| Ferdinand David: Concertino, Op. 4
Trombone and Piano [Set of Parts] Carl Fischer
Composed by Ferdinand David, arranged by Robert Mueller. Set of performance part...(+)
Composed by Ferdinand David, arranged by Robert Mueller. Set of performance parts for trombone solo and piano accompaniment. Eb Major. 26 pages. Published by Carl Fischer.
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| Concertino in Eb major Op. 5 Breitkopf & Härtel
Trombone and 1 other inst. (solo: B-tbne - 2(picc).2.2.2 - 2.2.0.0 - timp. str) ...(+)
Trombone and 1 other inst. (solo: B-tbne - 2(picc).2.2.2 - 2.2.0.0 - timp. str) SKU: BR.EB-33001 Urtext. Composed by Christian Gottlieb Muller. Edited by Nick Pfefferkorn. Arranged by Gunter (KA) Ludwig. Solo instruments; stapled. Edition Breitkopf. Romantic period. Piano reduction. 32 pages. Duration 15'. Breitkopf and Haertel #EB 33001. Published by Breitkopf and Haertel (BR.EB-33001). ISBN 9790004186800. 9 x 12 inches. The present Concertino in E-flat major , Op. 5, was composed especially for the Leipzig trombone virtuoso Carl Traugott Queisser (1800-1846), to whom the work is also dedicated. The Concertino was first reviewed by the critic Gottfried Wilhelm Fink (1783-1846) in the Leipzig Allgemeine Musikalische Zeitung (AMZ), issue no. 38, September 1832. The critic discussed the work in detail, calling it a milestone of the trombone literature, ... its public performance should thus be determined by only true masters. The rest, however, may wish to utilize it, in silence, that is not overheard by expectant listeners, to strive with it to strengthen their powers.... The Concertino 's premiere can be dated to 1828, with Queisser himself as soloist, and the composer conducting. Queisser repeatedly performed the Concertino up to 1843. The work was published under catalogue number 5227 in 1832 by Breitkopf & Hartel. Sometime in the 1940s the work was lost to sight and no performances known to come from then. Together with the Concertino , Op. 4, later composed by Ferdinand David, Muller's contribution to this genre is among the most often played and most demanding of the trombone literature. The score includes, besides a preface detailing the work's genesis and reception history, also facsimile pages to round out the edition. You may browse our piano vocal score here. $27.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Concerto in E Major Trumpet Carl Fischer
Chamber Music Piano, Trumpet SKU: CF.W2682 For Trumpet in E and Piano,...(+)
Chamber Music Piano, Trumpet SKU: CF.W2682 For Trumpet in E and Piano, S.49. Composed by Johann Hummel. Edited by Elisa Koehler. Set of Score and Parts. With Standard notation. 36+8 pages. Carl Fischer Music #W2682. Published by Carl Fischer Music (CF.W2682). ISBN 9781491144954. UPC: 680160902453. 9 x 12 inches. Key: E major. Edited by Elisa Koehler, Associate Professor and Chair of the Music Department at Goucher College, this new edition of Johann Nepomuk Hummel's Concerto in E Major for trumpet in E and piano presented in its original key. The concerto by Johann Nepomuk Hummel (1778–1837)holds a unique place in the trumpet repertoire. Like theconcerto by Joseph Haydn (1732–1809) it was written forthe Austrian trumpeter Anton Weidinger (1766–1852) andhis newly invented keyed trumpet, performed a few timesby Weidinger, and then forgotten for more than 150 yearsuntil it was revived in the twentieth century. But unlikeHaydn’s concerto in Eb major, Hummel’s Concerto a Trombaprincipale (1803) was written in the key of E major for atrumpet pitched in E, not E≤. This difference of key proved tobe quite a conundrum for trumpeters and music publishersin the twentieth century. The first modern edition, publishedby Fritz Stein in 1957, transposed the concerto down onehalf step into the key of E≤ to make it more playable on atrumpet in Bb, which had become the standard instrumentfor trumpeters by the middle of the twentieth century.Armando Ghitalla made the first recording of the Hummel in1964 in the original key of E (on a C-trumpet) after editinga performing edition in 1959 in the transposed key of E≤ (forBb trumpet) published by Robert King Music. Needless tosay, the trumpet had changed dramatically in terms of design,manufacture, and cultural status between 1803 and 