SKU: HL.422594
UPC: 196288061496. 6.75x10.5x0.029 inches. Ephesians 4:31-32, Matthew 18:21-22.
Raise the roof with this jazzy number! Pure joy carries the message of forgiveness and grace. The piano dances with the choir, and the results are an anthem that will be a the feel-good moment in any service.
SKU: JK.19990
Hebrews 9:28, John 14:6*** Some Janice Kapp Perry products may require a few days additional shipping time. Thank you!
46 new hymns, inspired by the General Conference addresses of Elder Jeffry R. Holland. (October 1994 - April 2017).Collection includes: All Ye Who Watch the Master's Sheep Are the Heavens Truly Open? Are We Not All Beggars? As an Ensign to the Nations A Sinless, Pure and Holy Man Be Clean, Oh House of Israel Be Not Afraid, But Be Believing Bless Me to Be a Little More Like Thee Do You Love Me? Christ Can Heal the Broken Hearted ever We'll Remember For God Loves Us With All His Heart For God So Loved the World God Has Raised Up Noble Daughters God will Never Leave the Weary He Will Bring Rest to Your Soul His More Excellent Way Holy Father, King of Heaven How Fair Upon the Mountain I Am a Child of Destiny I Bear My Witness of the Lord In Heaven There Is a Law Inviting All to Come to Christ I Testify I Would Be Thy True Disciple let Not Your Heart Be Troubled Let Thy Word Be In Our Hearts Lord, Accept My Humble Offering Lord, I Believe Lord, I'll Strive to Live Worthy of Thy Love Lord, We Pray For All the Children May We Have the Tongues of Angels My Life is Not My Own None Were With Him Oh Come Ye Heavy Laden Come Our Faith Unites Us With One Heart The Keys of the Kingdom The Love of God Is Without End The Mother of All Living The Words of God Will Never Cease The Worth of Souls Is Great Indeed Through a Thousand Generations To the Rising Generation Who Will Now Speak For the Widow? Wilt Thou, Lord, In Me Abide You Can Always Come Back HomeComposer: Janice Kapp Perry Lyricist: David B. LarsenReference: Hebrews 9:28, John 14:6*** Some Janice Kapp Perry products may require a few days additional shipping time. Thank you!
SKU: LP.765762012233
UPC: 765762012233.
Usher your congregation into God s throne room of grace with this stirring Easter musical created by songwriting dynamos Dave Clark Don Koch and Cliff Duren! The title cut Mercy Came Running made popular by trio Phillips Craig and Dean in the 1990s takes on new significance in the context of Easter as we visualize God running to save us through Christ s death and resurrection. With performance options for a 47-minute full-length musical an abbreviated 30-minute piece and even a 20-minute option Mercy Came Running is adaptable for any Easter service. And each powerful song can also stand alone to impact your congregation throughout the year! Accompaniment DVD available.
SKU: LP.765762190801
ISBN 9780834179202. UPC: 765762190801.
Your Great Name is a new and exciting musical that is perfect for Easter or for any powerful service of praise anytime in the church year! Created and arranged by Gary Rhodes and orchestrated by Tim Cates this collection by some of the most popular artists and songwriters is truly an event! From quiet and worshipful moments to lively and exuberant celebrations this musical worship experience lifts high the name of Jesus. You will love the arrangements of some of today's most popular worship songs like Jesus Saves Your Great Name Always and Oh the Blood and will be swept away by new arrangement of classic favorites like Because He Lives and O the Deep Deep Love of Jesus..
SKU: LP.765762171824
UPC: 765762171824.
SKU: CF.CM9608
ISBN 9781491154304. UPC: 680160912803. 6.875 x 10.5 inches. Key: E major. English. Alfred, Lord Tennyson (1809-1892).
