(IV. Princess Leia's Theme from Episode IV: A New Hope, V. Imperial March (Darth Vader's Theme)/ The Forest Battle from Episode V: The Empire Strikes Back and Episode VI: Return of the Jedi and VI. Star Wars (Main Title) from Episode I through VI) Composed by John Williams, arranged by Robert W. Smith. Conductor's score and set of performance parts for concert band (1 - piccolo, 3 - 1st flute, 3 - 2nd flute, 2 - oboe, 2 - bassoon, 3 - 1st clarinet, 3 - 2nd clarinet, 3 - 3rd clarinet, 2 - bass clarinet, 1 - contrabass clarinet, 2 - 1st alto saxophone, 2 - 2nd alto saxophone, 1 - tenor saxophone, 1 - baritone saxophone, 3 - 1st trumpet, 3 - 2nd trumpet, 3 - 3rd trumpet, 2 - 1st horn in F, 2 - 2nd horn in F, 2 - 1st trombone, 2 - 2nd trombone, 2 - 3rd trombone, 2 - euphonium, 1 - baritone (treble clef), 4 - tuba, 2 - piano/synthesizer, 4 - mallet percussion, 1 - timpani, 4 - percussion I, 3 - percussion II). Series: Belwin Concert Band Series. Published by Alfred Publishing.

Music from the Motion Picture Soundtrack. Composed by Michael Giacchino. Piano Solo Songbook. Softcover. 32 pages. Published by Hal Leonard (HL.222071).

Score Only Concert Band (Score) - Grade 2

SKU: HL.4005053

Composed by Michael Giacchino. Arranged by Johnnie Vinson. Discovery Plus Concert Band. Disney, Movies. Softcover. Published by Hal Leonard (HL.4005053).

UPC: 888680675219. 9.0x12.0x0.047 inches.

The Star Wars legacy continues with the blockbuster installment Rogue One. With new themes by Michael Giacchino, the excitement and drama of the film comes to life in this great sounding medley, carefully scored and paced for younger players.

Composed by John Williams. For flute I,II, piccolo (flute III), oboe I,II, Bb clarinet I,II, Bb bass clarinet, bassoon I,II, F horn, Bb trumpet I-III, trombone I,II, bass trombone, tuba, timpani, percussion I,II, harp, piano/celeste, violin I,II, viola, cello and contrabass. From the motion picture "Star Wars". Format: full score (spiral bound). Movies. Series: Hal Leonard John Williams Signature Edition. 131 pages. 10.5x14 inches. Published by Hal Leonard.

By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Terry Kenny. For Concert Band. Novelties / Arrangements of Classical Pieces / Circus Music. Classic Arrangement. Grade 4. Score

By John Williams. Arranged by Robert W. Smith. For Full Orchestra. Full Orchestra. Pop Concert Full Orchestra. 0. Movie. Level: grade 4. Conductor Score and Parts. 232 pages. Published by Alfred Publishing.

Soundtrack Highlights. Composed by Michael Giacchino. Arranged by Paul Murtha. Young Concert Band. Softcover. Published by Hal Leonard

Composed by Michael Giacchino. Arranged by Sean O'Loughlin. Pop Specials for Strings. Softcover. Published by Hal Leonard

8 Great Arrangements for Intermediate Piano Solo. Composed by Various. Arranged by Mona Rejino. Educational Piano Library. Movies, Solos. Softcover. 40 pages. Published by Hal Leonard

Score and Parts. Composed by Michael Giacchino. Symphony Pops. Softcover. Published by Hal Leonard

Composed by Michael Giacchino. Arranged by Johnnie Vinson. Discovery Plus Concert Band. Softcover. Published by Hal Leonard

(21 Pieces from Famous and Fun: Pop, Classics, Favorites, Rock, Duets). Arranged by Carol Matz. For Piano. Book; Piano Collection; Piano Supplemental. Famous and Fun. Intermediate. 64 pages. Published by Alfred Music

Study score

SKU: BR.PB-5708-07

Urtext. Composed by Joachim Raff. Edited by Stefan Konig. Chamber music. Partitur-Bibliothek (Score Library). Romantic period. Study Score. Breitkopf and Haertel #PB 5708-07. Published by Breitkopf and Haertel (BR.PB-5708-07).

ISBN 9790004216453. 6.5 x 9 inches.

When his musical triad op. 192 was created in the winter of 1873/74, Raff was one of Germany's most successful composers and the central artistic authority in the Hessian spa, royal residence and imperial city of Wiesbaden. With op. 192, Raff cultivated his reputation as an erudite composer who was a master of contrapuntal forms. By the time the string quartets were composed, he had already established himself as one of the most prolific and versatile suite composers of the 19th century, as is evident here in the various suite conceptions: Opus 192 No. 1 (in C minor), as Suite in the ancient style, has with Baroque labels stylized dance movements follow one another. Die schone Mullerin [The Fair Maid of the Mill] op. 192 No. 2 (in D major), on the other hand, interprets the suite as a sequence of chapters in a musical narrative and thus becomes probably the first tone poem in string quartet scoring. In the third quartet (in C major), of which Raff the artist was proudest, other genre designations mix in among the dance movements, and with its free succession of different movement types, not usual for a sonata, it preserves structural openness. In collaboration with the Joachim-Raff-Archiv Lachen (CH)

Some eighteen years elapsed between Raff's first counted String Quartet op. 77 and his Quartets Nos. 6-8 op. 192, combined as one work. As such, Raff parted with the weighty single opus in quartet composition - without, however, sacrificing musical quality.