1957, andthe notion of classical solo repertoire for the modern trumpetwas still in its formative stages when the Hummel concertowas reborn.These factors conspired to create confusion regarding thenumerous interpretative challenges involved in performingthe Hummel concerto according to the composer’s originalintentions on modern trumpets. For those seeking the bestscholarly information, a facsimile of Hummel’s originalmanuscript score was published in 2011 with a separatevolume of analytical commentary by Edward H. Tarr,1 whoalso published the first modern edition of the concertoin the original key of E major (Universal Edition, 1972).This present edition—available in both keys: Eb and Emajor—strives to build a bridge between scholarship andperformance traditions in order to provide viable options forboth the purist and the practitioner.Following the revival of the Haydn trumpet concerto, acase could be made that some musicians were influencedby a type of normalcy bias that resulted in performancetraditions that attempted to make the Hummel morelike the Haydn by putting it in the same key, insertingunnecessary cadenzas, and adding trills where they mightnot belong.2 Issues concerning tempo and ornamentationposed additional challenges. As scholarship and performancepractice surrounding the concerto have become betterknown, trumpeters have increasingly sought to performthe concerto in the original key of E major—sometimes onkeyed trumpets—and to reconsider more recent performancetraditions in the transposed key of Eb.Regardless of the key, several factors need to be addressedwhen performing the Hummel concerto. The most notoriousof these is the interpretation of the wavy line (devoid of a “tr†indication), which appears in the second movement(mm. 4–5 and 47–49) and in the finale (mm. 218–221). InHummel’s manuscript score, the wavy line resembles a sinewave with wide, gentle curves, rather than the tight, buzzingappearance of a traditional trill line. Some have argued that itmay indicate intense vibrato or a fluttering tremolo betweenopen and closed fingerings on a keyed trumpet.3 In Hummel’s1828 piano treatise, he wrote that a wavy line without a “trâ€sign indicates uneigentlichen Triller oder den getrillertenNoten [“improper†trills or the notes that are trilled], andrecommends that they be played as main note trills that arenot resolved [ohne Nachschlag].4 Hummel’s piano treatisewas published twenty-five years after he wrote the trumpetconcerto, and his advocacy for main note trills (rather thanupper note trills) was controversial at the time, so trumpetersshould consider all of the available options when formingtheir own interpretation of the wavy line.Unlike Haydn, Hummel did not include any fermatas wherecadenzas could be inserted in his trumpet concerto. The endof the first movement, in particular, includes something likean accompanied cadenza passage (mm. 273–298), a featureHummel also included at the end of the first movement ofhis Piano Concerto No. 5 in Ab Major, Op. 113 (1827). Thethird movement includes a quote (starting at m. 168) fromCherubini’s opera, Les Deux Journées (1802), that diverts therondo form into a coda replete with idiomatic fanfares andvirtuosic figuration.5 Again, no fermata appears to signal acadenza, but the obbligato gymnastics in the solo trumpetpart function like an accompanied cadenza.Other necessary considerations include tempo choicesand ornamentation. Hummel did not include metronomemarkings to quantify his desired tempi for the movements,but clues may be gleaned through the surface evidence(metric pulse, beat values, figuration) and from the stratifiedtempo table that Hummel included in his 1828 piano treatise,where the first movement’s “Allegro con spirito†is interpretedas faster than the “Allegro†(without a modifier) of the finale.6In the realm of ornamentation, Hummel includes severalturns and figures that are open to interpretation. This editionincludes Hummel’s original symbols (turns and figuration)along with suggested realizations to provide musicians withoptions for forming their own interpretation.Finally, trumpeters are encouraged to listen to Mozart pianoconcerti as an interpretive context for Hummel’s trumpetconcerto. Hummel was a noted piano virtuoso at the end ofthe Classical era, and he studied with Mozart in Vienna asa young boy. Hummel also composed his own cadenzas forsome of Mozart’s piano concerti, and the twenty-five-year-oldcomposer imitated Mozart’s orchestral gestures and melodicfiguration in the trumpet concerto (most notably in the secondmovement, which resembles the famous slow movement ofMozart’s Piano Concerto No. 21 in C Major, K. 467). $34.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concertino in Eb major Op. 5 [Score] Breitkopf & Härtel
