SKU: BT.AMP-413-400
ISBN 9789043148559. English-German-French-Dutch.
Part of the Anglo Music Play-Along Series, Philip Sparke’s 15 Easy Christmas Carols is aimed at the young instrumentalist who can play just over an octave. Specifically tailored to suit the individual instrument, this book introducesthe beginning player to the world’s most popular Christmas tunes by selecting simple yet attractive melodies that fit their limited range. This book will provide invaluable additional material to complement any teaching method and includes both pianoaccompaniment and a demo/play-along CD.Philip Sparkes 15 Easy Christmas Carols sind Teil der Anglo Music Play-Along Reihe und richten sich an junge Instrumentalisten, die den Tonumfang von einer Oktave beherrschen. Auf jedes Instrument zugeschnitten, führen diese Ausgaben,für die einfache und zugleich ansprechende Melodien ausgewählt wurden die sich für diesen begrenzten Tonumfang eignen, den Anfänger an die weltweit beliebtesten Weihnachtslieder heran. Dieser Band bietet wertvolles Ergänzungsmaterial, das zu jederInstrumentalschule passt und sowohl eine Klavierbegleitung als auch eine Play-Along-CD enthält.Faisant partie de l’Anglo Music Play-Along Series, les 15 Easy Christmas Carols(15 chants de Noël faciles) de Philip Sparke visent les jeunes instrumentistes qui arrivent jouer un peu plus d’une octave. Adapté pourconvenir chaque instrument spécifique, ce recueil introduit le joueur débutant aux chants de Noël les plus populaires en sélectionnant des mélodies simples les plus intéressantes qui correspondent leur registre limité. Ce recueil fournit dumatériel supplémentaire indispensable qui complète n’importe quelle méthode pédagogique et inclut un accompagnement pour piano ainsi qu’une version sur CD avec démos.
SKU: MA.EMR-55026
I. Skalitz 1403 / II. Talmberg & Lady Stephanie / III. Sigismund's Army At The Gates / IV. Losing Father's Sword & Parents Theme / V. Fist Fight / VI. Rattay / VII. Good Luck Son / VIII. Millers Theme / IX. Town Square / X. The River Sassau Theme...
SKU: CY.CC3136
ISBN 9790530111055. 8.5 x 11 in inches.
This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
SKU: CY.CC2144
The Skye Boat Song, among the most popular of all Scottish folk tunes, deals with the flight of Bonnie Prince Charlie (Charles Edward Stewart) from Scotland to the Isle of Skye in 1746, after having been defeated on Culloden Moor by the English Army of King George II. The present setting, for either Tenor or Bass Trombone and Piano, is mostly lyrical and passes through a series of episodes that evoke watery images in various ways. A stormy episode which superimposes a more martial tune (relying heavily on the familiar scotch snappy rhythm) against a variation of the original folk tune leads to brief quotations from Mendelssohn's Hebrides overture (the Isle of Skye is part of the group of islands known as the Hebrides) before a short recapitulation of the theme.
SKU: MA.EMR-44991
Scotland / Fleas Jumping / There Is A Green Hill Far Away / Cadet Rousselle / Dangerous Liaisons / Sadness / Toys' Procession / Home On The Range / The Blue Danube / Can-Can / Farther and Farther / Going Up / The King of Sliding / Swanee River...
SKU: MA.EMR-44979
SKU: CY.CC2853
The Intermezzo & Farandole are both from the 2nd L'Arlesienne Suite arranged by Guiraud in 1879, four years after Bizet's untimely death.The Intermezzo is slow and powerful, whereas the Farandole, which incorporates the theme from the March of the Kings is fast and bouncy.Mr. Sauer's arrangement is a joy to perform. The 6-minute suite of two movements is appropriate for moderately advanced performers.
SKU: MA.EMR-56847
Possible instrumentations:Trombone & CD Play Back / Play AlongTrombone & Piano (+ CD Play Back / Play Along optional)Trombone & Piano or CD Play Back / Play Along.
SKU: MA.EMR-56846
Possible instrumentations:Alto Trombone & CD Play Back / Play AlongAlto Trombone & Piano (+ CD Play Back / Play Along optional).
SKU: CY.CC2773
A wonderful collection of Traditional Christmas Carols in a jazz style for Trombone and Piano arranged by British arranger and Trumpeter, Keith Terrett. The Carols included are: Ding Dong Merrily On High, Silent Night, We Three Kings, Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas. The Trombone part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is moderate. Mr. Terrett makes use of different mutes for a wide range of colors.
SKU: CY.CC2709
--Four Pieces from Opus 11 arranged for Trombone and Piano by Ralph Sauer are originally from a group of seven pieces for solo Piano written between 1917 and 1918, except for movement 3, Il pleure dans mon coeur comme il pleut sur la ville (It rains in my heart like it rains in the city) from 1910.--The writing is very expressive and dark, possibly evoking the mood of Europe in the throes of great upheavals and the Great War.--About 12 minutes in length, these four movements are appropriate for advanced performers.
SKU: CY.CC2543
Granados was a Spanish composer whose music had the unique style of his homeland burned into his soul. He was also a very talented painter in the style of Goya.
The Two Dances, 1. Oriental and 2. Fandango are taken from the 12 danzas espanolas, volume I from 1890, for Piano.
Mr. Sauer has brilliantly taken the solo Piano part and divided it between solo Trombone and Piano.
Trombonists will enjoy working on this style of Spanish Nationalist music of which there is none in the solo repertoire.
The Two Dances (in tenor clef) are about 6 1/2 minutes in length and can be performed by advanced musicians.
The mp3 sample is an excerpt of the Bass Trombone version taken from a live performance at the 2012 Academy of the West Festival performed by David Hagee and Luis Ortiz, Pianist.
SKU: CY.CC2356
Charles Ives was one of the first American composers to gain international recognition, although most of his music was unperformed during his lifetime.
SKU: HL.48182764
UPC: 888680870881. 11.0x14.0x0.07 inches.
Rene Berthelot: Le Roi Renaud, Variations (Trombone & Piano).
