as rich in melodic content as it is passion. The piece, being in a modified rondo form restates a variation of the main theme before returning to the opening fanfare and a rousing conclusion.
SKU: WJ.SBW2402
SKU: HL.48184462
UPC: 888680907396. 9.0x12.0x0.08 inches.
ââ¬ÅTo this day, Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments, despite being a violinist himself. His Three Pieces for Flute and Oboe, or two Flutes is an exquisite addition to the repertoire. During his studies at the Paris Conservatoire, Bozza won prizes for Violin, conducting and composition, as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comique and became Head of the Conservatoire in Valenciennes, whilst remaining a prominent composer. Bozza's Three Pieces are exciting duets containing much musical variation and contrast. As music educationalist, Paul Griffiths has written of Bozza's compositions, ââ¬Âââ¬Åhis works reveal melodic fluency, elegance of structure and a consistently sensitive concern of instrumental capabilities.ââ¬Âââ¬Åââ¬Â.
SKU: HL.49047195
ISBN 9781705199725. UPC: 842819102922. 9.0x12.0x0.151 inches.
These 4 Préludes for flute (treble [alto] recorder or txistu in f) and piano are originally written for txistu and follow the ambitus of the Basque instrument. The initial Prélude, Allegro, is marked by its joyous character, its aksak rhythm (3+3+2), its generous modulations and its uninterrupted flow in the spirit of the Humoresque. The second Prélude, Moderato, is distinguished by asofter expression, a principle of ornamental variation, combined with a search for tonal diversity. The third Prélude, also Moderato, is in ternary rhythm with long expressive melodic lines accompanied by chords in amphibraque rhythm. The conclusive Prestois a saltarello developed in a game of tight modulations.
SKU: HL.254191
9.0x12.0 inches.
Andante for oboe and piano was found only after the composers death in 2014. According to his private notes discovered by his family, it was written in 1951, which means that it is one of its earliest compositions. This one-part work, set in neoromantic aesthetics, is based on two themes. The first one - in D Minor - initially appears in the piano part, and then it is captured by the oboe. It puts a listener in a tranquil, sentimental mood. The second one - in D Major - is livelier and jollier (piu mosso), though in terms of melodic motifs some of its fragments come closer to the first theme in a form of its variation-style development. This is capped by a solo cadenza of the oboe that leads to the recapitulation of the first theme and the following tranquil, cantilena-style coda. Jozef Swiders Andante for oboe and piano, despite its charming simplicity, is a work full of reverie, nostalgia and subtle melancholy. This proves the young composer's liking for clarity, lyricism and romantic expression, typical of his late artistic work.
SKU: HL.359076
ISBN 9781705121016. UPC: 840126945188. 9.0x12.0x0.086 inches.
A fantastic new adaptation of a popular piano solo piece by the Pulitzer-prize winning composer William Bolcom - a perfect recital piece!
SKU: HL.48182940
UPC: 888680907860. 9.0x12.0x0.069 inches.
Guillaume Balay (1871-1943) served in the French military as a prolific Cornet player, having won first place in the 1894 Cornet Award competition at the National Academy of Music in Paris. His compositions were popular in the Cornet and brass repertoire at the time, including his Competition Piece for Cornet with Piano accompaniment. This Balay work remains within the brass repertoire to this day and is suitable for advanced level players as an audition or competition piece as indicated by the title, as well as a performance work. Competition Piece contains use of cadenza passages, variation in time signature, semiquaver flourishes, articulations, complex rhythms and chromaticism, amongst other aspects. This quirky piece by Balay provides the advanced Cornet player with a fun, alternative work which will show off their technical ability..
SKU: BR.EB-8343
ISBN 9790004176511. 9 x 12 inches.
Vor und zuruck ist aus einem Rhythmus-Modell der 13. Diabelli-Variation von Beethoven entwickelt. Daraus sind alle rhythmischen Verhaltnisse nach den einzeln veranderbaren Kategorien a) Lange des Modells, b) Zahl der Anschlage, c) Proportion der Dauern abgeleitet. Die verschiedenen spieltechnischen Moglichkeiten der Oboe hinsichtlich der Dynamik, der Klangfarbe (Alternativgriffe fur einen Ton), der Klangcharakteristik, der Register, der Artikulationen und deren vielfaltige Mischung sowie die einkomponierte korperliche Anstrengung des Interpreten farben und ,,instrumentieren, ebenfalls dem Rhythmus-Modell gehorchend, drei Ausdruckscharakteristiken. Diese knupfen in stets veranderter Reihenfolge aneinander an und bilden dadurch, dass sie bei jedem Auftauchen kompositorisch neu formuliert sind, die Form des Stuckes als eines fortlaufenden, spiralartigen Prozesses. Neben diesem ,,Vor und zuruck gibt es auch ein historisches: Aus Beethovens Rhythmusmodell wird ein Stuck mit fortschrittlichen Elementen unserer Zeit. (Nicolaus A. Huber, 1981) CDs: Matthias Arter CD col legno WWE 1CD 20009 Christian Hommel CD ars musici FMF AM 1224-2 Bibliography : Nimczik , Ortwin: Konzeptionelle Rhythmuskomposition. ,,Vor und zuruck fur Oboe (1981) von Nicolaus A. Huber, in: Neue Musik vermitteln. Analysen - Interpretationen - Unterricht, hrsg. von Hans Bassler, Ortwin Nimczik und Peter W. Schatt, Mainz: Schott 2004, pp. 98-111. Schick , Tobias Eduard: Weltbezuge in der Musik Mathias Spahlingers (Beihefte zum Archiv fur Musikwissenschaft, Band 80), Stuttgart; Franz Steiner 2018, here p. 101.World premiere: Montepulciano, July 1982.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
