Deux volumes trésor de charme, pièces effervescents composés par Mozart dans les années 1770 et 1780. Inclus sont les favoris tels que Eine kleine Nachtmusik, K.525, 'Une Plaisanterie musicale,' K.522, la 'Haffner' Serenade, K.250/248b, Serenata Notturna, K.329, et le 'Posthorn' Serenade, K 0.320.Réimpression de sélection à partir de Wolfgang Amadeus Mozart Werke, Breitkopf and Härtel, 1880-1881. / Orchestre

Un des plus grands oratorios de Haendel, ce magnifique ouvrage présente une série de superbes pièces chorales, allant de l'humeur et de la technique de l'intensité sombre d'jubilation grandiose. Israël en Egypte dépeint les tribulations des Juifs, les plaies d'Egypte, et les événements liés bibliques. Le contenu complet en anglais et en allemand.Réimpression de l'édition Breitkopf and Härtel autorité. / Orchestre

One of the greatest favourites of the Italian operatic repertoire whose productions at London's Covent Garden in 1905 (featuring Enrico Caruso among other luminaries of the day) and New York's Metropolitan Opera the following year first brought it fame. Reprinted complete and unabridged from the authoritative G. Ricordi edition.Reprinted complete and unabridged from the authoritative G. Ricordi edition.

This exemplary new edition of the vocal score was prepared by Carl Simpson and Ephraim Hammett Jones who returned to original manuscripts and early sources to produce results closest to Gilbert and Sullivans original intentions. All of the voice parts appear here in addition to a piano reduction of the full score along with the complete dialogue. This enchanting operetta has delighted audiences for over a century.

Short sparkling brilliant pieces for flexible ensemble of six to fourteen players. Often recorded and performed the 17 Divertmenti are increasingly popular with music lovers and essential for Mozart lovers. Arranged here for flexible ensemble a large and diverse number of instrument. Breitkopf & Hortel edition.

Authoritative Russian editions of three concert-hall mainstays: the '1812' Overture Op. 31 among the best loved of all classical compositions; the very popular Marche Slave Op. 32; and Francesca da Rimini Op. 32 a poignant and dramatic tone poem considered one of the composer's finest works.

in Full Score-Two contrasting works from the composer in full score. Authoritative Russian editions.

This authoritative edition presents full-score reproductions of three of Liszt’s best-known symphonic poems. Les Preludes (Symphonic Poem No.3) grew out of the composer’s unpublished choral setting of Joseph Autran’s poem “The Four Elements”, blending stirring martial music and lovely pastoral themes to make this work the most popular of the symphonic poems. Mazeppa (Symphonic Poem No.6) evokes Victor Hugo’s portrayal of the Cossack leader and the symbolic triumph that comes only after defeat: “He runs, he flies, he falls, and he stands up king!” Heroide Funebre (Symphonic Poem No.8) is the last vestige of the monumental Revolutionary Symphony, planned but never completed, suggesting universal brotherhood: a fine, heroic, dignified funeral march. In these richly sonorous works, Liszt explored the concept of the one-movement “transformation of themes,” an approach to composition that Wagner would carry forward in his development of the leitmotif. Liszt’s expanding chromaticism would be no less influential, anticipating the twentieth century’s embrace of atonality. Frequently performed favourites of audiences around the world, these three works are reprinted from the original Breitkopf & Härtel edition.

Unabridged score of composer's last opera, renowned for splendid music and glowing orchestration. Deeply personal treatment of the legend of the Holy Grail, themes of sacred and profane love, innocence and purity, remorse and sexual renunciation. Reprint of authoritative C. F. Peters edition, including list of characters and contents in both German and English.