SKU: RU.60274
SKU: RU.60245
SKU: RU.60268
SKU: RU.60303
SKU: RU.60311
SKU: RU.60317
SKU: AY.CC3168PM
ISBN 9790543577480.
This Canzon was originally included as part of the collection Canzoni per sonare con ogni sorte di stromenti, a volume of 36 canzoni by 13 different composers, first published in 1608. The publisher, Alessandro Raverii, was based in Venice, and though he only printed music between 1606 and 1609, more than 50 of his volumes have survived until today. This Canzon à 16 for four SATB choirs, has been arranged here for clarinet choir by Matt Johnston. It can be performed as a clarinet choir or as a quadruple clarinet quartet.
SKU: AY.CC3673PM
ISBN 9790543576148.
Antonio Caldara - Crucifixus for Clarinet Choir, arranged by Matt Johnston. Can be performed by 12 B-flat Clarinets and 4 Bass Clarinets, with the possibility of substituting auxiliary clarinets as indicated in the list of instrumentation. Additionally, an optional organ part is provided. Antonio Caldara was an Italian composer of the Baroque era. He was born in Venice and spent most of his life working in various musical positions throughout Italy, including as a composer and musician in the courts of Mantua, Rome, and Vienna. Caldara is perhaps best known for his vocal music, particularly his operas and oratorios. He also composed instrumental music, including sonatas and chamber music. He was particularly known for his use of counterpoint, a technique in which multiple melodic lines are played or sung simultaneously, and for his expressive use of harmony.
SKU: AY.CC3662PM
ISBN 9790543573277.
Juan Gutiérrez de Padilla (c. 1590-1664) was a Spanish-born Mexican composer of the Renaissance period. Although born in Málaga, Spain, he moved to Puebla, Mexico in 1620, and was later appointed maestro de capilla of the Puebla Cathedral in 1628. His most well-known work, this Salve Regina for double choir (SSAATTBB), has been arranged here for clarinet choir by Matt Johnston. It can be performed as a clarinet choir or as a double clarinet quartet.
SKU: AY.CC3672PM
ISBN 9790543576155.
Juan Gutiérrez de Padilla (c. 1590-1664) was a Spanish-born Mexican composer of the Renaissance period. Although born in Málaga, Spain, he moved to Puebla, Mexico in 1620, and was later appointed maestro de capilla of the Puebla Cathedral in 1628. This Ave Regina for double choir (SSAATTBB), has been arranged here for clarinet choir by Matt Johnston. It can be performed as a clarinet choir or as a double clarinet quartet.
SKU: AY.CC3681PM
ISBN 9790543578050.
Giovanni Gabrieli - Canzon Septimi et Octave Toni a 12 from 'Sacrae Symphoniae', Book 1, for Clarinet Choir, arranged by Andrew Seigel. Giovanni Gabrieli was an Italian composer and organist of the late Renaissance and early Baroque periods. He was born in Venice, where he trained as a musician and composer, initially studying with his uncle, Andrea Gabrieli, who was a prominent musician and composer in the city. Gabrieli eventually succeeded his uncle as the organist and composer at St. Mark's Basilica in Venice, where he worked for most of his career. Gabrieli's Sacrae Symphoniae is a collection of sacred instrumental music that was published in Venice in 1597 which includes canzonas, sonatas, and motets, all of which were composed for the unique acoustics of St. Mark's Basilica in Venice. The Sacrae Symphoniae is an important work in the development of instrumental music, as it represents a shift away from vocal music and towards the use of instruments in sacred music. The collection features a range of different instrumental combinations, including brass, strings, and organ, and often employs multiple choirs or groups of instruments to create a rich, complex sound.
SKU: AY.CC3680PM
ISBN 9790543577442.
Thomas Tallis composed Spem in alium nunquam habui around the year 1570 based on the Latin text from a response (at Matins for the 3rd lesson, during the 5th week of September) in the Sarum Rite, adapted from the Book of Judith. The first line translates as I have never put my hope in any other but in Thee, God of Israel. Originally scored for eight 5-part choirs, has been arranged here for clarinet choir by Matt Johnston. The 40 core parts for soprano and bass clarinets are provided in the set. Additional parts for E-flat Clarinet, Alto Clarinet, Basset Horn, Contralto Clarinet and String Bass are available upon request.
SKU: AY.CC3674PM
ISBN 9790543574212.
Giovanni Gabrieli - Maria Virgo from 'Sacrae Symphoniae', Book 1, for Clarinet Choir, arranged by Matt Johnston. Giovanni Gabrieli was an Italian composer and organist of the late Renaissance and early Baroque periods. He was born in Venice, where he trained as a musician and composer, initially studying with his uncle, Andrea Gabrieli, who was a prominent musician and composer in the city. Gabrieli eventually succeeded his uncle as the organist and composer at St. Mark's Basilica in Venice, where he worked for most of his career. Gabrieli's Sacrae Symphoniae is a collection of sacred instrumental music that was published in Venice in 1597 which includes canzonas, sonatas, and motets, all of which were composed for the unique acoustics of St. Mark's Basilica in Venice. The Sacrae Symphoniae is an important work in the development of instrumental music, as it represents a shift away from vocal music and towards the use of instruments in sacred music. The collection features a range of different instrumental combinations, including brass, strings, and organ, and often employs multiple choirs or groups of instruments to create a rich, complex sound.
