SKU: BT.DHP-1196087-401
ISBN 9789043157254. English-German-French-Dutch.
Fortuna for trumpet and piano came about as a commission by the Belgian trumpeter Manu Mellaerts. The title of the work refers to the goddess Fortuna of Roman mythology, who represents fate and fortune. The composition is characterised by its modern but by no means avant-garde tonal language, with which composer Jan Hadermann creates a wide variety of musical expression. This, together with its playing time of some nine minutes, makes Fortuna an ideal examination work for the conservatory-level student.Fortuna voor trompet en piano is in opdracht van de Belgische trompettist Manu Mellaerts geschreven. De titel verwijst naar de Romeinse godin Fortuna, die in de mythologie staat voor het (nood)lot. Het stuk wordt gekenmerkt door een moderne maar niet avant-gardistische stijl, waarmee componist Jan Hadermann een weidse variatie aan muzikale expressie aanboort. Hierdoor en door de speelduur van circa negen minuten past Fortuna perfect in het examenprogramma van de conservatoriumstudent.Fortuna für Trompete und Klavier entstand im Auftrag des belgischen Trompeters Manu Mellaerts. Der Titel des Stückes verweist auf die römische Göttin Fortuna, welche mythologisch für das Schicksal steht. Die Komposition zeichnet sich durch ihre moderne, jedoch nicht avantgardistische Tonsprache aus, mit der der Komponist Jan Hadermann eine große musikalische Ausdrucksvielfalt realisiert. Dadurch sowie aufgrund seiner Spieldauer von etwa neun Minuten ist Fortuna ein ideales Examenswerk für Hochschulstudenten.Fortuna pour trompette et piano est une œuvre commandée par le trompettiste belge Manu Mellaerts. Le titre de la pièce fait référence la déesse romaine Fortuna, incarnation du destin dans la mythologie romaine. Cette composition se distingue par le langage musical, moderne sans être avant-gardiste, gr ce auquel le compositeur Jan Hadermann lui confère une grande expressivité musicale sous diverses formes. Formant un total d’environ neuf minutes, ces qualités font de Fortuna une pièce d’examen idéale pour les élèves des conservatoires.
SKU: BR.MR-2239A
ISBN 9790004487877. 9 x 12 inches.
There are two known manuscript sources for the present edition of this sinfonia avanti l'opera. In the Dean and Chapter Library of Durham Cathedral it appears as the twelfth, and last, piece in a collection of late seventeenth-century Italian instrumental music. No composer is given and identification was only possible following the discovery, in 1993, of a concordant source in the Biblioteca Estense, Modena, where the work appears as the sinfonia to Perti's opera L'Inganno scoperto per Vendetta, first performed in Venice as part of the 1690/1 season.It is sometimes hard to ascertain the original functional purpose behind many of the trumpet works written by composers of the Bolognese school as it would appear that some were used as sonate da chiesa, to celebrate mass in the basilica of San Petronio, Bologna, whilst also serving as operatic sinfonie. To confuse the issue further, there are several instances of composers 'borrowing' each other's works: for example, it has recently been discovered that the Torelli trumpet sinfonia a 4 catalogued as G4 in Giegling was used as the overture to Perti's opera Nerone fatto Cesare (1693). So far as the present edition is concerned, however, stylistic considerations would appear to confirm that the work is indeed by Perti and that it was originally conceived as the overture to L'Inganno scoperto per Vendetta. A couple of clues hint at a secular raison d'etre: the Durham source is marked Serenatto (presumably a corruption of serenata, a term often used in lieu of sinfonia) and the last movement of the Modena source is marked Menuet, a term more often associated with sonate da camera than with works of ecclesiastical provenance.Both the Modena and Durham sources for the present edition are virtually note-perfect and occasional inaccuracies were easily corrected by comparing the sources with each other and with the part-books in Durham. Whilst the Modena source lacks the second violin part in the outer movements it contains fuller dynamic markings and tempi indications than the Durham source and these have been followed in the present edition with no editorial additions. Notation has been modernised and, in the piano reduction edition, right-hand arpeggio-figurations rendered more pianistic. Parts are provided for trumpet in D and B flat. I am grateful to the Dean and Chapter of Durham and to the Biblioteca Estense, Modena, for providing microfilm of the manuscripts. I should also record my thanks to Keith Wright for realising the figured-bass which appears in the full-score edition.Mark Latham, Brancepeth Castle, June 1997.
SKU: BT.DHP-1196138-404
ISBN 9789043157483. Spanish.
Hoy en d a, Escuchar, leer & tocar es el manual de referencia en la enseñanza de los instrumentos de viento metal y viento madera. Estos magn ficos paquetes de libros y CD de metodolog a para principiantes contienencanciones, acertijos musicales y juegos para aumentar la comprensión de la música por parte de los alumnos, información sobre los instrumentos y muchas piezas divertidas para tocar. Los tres volúmenes del método que constituyenlos primeros de la serie, están acompañados por otros libros que contienen material complementario acordes al nivel correspondiente.
En el Libro de ópera, arias famosas, coros y oberturas se organizan en orden crecientede dificultad y se pueden utilizar junto con los tres volúmenes de la serie Escuchar, leer & tocar. Están recopiladas algunas de las melod as más hermosas jamás escritas para ópera, acompañadas de comentarios históricos queayudan a entender el contexto de las obras. La presente edición incluye partituras de acompañamiento de piano de moderada dificultad, grabadas y disponibles para ser utilizadas tanto on line como para ser descargadas.
SKU: HF.FH-2050
ISBN 9790203420507. 9 x 12 inches.
1. Marsch (Carl Philipp Emanuel Bach); 2. Allegro (W. Babell); 3. Minuetto (Joseph Haydn); 4. Menuett (Johann Sebastian Bach); 5. Bourree (J. d. Saint-Luc); 6. Menuett (Wolfgang Amadeus Mozart); 7. Walzer - Menuett (Wolfgang Amadeus Mozart); 8. Bourree (J. Christoph Graupner); 9. Allemande (Jospeh Haydn); 10. Bourree (Johann Ludwig Krebs); 11. Sarabande (J. B. Lully); 12. Tanz und Nachtanz (Anonymus); 13. Menuett (Johann Ludwig Krebs); 14. Allegretto (Jan Baptist Vanhal); 15. Marsch (D. G. Turk); 16. Gavotte (Georg Friedrich Handel); 17. Allegro (Georg Philipp Telemann); 18. Allegretto (Henry Purcell); 19. Cibel (J. B. Loeillet); 20. Contredanse (Anonymus); 21. Rondo e Saltarello (Tilman Susato); 22. Andante (P. I. Tschaikowski); 23. Sarabande (Arcangelo Corelli); 24. Bourree (Johann Philipp Krieger).
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