SKU: BA.BA10403
ISBN 9790260104730. 31 x 24.3 cm inches. Key: A-flat major. Preface: Simon, Robert.
Dvorák composed his “Slavonic Rhapsodies†op. 45 in 1878, initiating his so-called “Slavonic periodâ€. They were issued by the publisher Simrock the following year as three independent orchestral pieces (in D major, G minor and A-flat major) appearing under the same opus number.Now the “Slavonic Rhapsodies†are being issued separately in scholarly-critical editions. The editor Robert Simon has taken Dvorák’s authorised first edition as his principal source.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA10402
ISBN 9790260104723. 24.3 x 31 cm inches. Key: G minor. Preface: Simon, Robert.
SKU: AP.29444S
UPC: 038081322179. English.
Catalina March, an original composition by Steve Hodges, contains elements of both traditional and contemporary marches. The spirited opening theme features a playful give-and-take between the brass and the upper woodwinds. A contrasting minor trio section is presented by the clarinets, saxophones and horns before returning to a charming woodwind variation of the initial presentation. Following an effective modulation, the piece finishes with a powerful restatement of the opening theme with woodwind countermelodies complementing the strong brass and percussion. This exciting march would be an excellent way to begin a concert! (2:35).
SKU: AP.29444
UPC: 038081322162. English.
SKU: PL.9003
Taken from the Sarum rite, this text has long been the object of many composers' affection and in this case, is allowed to take shape within a moderately narrow vocal range. The uncomplicated imitation within the music enhances the simplicity of this ancient prayer as each part sings each phrase, rhythmically uniting at the final request: God be at my end..
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version