Oother solo insts. and orchestra (solo: B-tbne - 2(picc).2.2.2 - 2.2.0.0 - timp....(+)
Oother solo insts. and orchestra (solo: B-tbne - 2(picc).2.2.2 - 2.2.0.0 - timp. str) SKU: BR.PB-33001 Urtext. Composed by Christian Gottlieb Muller. Edited by Nick Pfefferkorn. Orchestra; stapled. Partitur-Bibliothek (Score Library). Romantic period. Full score. 56 pages. Duration 15'. Breitkopf and Haertel #PB 33001. Published by Breitkopf and Haertel (BR.PB-33001). ISBN 9790004215821. 10 x 12.5 inches. The present Concertino in E-flat major, Op. 5, was composed especially for the Leipzig trombone virtuoso Carl Traugott Queisser (1800-1846), to whom the work is also dedicated. The Concertino was first reviewed by the critic Gottfried Wilhelm Fink (1783-1846) in the Leipzig Allgemeine Musikalische Zeitung (AMZ), issue no. 38, September 1832. The critic discussed the work in detail, calling it a milestone of the trombone literature, ... its public performance should thus be determined by only true masters. The rest, however, may wish to utilize it, in silence, that is not overheard by expectant listeners, to strive with it to strengthen their powers....The Concertino's premiere can be dated to 1828, with Queisser himself as soloist, and the composer conducting. Queisser repeatedly performed the Concertino up to 1843. The work was published under catalogue number 5227 in 1832 by Breitkopf & Hartel. Sometime in the 1940s the work was lost to sight and no performances known to come from then. Together with the Concertino, Op. 4, later composed by Ferdinand David, Muller's contribution to this genre is among the most often played and most demanding of the trombone literature. The score includes, besides a preface detailing the work's genesis and reception history, also facsimile pages to round out the edition. You may browse our piano vocal score here. $57.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Music for Occasional Services, vol. 4 [collection] Carus Verlag
Composed by Various. This edition: Paperbound. German title: Orgelmusik fur Kasu...(+)
Composed by Various. This edition: Paperbound. German title: Orgelmusik fur Kasualien. Collection. 144 pages. Published by Carus Verlag
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| Concertino in Eb major Trumpet, Piano Breitkopf & Härtel
Trumpet, piano SKU: BR.EB-8997 Urtext. Composed by Johann Georg Ba...(+)
Trumpet, piano SKU: BR.EB-8997 Urtext. Composed by Johann Georg Baptist Neruda. Solo instruments. Edition Breitkopf. Solo concerto; Baroque. Piano reduction. Duration 14'. Breitkopf and Haertel #EB 8997. Published by Breitkopf and Haertel (BR.EB-8997). ISBN 9790004187340. 0 x 0 inches. It is therefore not surprising that the concerto (due to the very high range of the concertante horn section) initially established itself as a trumpet concerto. Recent attempts with modern, high horns, however, allow a more approximate reproduction of the original. The present edition by the well-known trumpet player Ludwig Guttler takes both options into account. This concerto can be performed on both the E-flat as well as the B-flat trumpet. We recommend, however, performing it on the corno da caccia in high B-flat.
Neruda's most famous work was probably composed for the Dresden horn player Anton Joseph Hampel, who mastered the highly specialized art of clarino playing on the corno da caccia. $19.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Concertino for Clarinet in Bb and Orchestra Op. 26 in Eb-Major Clarinet [Book + CD] - Advanced Dowani
By C. M. von Weber (1762-1826). For Clarinet. DOWANI 3 Tempi Play Along - Clarin...(+)
By C. M. von Weber (1762-1826). For Clarinet. DOWANI 3 Tempi Play Along - Clarinet. Level: Advanced. Sheet Music with CD (3 Tempi Play Along). Published by Dowani International.
