SKU: HL.49046394
ISBN 9781540086570. UPC: 840126910186. 9.0x12.0 inches.
In 2010 I lived in Rome as a Villa Massimo scholarship holder. During my time there I came across a few poems by Michelangelo that touched me a lot and soon had the plan to set some of them to music. But I wanted to combine it with something contemporary - just like in Rome the old and the new always meet. The poet Marcel Beyer, whom I met in Rome, then wrote the cycle of poems Die Grillmeisterin for me, which takes up many motifs from the Michelangelo texts (fire, tears, getting burned, loneliness, etc.). I then alternately combined this cycle of poems with the Michelangelo poems. The Italian songs have a sometimes melancholy, sometimes dramatic character, while the German songs are rather bizarre, sometimes even humorous. Despite these contrasts in character, there are also many musical connections between the German and Italian songs. Individual motifs and chord sequences sometimes return in completely different contexts, and there is even a direct connection between the first and last song, in that the same vocal line is underlaid with a completely different text. This creates a musical framework that holds the very heterogeneous selection of texts together. -Anno Schreier.
SKU: CF.V2504
ISBN 9780825898310. UPC: 798408098315. Frederic Sharaf, Sorcha Cribben-Merrill.
Sharaf was moved to write this tribute to all involved in the Boston Marathon massacre—those who were victims, those who died, and those who showed the best of humanity in the aftermath. He imagines the heartbreaking beauty of a dying woman, praying for peace and forgiveness, even of those who perpetrated the event.
SKU: SU.91570070
Soprano, Piano Duration: 10' Composed: 1990 Published by: Subito Music Publishing.
SKU: M7.AST-77
ISBN 9790203800774.
SKU: HH.HH583-FSC
ISBN 9790708185987.
‘Shine Perishing Republic’ is perhaps the most anthologized of all the works by American poet Robinson Jeffers (1887–1962). Its Whitmanesque tone and rhetoric are here reflected in a sonata-like first movement form. Influenced by the paintings of Jackson Pollock, the composer wished to saturate his musical canvas with explosive, emotive events. ‘Evening Ebb’ is a nature scene. Musical metaphors – symmetrical chords, inversion structures and canons – are used to to suggest the qualities of sea and reflected sky described so beautifully in the poem. Paradoxically, in spite of these musical conceits, the music floats impressionistically, for the most part in stasis, only developing in a clear direction towards the end.
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