Choral Cello, Piano, alto 1, alto 2, soprano 1, soprano 2

SKU: CF.CM9625

Composed by Jimmy Baas. Sws. Performance Score. 16 pages. Duration 3 minutes, 49 seconds. Carl Fischer Music #CM9625. Published by Carl Fischer Music (CF.CM9625).

ISBN 9781491156988. UPC: 680160915545. 6.875 x 10.5 inches. Key: Bb major. English, English. William Butler Yeats.

The Everlasting Voices is the perfect blend of textural variety and harmonic interest for the advanced treble ensemble. Employing a powerful text, Baas' vocal layering coupled with piano and optional cello make this compelling piece a programming must!.
O sweet everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will, Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore? O sweet everlasting Voices, be still. This SSAA choral work by Jimmy Baas was comissioned by the Lumberton HS Varsity Treble Choir. The opening and closing lines of the poem, O sweet everlasting voices, be still provide the perfect bookends for two larger sections of the poem. These two sections are equally divided into verses. The opening line is used once again as a transition between the verses. The previously mentioned lines, O sweet everlasting voices, are overlapped as different layers of voices enter and sustain. A fifth and sixth voice, the cello and piano accompaniment take part in these layers as well. The words be still are very much a part of the mood each time as the everlasting voices become quiet and still. The two verses feature different voices within the SSAA choir. Verse 1, the sopranos, and verse 2 the altos. There are many moments in this piece to explore the full range and color of the SSAA choir. The piano and cello play an important part throughout, making this piece an excellent choice for any festival women's chorus.
O sweet everlasting Voices, be still;Go to the guards of the heavenly foldAnd bid them wander obeying your will,Flame under flame, till Time be no more;Have you not heard that our hearts are old,That you call in birds, in wind on the hill,In shaken boughs, in tide on the shore?O sweet everlasting Voices, be still.This SSAA choral work by Jimmy Baas wascomissioned by the Lumberton HS Varsity Treble Choir.The opening and closing lines of the poem, “O sweeteverlasting voices, be still” provide the perfect bookendsfor two larger sections of the poem. These two sectionsare equally divided into verses. The opening line is usedonce again as a transition between the verses.The previously mentioned lines, “O sweet everlastingvoices,” are overlapped as different layers of voices enterand sustain. A fifth and sixth voice, the cello and pianoaccompaniment take part in these layers as well.The words “be still” are very much a part of the moodeach time as the everlasting voices become quietand still.The two verses feature different voices within the SSAAchoir. Verse 1, the sopranos, and verse 2 the altos. Thereare many moments in this piece to explore the full range andcolor of the SSAA choir. The piano and cello play an importantpart throughout, making this piece an excellent choice for anyfestival women’s chorus.

Cello and Piano

SKU: BT.CAZCFHSAD01

Composed by Cheryl Frances-Hoad. Book Only. Cadenza Music #CAZCFHSAD01. Published by Cadenza Music (BT.CAZCFHSAD01).

Cheryl Frances-Hoad's Songs and Dances for Cello and Piano.

Commissioned by the Three Choirs Festival.

Duration: 12 minutes

Soprano voice solo, children's SSA choir, speaker, timpani, 2 xylophones, metallophone, recorder (c2, f1) (2 violins), glockenspiel (violin 3), cello, piano

SKU: CA.1240519

Kantate fur Kinder. Composed by Gunther Kretzschmar. Children's music and musicals. German title: Till Eulenspiegel. Cantatas, Cantatas and Singspiele for children, Secular choral music. Set of Orchestra Parts. Duration 30 minutes. Carus Verlag #CV 12.405/19. Published by Carus Verlag (CA.1240519).

ISBN 9790007138783. Language: German.

Score and parts available separately - see item CA.1240500.

Soprano voice solo, children's SSA choir, speaker, timpani, 2 xylophones, metallophone, recorder (c2, f1) (2 violins), glockenspiel (violin 3), cello, piano

SKU: CA.1240505

Kantate fur Kinder. Composed by Gunther Kretzschmar. Children's music and musicals. German title: Till Eulenspiegel. Cantatas, Cantatas and Singspiele for children, Secular choral music. Choral Score. 8 pages. Duration 30 minutes. Carus Verlag #CV 12.405/05. Published by Carus Verlag (CA.1240505).

ISBN 9790007027766. Language: German.

Score available separately - see item CA.1240500.

3-part Children's Choir, Speaker, Flute, 2 Violins, Viola, Cello, Piano

SKU: CA.1240319

Composed by Gunther Kretzschmar. Children's music and musicals. German title: Der Rattenfanger. Cantatas and Singspiele for children, Secular choral music. Set of Orchestra Parts. Duration 60 minutes. Carus Verlag #CV 12.403/19. Published by Carus Verlag (CA.1240319).

ISBN 9790007137311. Language: German. Text: Maslo, Helmut. Text: Helmut Maslo.

Score and parts available separately - see item CA.1240300.

SST(A)TTB vocal soli or choir, ST(A)TB voices, 2 flutes, 2 oboes, 2 violins, 2 violas, cello, piano

SKU: CA.2100700

Psalm 45. Grand Motet. Composed by Jean-Philippe Rameau. Edited by Jean-Paul C. Montagnier. This edition: Paperbound. French Sacred Music. Deus Noster Refugium (Psalm 45). Sacred vocal music, Psalms, Latin, Psalms. Full score. 68 pages. Duration 26 minutes. Carus Verlag #CV 21.007/00. Published by Carus Verlag (CA.2100700).

ISBN 9790007142179. Language: Latin.

The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Yet these masterworks can stand comparison to the best works of Michel-Richard de Lalande. They are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751.