| Classics Meet Jazz - Volume 2 Piano solo [Sheet music + CD] Schott
(14 Famous Classical Pieces (Original Version Jazzy Arrangement)). By Various....(+)
(14 Famous Classical Pieces (Original Version Jazzy Arrangement)). By Various. Arranged by Uwe Korn. Piano Collection. Softcover with CD. 80 pages
$31.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Classics Meet Jazz: 10 Jazz Fantasies on Classical Themes for Flute and Piano Flute and Piano [Sheet music + CD] Schott
Arranged by Uwe Korn. Woodwind Solo. Softcover with CD. Schott Music #ED2224...(+)
Arranged by Uwe Korn.
Woodwind Solo. Softcover with
CD. Schott Music #ED22249.
Published by Schott Music
$23.99 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| Classics Meet Jazz Flute and Piano Schott
Book/Media Online Flute; Piano Accompaniment (Flute/Piano) SKU: HL.49046942(+)
Book/Media Online Flute; Piano Accompaniment (Flute/Piano) SKU: HL.49046942 10 Jazz Fantasies on Classical Themes Flute and Piano BOok/Media. Composed by Uwe Korn. Woodwind Solo. Classical, Jazz. Softcover Media Online. 88 pages. Schott Music #ED22249D. Published by Schott Music (HL.49046942). ISBN 9783795718749. UPC: 196288087311. 9.0x12.0x0.224 inches. The fact that classical music and jazz are not mutually exclusive is proven by the new volume in the popular series by Uwe Korn: Forthe tune book, 10 classical themes have been carefully arranged for flute and piano and made into jazz pieces for two. Great fun to play. Downloadable audio tracks included (code printed inside). $23.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Classics Meets Jazz for Piano Piano solo [Sheet music + CD] Schott | | |
| Tango Meets Jazz Piano solo [Sheet music + CD] - Intermediate Schott
(10 Favorite Classical Tangos). Arranged by Uwe Korn. For Piano. Schott. Book wi...(+)
(10 Favorite Classical Tangos). Arranged by Uwe Korn. For Piano. Schott. Book with CD. 80 pages. Schott Music #ED20878. Published by Schott Music
$28.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Winnette Meets Bradley Jazz Ensemble - Intermediate/advanced Kjos Music Company
Band jazz band - Grade 4 SKU: KJ.ZB375 Composed by Dean Sorenson. Jazz En...(+)
Band jazz band - Grade 4 SKU: KJ.ZB375 Composed by Dean Sorenson. Jazz Ensemble Signature Series. Jazz. Score and set of parts. Neil A. Kjos Music Company #ZB375. Published by Neil A. Kjos Music Company (KJ.ZB375). UPC: 8402701948. An instant classic! This straight-ahead swing tune has something for each section in the ensemble: solos for sax, trumpet, and bass; a tasty trombone and bass break; and superb ensemble writing. Combined with Sorenson's unique sense of melody and consummate arranging skills, this chart is a must-have for your next concert! $48.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Chor-Express Volume 6 Choral SATB SATB, Piano Schott
SATB and Piano Choral; Piano Accompaniment (SATB with Piano) SKU: HL.49045960...(+)
SATB and Piano Choral; Piano Accompaniment (SATB with Piano) SKU: HL.49045960 Classical Meet Jazz: 4 Classical Themes in Jazzy Arrangements SAT. Edited by Bernd Frank. Choral Collection. Classical. Softcover. 24 pages. Schott Music #ED20098. Published by Schott Music (HL.49045960). 'Classic meets Jazz' is a welcome theme for many choirs, especially if the choir wants to rehearse a varied repertoire representing many styles. In these arrangements based on works by Bach (Minuet), Brahms (Wiegenlied), Schumann (Traumerei) and Susato (Rondo), different jazz styles such as Medium Swing, Ballad or Latin are used. $17.99 - See more - Buy online | | |
| Chor-Express Volume 7 Choral SATB SATB, Piano Schott
SATB and Piano Choral; Piano Accompaniment (SATB with Piano) SKU: HL.49045961...(+)
SATB and Piano Choral; Piano Accompaniment (SATB with Piano) SKU: HL.49045961 Classical Meets Jazzy 2: 3 Classical Themes in Jazzy Arrangements SATB and Piano. Edited by Bernd Frank. Choral Collection. Classical. Softcover. 52 pages. Schott Music #ED20099. Published by Schott Music (HL.49045961). For many choirs, 'Classic meets Jazz' is a welcome theme, especially if a choir wants to learn and rehearse a stylistically wide-ranging repertoire. These arrangements which are based on works by Schubert (serenade 'Leise flehen meine Lieder'), Brahms (Intermezzo Op. 118/6) and Chopin (Nocturne Op. 9/2) use several jazz styles such as swing, bossa nova and jazz waltz. Content text: Serenade (F. Schubert: Leise flehen meine Lieder) I'm free (J. Brahms: Intermezzo op. 118/6) Amelie's Lullaby (F. Chopin, Nocturne op. 9/2). $17.99 - See more - Buy online | | |