$19.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| WEBER Clarinet Concertino, op. 26, J109; BEETHOVEN Piano Trio No. 4, 'Street Song,' op. 11 Clarinet [Sheet music + Audio access] Music Minus One
Music Minus One Clarinet. Composed by Ludwig van Beethoven (1770-1827) and Carl ...(+)
Music Minus One Clarinet. Composed by Ludwig van Beethoven (1770-1827) and Carl Maria von Weber (1786-1826). Sheet music. Music Minus One. Classical. Softcover Audio Online. 12 pages. Music Minus One #MMO3204. Published by Music Minus One
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| Carl Maria von Weber: Concertino op. 26 for clarinet and orchestra Clarinet and Piano [Reduction] G. Henle
By Carl Maria von Weber. Edited by N, Gertsch. Clarinet. Pages: Score = VIII and...(+)
By Carl Maria von Weber. Edited by N, Gertsch. Clarinet. Pages: Score = VIII and 18 * Cl Part = 4 * Cl Part by C. Baermann = 5. Urtext edition-paper bound. Published by G. Henle.
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| Concertino No. 1 in F Major Clarinet and Piano [Sheet music + CD] Fentone Music
Clarinet and Piano - intermediate-adv SKU: HL.44005643 For clarinet an...(+)
Clarinet and Piano - intermediate-adv SKU: HL.44005643 For clarinet and piano. Composed by Jean-Baptiste Breval. Fentone Instrumental Books. Transcription. Book with CD. Composed 2005. Fentone Music #F 893. Published by Fentone Music (HL.44005643). UPC: 884088041137. 9x12 inches. International (more than one language). Concertino No. 1 in F major for cello and piano. In The Platinum Series this excellent piece has been published in an edition for clarinet. On the CD that comes with the book you will first hear the piano accompaniment alone, followed by the demo version with both clarinet and piano. It is of course more instructive and enjoyable to play with a live accompanist if you can, using the piano part that is also included. This piece is a great addition to the clarinet repertoire!
Een van de bekendste werken van Jean-Baptiste Breval is het Concertino No. 1 in F major voor cello en piano. Dit is voor The Platinum Series speciaal voor de klarinet bewerkt. Op de fantastische cd zijn eerst de pianobegeleidingente horen en vervolgens de schitterende demoversies - met klarinet en een live ingespeelde piano. Natuurlijk is het nog leerzamer en aangenamer om echt samen met een pianist te musiceren. Een aanwinst voor het klarinetrepetoire!
Das ursprunglich fur Cello und Klavier geschriebene Concertino Nr. 1 in F-Dur des franzosischen Komponisten Jean-Baptiste Breval. Das dreiteilige Werk setzt sich aus einem lebhaften Allegro, einem lyrischen, majestatischen Mittelteil und einem resoluten Allegretto zusammen. Anstelle des Pianisten kann auch zur beiliegenden CD gespielt werden, auf der neben der Begleitung auch eine vollstandige Demoversion zu horen ist.Die Reihe The Platinum Series enthalt bekannte klassische Werke fur verschiedene Instrumente, die nun verschiedenen Holzblasern zuganglich gemacht wurden und sich in ihrer neuen Form wunderbar als Konzertstucke eignen. Die CDs derPlatinum Series bieten Ihnen die Gelegenheit, zu einer schonen Begleitung, die live mit Klavier, Cembalo, Kammerensemble oder gar Sinfonieorchester eingespielt wurde, zu spielen. Auf der CD erklingen jeweils alle Begleitungen und Demo-Versionen. Die Stucke mit Basso continuo, der auf dem Klavier oder Cembalogespielt werden kann, enthalten jeweils eine separate Solo- und Cellostimme, sodass sie auch von einem Ensemble aufgefuhrt werden konnen. Alle sechs Ausgaben sind im Schwierigkeitsgrad mittelschwer - schwer.
La collection Platinum Series rassemble des œuvres classiques composees a l'origine pour divers instrument et idealement adaptees pour des instruments a vent de la famille des bois. Chaque ouvrage de cette collection est enrichi d'un compact disc (version integrale + accompagnement) d'une grande qualite musicale. Pour vous offrir un excellent confort de jeu, les accompagnements ont ete confies au piano, au clavecin, a un ensemble de musique de chambre et quelquefois meme a un Orchestre Symphonique. Les oeuvres avec basse continue (adaptee pour le piano ou le clavecin) disposent d'une partie soliste et d'une partie pour violoncelle separees afin de pouvoir constituer unensemble instrumental.