SKU: P2.30083
Beethoven's Sextet for Two Horns and String Quartet, Op. 81b is a bit of an oddity in the composer's catalog. The sextet for the very old-fashioned instrumentation of two horns, two violins, viola and cello, is especially rare. The work seems to have been written around 1795, in the period when Beethoven was beginning to make his way in Viennese society as a composer and keyboard virtuoso after a period of study with Haydn. The work has the light-hearted, easy-going tone of the serenade/divertimento tradition, although the way that Beethoven writes for the horns makes the Sextet unusual. In this work, the horns are featured, with brilliant fanfares and technically challenging passages, while the four strings are relegated to a subsidiary role. In this arrangement, the Eb clarinet and a solo Bb clarinet play the role of the horns, while the rest of the choir assume the position of the string parts.
SKU: P2.30029
Johann Sebastian Bach (1685-1750) wrote the cantata Nun Komm, der Heiden Heiland BWV 62 based on the chorale by Martin Luther of the same name. Its first performance was in Leipzig in 1724. This arrangement is the first movement of the six-movement work, which was originally scored for chorus and orchestra. The inspiration for arranging this work was the pure desire to play Bach in a group that could otherwise not. In using four Bb clarinets, three A clarinets, and two Bb bass clarinets, I hoped to achieve a diversity of timbre like that of the original instrumentation.
SKU: P2.30089
Composer Arthur Gottschalk says, Suite Nothings was commissioned by Houston Symphony clarinetist Richard Nunemaker for his Effortless Clarinet Studio. It is dedicated to Michael Perricone, a talented amateur clarinetists and member of Nunemaker's studio, who was diagnosed with Stage 4 cancer just prior to rehearsals for the seventh annual studio recital. Movement 1 ('The March of the Licorice Stick Figures') is a strange little march, at times duple and others compound. Movement 2 ('Weird Harold's Stomp') is a touch more funky, albeit in 13 beat groupings, and owes a partial debt and perhaps apology to jazz legend Herbie Hancock. The final movement is an all-out atonal yet swinging romp, whose theme was originally written for the Band of the First Battalion, Royal Australian Regiment, based in Townsville, Queensland. These guys march into battle with full field packs, their weapons, AND their instruments! Hence the title, 'The Royal Australian Regiment Rondo'..
SKU: SU.28090100
Cloud Metamorphosis is a textural piece in a sequence of four continuous sections drawn from separate cloud formation types. Unique motifs establish each section of the piece which is scored for Clarinet Sextet: Eb, 3 Bb, Bass, and Contra Alto Clarinets (alternate version with two Bass). Each musical texture is developed in a musical, rather than, programmatic way.Set includes alternate Bass Clarinet part for Contra Alto ClarinetClarinet Sextet (Eb, 3 Bb, Bcl, Contra-alto) Duration: 9' Composed: 2018 Published by: James Marshall.
SKU: HL.44007370
ISBN 9789043128438. UPC: 884088246181. 9x12 inches. English-German-French-Dutch.
The 'czardas' Anitschka depicts the love story of a Hungarian and a gipsy girl called Anitschka. She is not easily seduced by her admirer, but perseverance prevails in this musical tale: all's well that ends well. De csardas Anitschka verklankt de liefdegeschiedenis van een Hongaar en een zigeunermeisje, Anitschka genaamd. Zij laat zich niet zo gemakkelijk verleiden door haar aanbidder, maar de aanhouder wint in dit muzikale verhaal: eind goed,al goed.Der 'Czardas' Anitschka beschreibt die Geschichte einer Liebe zwischen einem Ungarn und einem Zigeunermadchen namens Anitschka. Sie lasst sich nicht leicht von ihrem Bewunderer verfuhren. Beharrlichkeit wird jedoch in dieser musikalischen Erzahlung von Johan Nijs gross geschrieben und so heisst es schliesslich: Ende gut, alles gut. Verzaubern Sie Ihr Publikum mit diesem romantischen Stuck!Das Set enthalt Stimmen fur:Klarinette in EsKlarinette in B 1, 2 ,3 and 4Altklarinette in Es 1 and 2Bassklarinette in BKontraaltklarinette in EsKontrabassklarinette in BCette Åuvre de Johan Nijs est ecrite dans la forme de la czardas, une danse hongroise du XIXe siecle dans laquelle alternent les passages lents et les passages rapides. Anitschka relate a la maniere d'un conte les amours tumultueuses entre une fille tzigane et un jeune prince hongrois.
SKU: ND.CLCR2
SKU: ND.CLCR21
SKU: ND.CLCR6
SKU: ND.CLCR1
SKU: ND.CLCR19
SKU: ND.CLCR14
SKU: ND.CLCR20
SKU: ND.CLCR9
SKU: ND.CLCR23