| Meet The Great Jazz Legends - Book Musical course - Solfege Alfred Publishing
Meet the Great Jazz Legends. (Short Sessions on the Lives, Times and Music of th...(+)
Meet the Great Jazz Legends. (Short Sessions on the Lives, Times and Music of the Great Jazz Legends). By Ronald C. McCurdy. Classroom/Pre-School; General Music and Classroom Publications; Reproducible. Jazz. Book. 72 pages. Published by Alfred Music Publishing
$14.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Meet the Great Jazz Legends Alfred Publishing
(Short Sessions on the Lives, Times & Music of the Great Jazz Legends (Deluxe Cl...(+)
(Short Sessions on the Lives, Times & Music of the Great Jazz Legends (Deluxe Classroom Kit)). By Ronald C. McCurdy. Classroom/Pre-School; General Music and Classroom Publications; Reproducible. Contemporary; Jazz. Book, CD & Reproducible Activity Sheets. 72 pages. Published by Alfred Music Publishing
$39.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A Love Supreme Big band [Score and Parts] - Advanced Jazz Lines Publications
Recorded by the Lincoln Center Jazz Orchestra. Arranged by Wynton Marsali...(+)
Recorded by the Lincoln Center Jazz Orchestra. Arranged by Wynton Marsalis. Jazz, Swing. Score and parts. Published by Jazz Lines Publications (JL.JLP-7420).
$150.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Classics Meet Jazz Vol 1 Piano Book/CD Arr Korn Piano solo Schott | | |
| Theremin's Journey Piano solo Doblinger
Piano SKU: DB.01-00681 Fur Klavier, Theremin und Electronica. Comp...(+)
Piano SKU: DB.01-00681 Fur Klavier, Theremin und Electronica. Composed by Gernot Wolfgang. Keyboard music. 19 pages pages. Doblinger Music Publishers #01-00681. Published by Doblinger Music Publishers (DB.01-00681). ISBN 9790012200284. Contemporary Classical meets Jazz Grooves.
Theremin's Journey is quite different. True, there is a piano - which plays bluesy, filmic, generally quite unmemorable music - but add in the theremin and pre-recorded electronics and the listener is off on a bizarre jazz meets sci-fi meets film-pop journey. The high-pitched spooky whine of the theremin is unmistakable, and unforgettable in small doses, as here; the work was in fact commissioned by Joanne Pearce Martin, who plays both theremin and piano. This track actually carries a 'health' warning on the cover: Crackles are part of the electronic track and are intentional: the CD is not defective! As it happens, the crackling is not particularly noticeable, and in general the electronics are atmospheric and additive in combination with the theremin. Especially the first and last two or three minutes of the 'journey' are really quite fascinating musically. (musicweb-international.com, May 2011) // Theremin's Journey places that curiously otherworldly instrument and piano in cheeky avant-garde tandem with electronic sonorities...(GRAMOPHONE, August 2011). $20.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Jazz Performer -- A Cool Christmas Piano solo - Intermediate/advanced Alfred Publishing
(Standards for Advanced Solo Piano). Arranged by Steve Calderone. For Piano....(+)
(Standards for Advanced Solo
Piano). Arranged by Steve
Calderone. For Piano. Book;
Piano Collection; Piano
Supplemental. Jazz Performer
Series. Christmas; Holiday
Pops; Jazz; Recital; Sacred;
Secular; Winter. Early
Advanced. 52 pages. Published
by Alfred Music
$13.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Meetin' Time Big band [Score and Parts] - Easy Sierra Music
By Benny Carter. Arranged by Benny Carter. Jazz Ensemble / Jazz Band. The Benny ...(+)
By Benny Carter. Arranged by Benny Carter. Jazz Ensemble / Jazz Band. The Benny Carter Big Band Series. Swing / Gospel. Grade 2. Score and set of parts. Published by Sierra Music
$55.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 50 Easy Contemporary Pieces for Fingerstyle Guitar Guitar Classical guitar [Sheet music + Audio access] - Intermediate Mel Bay
Adult Contemporary, Perfect binding. Jazz. Book and online audio. 92 pages. Me...(+)
Adult Contemporary, Perfect
binding. Jazz. Book and online
audio. 92 pages. Mel Bay
Publications, Inc #31004M.