La collezione >The Platinum Series e sinonimo di alta qualita. Troverete le piu importanti pagine di musica trascritte per strumenti a fiato. Sul CD sono registrati dapprima l'intero brano col solista, e poi le sole basi musicali d'accompagnamento, realizzate con strumenti autentici che realizzano il basso continuo al clavicembalo. Da oggi potrete interpretare col saxofono le musiche di grandi compositori come Benedetto Marcello, oppure suonare al clarinetto la trascrizione del Concerto n.1 di Breval per violoncello. Per le composizioni da suonare in duo, troverete sul CD sia l'incisione completa del brano, che la sola seconda voce o il solo Basso continuo, cosi da potersuonare sia da soli che assieme ad un vostro amico. $23.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Carl Maria von Weber : Concerto for Bassoon and Orchestra Bassoon, Orchestra [Score and Parts] - Intermediate Baton Music
By Carl Maria von Weber (1786-1826) and Carl Maria von Weber (1786-1826). Arrang...(+)
By Carl Maria von Weber (1786-1826) and Carl Maria von Weber (1786-1826). Arranged by Roger Niese. For Bassoon and Concert Band. Grade 4. Full score and set of parts. Duration 20:00. Published by Baton Music . Full score and set of parts.
$233.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Carl Maria von Weber : Concertino for Clarinet in A-Flat Major, Op. 26 (Orch.) Clarinet [Set of Parts] Kalmus
Composed by Carl Maria von Weber (1786-1826). Masterworks; Solo; Solo Small Ense...(+)
Composed by Carl Maria von Weber (1786-1826). Masterworks; Solo; Solo Small Ensembles; Woodwind - B-flat Clarinet Solo. Kalmus Edition. Masterwork; Romantic. Part(s). 16 pages. Kalmus Classic Edition #00-K03936. Published by Kalmus Classic Edition
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| Concertino For Clarinet And Orchestra Op.26 Clarinet [Sheet music + CD] - Advanced Dowani
Clarinet - advanced SKU: BT.DOW-07505-400 E-flat Major / Mi bémol M...(+)
Clarinet - advanced SKU: BT.DOW-07505-400 E-flat Major / Mi bémol Majeur / Es-Dur. Composed by Carl Maria von Weber. Arranged by Jens Schlichting. Dowani 3 Tempi Play Along. Book with CD. Composed 2015. 20 pages. Dowani #DOW 07505-400. Published by Dowani (BT.DOW-07505-400). ISBN 9789043147538. English-German-French. The Concertino Op. 26 in E-flat Major by Carl Maria von Weber belongs to the standard repertoire of every clarinettist. This edition allows the player to work through the piece systematically with the CD at 3 different practice tempi withaccompaniment, including a full concert version as well. We hope you enjoy playing from our DOWANI 3 Tempi Play Along editions!
Het Concertino opus 26 in Es majeur van Carl Maria von Weber behoort tot het standaardrepertoire van iedere klarinettist. Deze uitgave geeft de leerling de mogelijkheid dit werk systematisch in te studeren met behulp van de cd, die drie verschillendeoefentempi met begeleiding omvat, evenals een volledige demoversie. We hopen dat je met veel plezier zult spelen uit onze DOWANI 3 Tempi Play Along-uitgaven!
Das Concertino in Es-Dur op. 26, von Carl Maria von Weber gehört zum Standardrepertoire jedes Klarinettisten. Die vorliegende Ausgabe bietet die Möglichkeit, das Werk systematisch und in drei verschiedenen Tempi mit CD-Begleitung zu erarbeiten.Außerdem beinhaltet die CD eine Konzertversion. Wir wünschen Ihnen viel Spaß beim Musizieren mit unseren DOWANI 3 Tempi Play Along-Ausgaben!
