SKU: MB.93398
ISBN 9781562220426. UPC: 796279001885. 8.75x11.75 inches. By Ed McGuire.
Explores guitar chord voicings, progressions, harmony, and the practical use of chord shapes in ensemble playing. This book opens the world of theory to the guitarist and suggests infinite applications. A valuable asset to any guitarist regardless of style, this book presents chords in standard notation and diagrams mixed with clear explicatory text?for study with guitar in hand.
SKU: PE.DHC80077
ISBN 9780984292813. UPC: 644718007724. English.
Six-time Grammy award-winner Daniel Ho presents a unique approach to colorful harmonies. With Colorful Sounds: Creative Harmony Made Simple, songwriters can discover infinite ways to harmonize melodies beyond the obvious ear chords, composers can create moods and underscore scenes with a more extensive sonic palette, and players can execute unique voicings of extended chords with ease. Includes an audio CD demonstrating examples from the book.
SKU: GI.G-006692
UPC: 641151066929. English.
NEW! Two hundred contemporary songs for worship, by some of the best and brightest artists and composers in Catholic/Christian music! Voices As One Volume 2 will complement Voices As One Volume 1 or any hymnal or missal you have in your pews. Calling on the expertise of Ed Bolduc and Aaron Thompson, and ably assisted by the WLP editorial staff, Voices As One Volume 2 program contains 20 of the top 25 Contemporary Christian Songs as reported by CCLI — the largest Christian licensing company. Two additional top 25 CCLI songs can be found in Voices as One Volume 1 (006591). With this affordable hymnal resource, you can confidently teach and share contemporary songs for worship (including the new Mass of Celebration by Ed Bolduc) secure in the knowledge that they are theologically sound and musically exciting. The 8.5 x 11 Guitar Edition and the 7 x 10 Vocal Harmony Edition both contain all vocal harmony and guitar chords. The spiral bound Guitar Edition (006692) is designed to lay flat on a music stand while the Vocal Harmony Edition (006693) is sized and perfect-bound for ease of use by vocal ensembles or even entire small assemblies.
SKU: AP.56-44657
ISBN 9781470627072. UPC: 038081506692. English.
Learn how to apply jazz harmony to rock lead guitar with over two hours of instruction! You'll learn how to craft musically strong melodies over chord progressions, apply arpeggio sweeps to changing chords, employ upper-structure voice leading to create harmonic tension, use chromatics to smoothly connect chord tones, and how to play like Michael Brecker, Carlos Santana, Gary Moore, and more! TAB booklet included on disc.
SKU: FG.55011-899-7
ISBN 9790550118997.
Paavo Korpijaakko's (b. 1977) guitar sonata Kimberley was composed in 2006 and dedicated to Petri Kumela. It is Korpijaakko's fist piece for the guitar, and the composers gives credit to the commissioner, who untiringly and long-sufferingly solved the challenges posed by the musical ideas and conjured forth timbral shades. Including a tribute to Debussy, a playful scherzo and some shameless flirting with a flamenco the four movement sonata arrives at a spectacular conclusion.Duration: 21'Korpijaakko studied at the Tampere Conservatory 1997â2007, majoring in composition from 2001 onwards. For most of the time he was a pupil of Jouni Kaipainen, but he was also taught by Juhani Nuorvala and Hannu Pohjannoro. Korpijaakko stresses the importance of harmony, resonant material and harmonic hierarchy, by which he means harmony as a fundamental progressive element of the piece. His aim in handling his motifs is to use his material sparingly. In this respect he specifically wants to be a kindred spirit to Beethoven. Everything that will later appear in the work must be derived from the core thematic and harmonic elements â or whatever one likes to call them. Most important is, however, to create a steady stream of interesting music.
SKU: HL.50600660
8.25x12.0x0.05 inches.
â??I already wrote the Concerto for Guitar, Tympani and Strings for the outstanding Polish guitarist Lukasz Kuropaczewski. The 'Triptych' for guitar solo is my second work for this interpreter. The individual titles of the 'Triptych' movements â?? Fantasia, Aria and Impromptu furioso â?? refer to the characters of the individual movements. I completed 'Triptych' for guitar solo in December 2014. The piece is permeated by double contrasts: in terms of harmony, the guitar's own mood and sound world are contrasted with my harmonic thinking. In terms of technique, on the other hand, performance gestures of the Flamenco tradition are contrasted with those of the practice of classical guitar playing. The dialogue between different harmonic and historical levels can thus be discovered through a complex, clearly demarcated discourse. The performance duration of the work is about 15 minutes.â? (Krzysztof Meyer).
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