Published by Mel Bay
Publications, Inc
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Triaela Guitar Classical guitar [Score] Lemoine, Henry | | |
| Stylistic Etudes for Trombone Carl Fischer
Chamber Music trombone SKU: CF.WF231 20 Original Etudes in a Variety o...(+)
Chamber Music trombone SKU: CF.WF231 20 Original Etudes in a Variety of Styles. Composed by Tom Brantley. Collection - Performance. With Standard notation. 48 pages. Carl Fischer Music #WF231. Published by Carl Fischer Music (CF.WF231). ISBN 9781491153314. UPC: 680160910816. Stylistic Etudes for Trombone was written for intermediateto advanced level trombonists, seeking to meet thedemands of the modern marketplace for performers. AsI often tell my students, it’s simply not enough to mastera single style and fake the rest. To make a living as aperformer, trombonists are expected to play many, manydifferent styles authentically. Classical performers studyhard and devote themselves to mastering the stylisticnuances of various eras, various composers, variousforms; jazz musicians seek to accurately reflect the stylesof everything from bar-room burlesque to Coltrane; hornbands in the funk, rock, ska and hip-hop idioms mustreflect attention to the details of their influences even asthey create new paths through popular music.This etude collection is an attempt to help studentsand their teachers work on the details associated withmastering each of these various styles.In order to perform with the correct feel, articulationand sound, trombonists must first get these concepts intheir head through diligent listening and then disciplinedpractice playing in every single style. The same wayorchestral players study the symphonic literature andexcerpts, or the way a professional jazz musician mightwork on chord changes in excruciating detail, a wellroundedtrombone player must master styles by listeningto and playing with great recordings. Most of the etudesin this book are based on styles from specific orchestralliterature, jazz standards and other styles such as NewOrleans’ funk music (Meters) or the music of JamesBrown and Tower of Power.One final note: some of these are hard. On purpose. Theseare not warm-ups that you can play through mindlesslyto get your face going. These are “study pieces†in the oldfashionedsense. They are designed to challenge you asa player, to make you a little uncomfortable. Some aretougher than others, of course, but none of them are easy.If you can play through each of these well, with greatmusicianship and impeccable technique, you will be anincredibly versatile instrumentalist and be able to secureperformance opportunities that are outside the comfortzone of many trombonists.Thanks for buying this book. I hope you enjoy workingthrough these, whether you’re a teacher, student,performer, or weekend warrior. I learned a lot by puttingthese together and I hope you find them useful and helpful. Stylistic Etudes for Trombone was written for intermediate to advanced level trombonists, seeking to meet the demands of the modern marketplace for performers. As I often tell my students, it’s simply not enough to master a single style and fake the rest. To make a living as a performer, trombonists are expected to play many, many different styles authentically. Classical performers study hard and devote themselves to mastering the stylistic nuances of various eras, various composers, various forms; jazz musicians seek to accurately reflect the styles of everything from bar-room burlesque to Coltrane; horn bands in the funk, rock, ska and hip-hop idioms must reflect attention to the details of their influences even as they create new paths through popular music.This etude collection is an attempt to help students and their teachers work on the details associated with mastering each of these various styles.In order to perform with the correct feel, articulation and sound, trombonists must first get these concepts in their head through diligent listening and then disciplined practice playing in every single style. The same way orchestral players study the symphonic literature and excerpts, or the way a professional jazz musician might work on chord changes in excruciating detail, a well-rounded trombone player must master styles by listening to and playing with great recordings. Most of the etudes in this book are based on styles from specific orchestral literature, jazz standards and other styles such as New Orleans’ funk music (Meters) or the music of James Brown and Tower of Power.How these etudes were conceived, composed and transcribed: The style or concept of the etude was thought out in my head and ear. I then improvised in that style and concept on my trombone, recording my efforts until I was satisfied with the etude. All along, my goal was to play the range of the instrument while emphasizing certain articulations, rhythms, range and, fundamentally, the intended style of the etude. The resulting etude was then transcribed by a terrific graduate student named Zach Bornheimer, who also works with many other classical and jazz composers as a copyist/arranger.Tips for working on the etudes: Seek out professional recordings that match the style of each etude to get a good idea of what the etude should sound like musically. My recording of each of these etudes is available for download and can be purchased online for a modest fee. Search for “Brantley Etudes†at either iTunes or CDBaby. Practice each etude very slowly and in segments as needed, using a metronome. Record yourself and listen for good