Le Concertino Op.26 en mi bémol Majeur de Carl Maria von Weber fait partie du répertoire de chaque clarinettiste. Cette édition permet au musicien de travailler systématiquement le morceau avec CD, sur trois tempos d’entraînement différents, quiinclut aussi une version de concert. Nous espérons que vous prendrez du plaisir jouer nos éditions « DOWANI 3 Tempi Play Along » ! $31.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Andante and Hungarian Rondo Bass Clarinet, Piano Alea Publishing
Composed by Carl Maria von Weber (1786-1826). Arranged by Dalton Ringey. For bas...(+)
Composed by Carl Maria von Weber (1786-1826). Arranged by Dalton Ringey. For bass clarinet and piano. Classical; romantic period. Solo part and piano reduction. 15 pages (score); 4 pages (part). Published by Alea Publishing
$12.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Concerto for Bassoon and Orchestra Concert band, Choral [Score] - Intermediate Baton Music
By Carl Maria von Weber (1786-1826). Arranged by Roger Niese. For Bassoon and Co...(+)
By Carl Maria von Weber (1786-1826). Arranged by Roger Niese. For Bassoon and Concert Band. Grade 4. Score. Duration 20:00
$40.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Concertino in G major Violin [Sheet music + CD] - Easy De Haske Publications
Violin - early intermediate SKU: BT.DHP-1084589-400 By Gunter Van Rompaey...(+)
Violin - early intermediate SKU: BT.DHP-1084589-400 By Gunter Van Rompaey. By Grazyna Bacewicz. De Haske Study and Play. Book with CD. Composed 2008. 20 pages. De Haske Publications #DHP 1084589-400. Published by De Haske Publications (BT.DHP-1084589-400). ISBN 9789043127110. 9x12 inches. English-German-French-Dutch. Grazyna Bacewicz (1909-1969) was de tweede vrouwelijke Poolse componist die in eigen land en daarbuiten bekendheid genoot. Dit eenvoudige concertino bruist van levenslust en is geschreven in een verantwoorde didactische opzet. Drieposities zijn vereist, maar alleen de basisvingerstanden zijn toegepast. Het eerste deel start energiek - het bevat veel noten maar ligt goed in de vingers. In het romantische tweede deel kan de violist zijn of haar lyrische kantlaten horen. Met een aangename drive voert het derde deel naar het slot via spectaculair klinkende loopjes - die echter gemakkelijk te spelen zijn. Succes verzekerd!Deze boeken zijn gemaakt binnen het Study & Play-concept,dat de leerling helpt om zijn/haar spel op een plezierige en verantwoorde manier te ontwikkelen. Bij elke uitgave onder deze noemer worden één of twee cd‘s meegeleverd die iets extra‘s toevoegen aan de studie-methode. In het gevalvan de onderstaande uitgaven bieden de cd‘s de mogelijkheid om te studeren in zowel het gewone tempo als een rustig oefentempo. De verzorgde set bestaat verder steeds uit een vioolpartij en pianopartij. De cd bevat tevens de begeleiding,waardoor een pianist niet beslist noodzakelijk is.
Gra¿yna Bacewicz (1909-1969) war nach Maria Szymanowska die zweite polnische Komponistin, die in ihrer Heimat und im Ausland berühmt wurde. Darüber hinaus war sie eine begabte Geigerin. Dieses geradlinige, dreisätzige Concertino sprudelt über vor Lebensfreude. Ein gut durchdachter pädagogischer Rahmen ist deutlich dahinter erkennbar. Drei Lagen sind erforderlich, aber es werden nur die grundlegenden Griffarten verwendet. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concertino Classico in D Major Op. 103b Violin Schott
Piano; Violin SKU: HL.49045156 For Violin and Strings. Composed by...(+)