The beauty in Alfred, Lord Tennysons poem is reflected by the music with the use of text painting. The piano creates the sound of moving water in m. 19, providing the first instance of text painting. When the men enter, they continue this idea of the ocean tide while the descent into the word deep in m. 27 gives another instance of text painting. Take advantage of the minor second suspension on the word dark in m. 38 in order to achieve a feeling of suspense. The entrance at m. 41 is full, and while still minor, the text gives us hope for a change. The change comes in m. 45 with the staggered entrances creating a sense of building and ascent until the climax of this moment at m. 47 on the word embark, which is to be an ascent to Heaven. The melody moves between voice parts, even as early as m. 14 where the altos have the melody for only a single measure; it is then handed back to the sopranos. From mm. 5764, the altos trade the melody back and forth with the sopranos. Take note that the alto melody should be brought out, but the line does not actually begin until the word when. Lastly, be intentional with syllabic stress (no two eighth notes or quarter notes alike) and to give direction to any note longer than a quarter. I hope you enjoy learning and performing Crossing the Bar as much as I enjoyed writing it. ~Jamey Ray.The beauty in Alfred, Lord Tennysonas poem is reflected by the music with the use of text painting. The piano creates the sound of moving water in m.A 19, providing the first instance of text painting. When the men enter, they continue this idea of the ocean tide while the descent into the word adeepa in m. 27 gives another instance of text painting. Take advantage of the minor second suspension on the word adarka in m. 38 in order to achieve a feeling of suspense. The entrance at m. 41 is full, and while still minor, the text gives us hope for a change. The change comes in m. 45 with the staggered entrances creating a sense of building and ascent until the climax of this moment at m. 47 on the word aembark,a which is to be an ascent to Heaven. The melody moves between voice parts, even as early as m. 14 where the altos have the melody for only a single measure; it is then handed back to the sopranos. From mm. 57a64, the altos trade the melody back and forth with the sopranos. Take note that the alto melody should be brought out, but the line does not actually begin until the word awhen.a Lastly, be intentional with syllabic stress (no two eighth notes or quarter notes alike) and to give direction to any note longer than a quarter. I hope you enjoy learning and performing Crossing the Bar as much as I enjoyed writing it. ~Jamey Ray.The beauty in Alfred, Lord Tennyson's poem is reflected by the music with the use of text painting. The piano creates the sound of moving water in m. 19, providing the first instance of text painting. When the men enter, they continue this idea of the ocean tide while the descent into the word deep in m. 27 gives another instance of text painting. Take advantage of the minor second suspension on the word dark in m. 38 in order to achieve a feeling of suspense. The entrance at m. 41 is full, and while still minor, the text gives us hope for a change. The change comes in m. 45 with the staggered entrances creating a sense of building and ascent until the climax of this moment at m. 47 on the word embark, which is to be an ascent to Heaven. The melody moves between voice parts, even as early as m. 14 where the altos have the melody for only a single measure; it is then handed back to the sopranos. From mm. 57-64, the altos trade the melody back and forth with the sopranos. Take note that the alto melody should be brought out, but the line does not actually begin until the word when. Lastly, be intentional with syllabic stress (no two eighth notes or quarter notes alike) and to give direction to any note longer than a quarter. I hope you enjoy learning and performing Crossing the Bar as much as I enjoyed writing it. ~Jamey Ray.The beauty in Alfred, Lord Tennyson's poem is reflected by the music with the use of text painting. The piano creates the sound of moving water in m. 19, providing the first instance of text painting. When the men enter, they continue this idea of the ocean tide while the descent into the word deep in m. 27 gives another instance of text painting. Take advantage of the minor second suspension on the word dark in m. 38 in order to achieve a feeling of suspense. The entrance at m. 41 is full, and while still minor, the text gives us hope for a change. The change comes in m. 45 with the staggered entrances creating a sense of building and ascent until the climax of this moment at m. 47 on the word embark, which is to be an ascent to Heaven. The melody moves between voice parts, even as early as m. 14 where the altos have the melody for only a single measure; it is then handed back to the sopranos. From mm. 57-64, the altos trade the melody back and forth with the sopranos. Take note that the alto melody should be brought out, but the line does not actually begin until the word when. Lastly, be intentional with syllabic stress (no two eighth notes or quarter notes alike) and to give direction to any note longer than a quarter. I hope you enjoy learning and performing Crossing the Bar as much as I enjoyed writing it. ~Jamey Ray.The beauty in Alfred, Lord Tennyson’s poem is reflected by the music with the use of text painting. The piano creates the sound of moving water in m. 19, providing the first instance of text painting. When the men enter, they continue this idea of the ocean tide while the descent into the word “deep†in m. 27 gives another instance of text painting.Take advantage of the minor second suspension on the word “dark†in m. 38 in order to achieve a feeling of suspense. The entrance at m. 41 is full, and while still minor, the text gives us hope for a change. The change comes in m. 45 with the staggered entrances creating a sense of building and ascent until the climax of this moment at m. 47 on the word “embark,†which is to be an ascent to Heaven.The melody moves between voice parts, even as early as m. 14 where the altos have the melody for only a single measure; it is then handed back to the sopranos. From mm. 57–64, the altos trade the melody back and forth with the sopranos. Take note that the alto melody should be brought out, but the line does not actually begin until the word “when.â€Lastly, be intentional with syllabic stress (no two eighth notes or quarter notes alike) and to give direction to any note longer than a quarter.I hope you enjoy learning and performing Crossing the Bar as much as I enjoyed writing it.~Jamey Ray.
SKU: LP.765762171923
UPC: 765762171923.
SKU: LP.765762171626
UPC: 765762171626.
SKU: LP.765762172029
UPC: 765762172029.
SKU: LP.765762012134
UPC: 765762012134.
SKU: LP.765762171725
UPC: 765762171725.
SKU: LP.9780834183360
ISBN 9780834183360.
SKU: LP.765762226906
UPC: 765762226906.
SKU: LP.765762172128
UPC: 765762172128.
SKU: LP.765762227002
UPC: 765762227002.
SKU: HL.390329
UPC: 196288027911. 6.75x10.5x0.029 inches.
Hal Leonard composer and arranger Roger Emerson has written a poignant musical response to the sudden loss of a student by suicide. If you or someone you know are experiencing suicidal thoughts, call the National Suicide Prevention Lifeline at 800-273-TALK (8255) or call or text 988.
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