technique, musicianship and authenticity of style with your sound, feel and articulations. Compare your own efforts to the sounds you’ve heard on recordings. Would you fit in that ensemble or band? If range is an issue, take certain notes or passages down or up an octave. Work on your fundamentals every day, including the techniques and skills needed for these etudes. Be patient! Small improvements every day result in big success over time. Always play with a wide dynamic range. Always play with line and direction. Always play with impeccable time as well as rhythm. Use a metronome to help with this. Always play in tune. You can work on this with a tuner as well as with drones. Play these for teachers, friends, peers and colleagues not only for their feedback but also for the experience of informal performance. An audience changes everything. Make music, listen to music, record yourself, play in public and have fun!One final note: some of these are hard. On purpose. These are not warm-ups that you can play through mindlessly to get your face going. These are “study pieces†in the old-fashioned sense. They are designed to challenge you as a player, to make you a little uncomfortable. Some are tougher than others, of course, but none of them are easy. If you can play through each of these well, with great musicianship and impeccable technique, you will be an incredibly versatile instrumentalist and be able to secure performance opportunities that are outside the comfort zone of many trombonists.Thanks for buying this book. I hope you enjoy working through these, whether you’re a teacher, student, performer, or weekend warrior. I learned a lot by putting these together and I hope you find them useful and helpful.Best wishes,—Tom Brantley. $18.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Four Jazz Portraits Piano solo University Of York Music Press
Piano SKU: BT.MUSM570365913 Composed by Sadie Harrison. Classical. Book O...(+)
Piano SKU: BT.MUSM570365913 Composed by Sadie Harrison. Classical. Book Only. 8 pages. University of York Music Press #MUSM570365913. Published by University of York Music Press (BT.MUSM570365913). English. Sadie Harrison wrote these jazzy miniatures especially for Helen Burford as a thank you for her performance of ..around and a round.. in 2014. Helen is renowned for her innovative programmes which combine jazz classics with new commissions and works by little known contemporary composers and these pieces celebrate this joyful approach to repertoire. The pieces are titled: I - Pavillion Ferris Stride (Fats Waller) II - Just air and water (Bill Evans) III - Erroneous Monkish (Thelonius Monk) IV - Boogie Woogie Barcarolle (Albert Ammons) Duration: c. 6 minutes Four Jazz Portraits was premiered by Helen at the Brighton Fringe Festival on 10th May 2015 at the Friend s Meeting House,Brighton. $15.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Classic Drum Solos and Drum Battles - DVD Drums [DVD] Hudson Music | | |
| Élégie Guitar Classical guitar - Intermediate Doberman
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522). ISBN 9782897963026. Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France. Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis. Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO. Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique. Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même. Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après. Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme. Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français ! Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas. Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.
Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France. We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA. After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department. In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music. Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself. He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter. Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French! Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas. His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Elena Riu's RandB Collection Piano solo [Sheet music + CD] Boosey and Hawkes
(17 Contemporary Piano Pieces Inspired by RandB With a CD of Performances). By V...(+)
(17 Contemporary Piano Pieces Inspired by RandB With a CD of Performances). By Various. Edited by Elena Riu. BH Piano. Book with CD. 48 pages
$26.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Creative Variations Volume 1
This collection of tuneful and engaging pieces ranges from Grades 1-5 in stan...(+)
This collection of tuneful and engaging pieces ranges from Grades 1-5 in standard and is an ideal introduction to developing improvisation. Designed espeically to help the classically trained musician who is nervous abouttrying to improvise jazz. This great book should help to allay those fears. This book also includes a CD which features short and fairly simple performances, allowing you to copy and learn whilst you play
$28.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| La Historia De Honduras Guitar Classical guitar [Sheet music + CD] Imagine Music
By Michael Patilla. For solo guitar with CD. Book and CD. Published by Imagine M...(+)
By Michael Patilla. For solo guitar with CD. Book and CD. Published by Imagine Music
$30.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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