Piano; Violin SKU: HL.49045156 For Violin and Strings. Composed by Bertold Hummel. This edition: Folding. Sheet music. String. Classical. Softcover. Composed 1999. Op. 103b. 16 pages. Duration 12'. Schott Music #VLB127. Published by Schott Music (HL.49045156). ISBN 9790001151658. 9.0x12.0x0.071 inches. Das Concertino classico fur Violine und Klavier oder Streicher von Bertold Hummel entstand im Sommer 1999 als sein Enkelkind Fabian auf der Geige gerade die erste Lage beherrschte. Die Idee war, beginnenden GeigerInnen ein kleines Violinkonzert zur Verfugung zu stellen, um die wenigen technischen Fertigkeiten musizierender Weise zu erproben. Je nach Gelegenheit kann es mit einem begleitenden Klavier, einem Streichquartett oder zusammen mit dem Schulorchester aufgefuhrt werden. Der Titel verrat schon, dass sich Hummel an Form und Tonsprache des klassischen Solokonzertes orientiert. In drei Satzen werden einfache, volkstumlich anmutende Themen vorgestellt und variiert. Eine grossere Kadenz im Allegro wird von Hummel - je nach Charakter des geigenden Kindes - nur ad libitum angeboten. Die kurze uberleitende Kadenz im Presto muss dagegen gespielt werden. Mit dem wehmutigen Finnischen Volkslied, das in der Elegie variiert wird, uberbruckte das Ehepaar Hummel gerne raumliche Entfernungen. $20.99 - See more - Buy online | | |
| Concerto G Major Op. 21, No. 3 - Intermediate Schott
Orchestra; Treble Recorder - intermediate to advanced SKU: HL.49001981 (+)
Orchestra; Treble Recorder - intermediate to advanced SKU: HL.49001981 Set of Parts. Composed by Joseph Bodin de Boismortier. Edited by Erich Doflein. This edition: Saddle stitching. Sheet music. Concertino (Chamber Orchestra). Classical. Set of choral parts. Composed 1728. Op. 21/3. 46 pages. Duration 11'. Schott Music #CON 30-70. Published by Schott Music (HL.49001981). ISBN 9790001021517. 9.0x12.0x0.151 inches. Treble recorder, violin (flute) and basso continuo. $56.00 - See more - Buy online | | |
| Concertino in E flat major Op. 26 Breitkopf & Härtel
Violin 1 (solo: clar - 1.2.0.2. - 2.2.0.0. - timp - str) SKU: BR.OB-4923-15(+)
Violin 1 (solo: clar - 1.2.0.2. - 2.2.0.0. - timp - str) SKU: BR.OB-4923-15 Urtext. Composed by Carl Maria von Weber. Edited by Gunter Hausswald. Stapled. Orchester-Bibliothek (Orchestral Library). Solo concerto; Romantic. Part. 4 pages. Duration 11'. Breitkopf and Haertel #OB 4923-15. Published by Breitkopf and Haertel (BR.OB-4923-15). ISBN 9790004325131. 10 x 12.5 inches. $6.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Concertino in C Major Oboe, Piano (duet) Kunzelmann
By Carl Maria von Weber. Edited by Kloecker. For oboe, piano. Published by Editi...(+)
By Carl Maria von Weber. Edited by Kloecker. For oboe, piano. Published by Edition Kunzelmann.
$18.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concertino in E flat Major, Op. 26 Orchestra [Study Score] Eulenburg
(Study Score). Composed by Carl Maria von Weber (1786-1826). For Orchestra (Scor...(+)
(Study Score). Composed by Carl Maria von Weber (1786-1826). For Orchestra (Score). Eulenburg Taschenpartituren (Pocket Scores). Study Score. 42 pages. Eulenburg Edition #ETP1205. Published by Eulenburg Edition
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| Concertino in E flat major Op. 26 Breitkopf & Härtel
Viola (solo: clar - 1.2.0.2. - 2.2.0.0. - timp - str) SKU: BR.OB-4923-19 ...(+)
Viola (solo: clar - 1.2.0.2. - 2.2.0.0. - timp - str) SKU: BR.OB-4923-19 Urtext. Composed by Carl Maria von Weber. Edited by Gunter Hausswald. Stapled. Orchester-Bibliothek (Orchestral Library). Solo concerto; Romantic. Part. 4 pages. Duration 11'. Breitkopf and Haertel #OB 4923-19. Published by Breitkopf and Haertel (BR.OB-4923-19). ISBN 9790004325155. 10 x 12.5 inches. $6.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Concertino For Clarinet And Orchestra Op. 26 Clarinet and Piano [Sheet music + Audio access] - Advanced Dowani
E-flat Major / Mi bémol Majeur / Es-Dur. Composed by Carl Maria von W...(+)
E-flat Major / Mi bémol Majeur
/ Es-Dur. Composed by Carl
Maria von Weber. Arranged by
Jens Schlichting. Dowani 3
Tempi Play Along. Book with
Part and Audio-Online.
Composed 2023. 20 pages.
Dowani #DOW 07505-404.
Published by Dowani
$30.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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