SKU: CL.032-4962-00
Have your beginning jazz band sounding great on a swinging holiday chart in no time! This bluesy version of Jingle Bells makes playing this chart a two for one deal, combining the need to prepare for those holiday concerts and assemblies, while providing the opportunity to teach the blues form to young jazz musicians. It’s also a perfect way for more experienced bands to open up and solo over the blues in their holiday concert. A chart your students will want to play year after year!
SKU: CL.032-4962-01
SKU: FJ.B1870
English.
Experience sheer bluesy delight with this skillfully-crafted arrangement of The Blue Danube waltz. This modern New Orleans take on the old Viennese classic will instantly connect with your audience while making 3/4 time and swing feel accessible for even the youngest players. Elvis may have left the building, but Strauss is in the house!
About FJH Beginning Band
Appropriate within the first year of instruction and beginning of the second year. Clarinets do not go above the break, and there is limited use of accidentals. Plenty of doublings in the lower voices. Grade 1.
SKU: FJ.B1870S
SKU: AP.47028S
UPC: 038081539867. English.
Beantown Blues Parade by Rick Hirsch is an upbeat New Orleans second-line groove for your young jazz band. Tempo is around 160 BPM, but it is very accessible. Written melodic solos for trumpet 1 (or section) and trombone 1 (or section) with easy brass ranges. A winner! (2:22).
SKU: CL.032-5002-00
Agent Undercover is a fun rock chart that will be the one your students ask to play again each and every year! Based around accessible blues licks, this is a great way to get your group playing quickly and with confidence. Bryce Newton’s experience with young jazz ensembles is evident in the scoring of this piece, and the solo section is written with young improvisers in mind, so that students can trade and begin improvising in small segments. Educational, and very fun!
SKU: CL.032-5002-01
SKU: PE.EP68488A
ISBN 9790300758909. English.
At the end of 1938, Jelly Roll Morton (1890-1941) returned to New York from his years in Washington, D.C. Recent publicity had made a comeback seem possible, and he hoped to recapture the prominent place in the jazz world that he had held in the 1920s. Still well known, though mainly as a New Orleans music pioneer, he understood that in order to be taken seriously as a contemporary artist, he needed to form a big band like those of his competition, such as Duke Ellington, Count Basie, Benny Goodman, and Tommy and Jimmy Dorsey. In the 1920s Morton's recordings and tours featured a ten-piece band following the first-generation big-band format. But in the late 1930s, larger groups were popular, so Morton assembled a conventional '30s band consisting of four saxophones, six brass, and four rhythm. The band was to open at the Golden Gate Ballroom in Harlem on April 17th, 1939, but on opening night Morton collapsed before going onstage. During his recuperation from the asthma and heart problems that dogged him, the band broke up, never to reassemble. Only six items written for that band's instrumentation are known to exist: Morton's arrangements of his own compositions -- Finger Breaker, GanJam, Good Old New York, Mister Joe, and Stop and Go -- and an arrangement, Mamies' Blues, by another artist. -- James Dapogny (Editor)
As an editor, Dapogny shows his customary sound musical scholarship and deep knowledge of Morton's style....The publishers are to be congratulated for bringing this fascinating work into the public domain, which throws a totally new light on 'Mister Jelly Lord.' Who knows what he would have achieved had he lived beyond his alleged 51 years? --Martin Litton, for JUST JAZZ (Feb 2011)
SKU: PE.EP68488
ISBN 9790300758893. English.
As an editor, Dapogny shows his customary sound musical scholarship and deep knowledge of Morton's style....The publishers are to be congratulated for bringing this fascinating work into the public domain, which throws a totally new light on 'Mister Jelly Lord.' Who knows what he would have achieved had he lived beyond his alleged 51 years?--Martin Litton, for JUST JAZZ (Feb 2011)
SKU: FJ.JE4118S
Get your hip-hop on with this new chart featuring an optional rap section (for soloist or group). Limited technical demands make this a very accessible piece for younger bands. The hip-hop groove alternates with swing passages, and there are many articulations provided to help achieve the correct style. A great piece for a refreshing change of pace, and sure to get your groove on!
About FJH Beginning Jazz Ensemble
Appropriate for first-year jazz ensembles. Playable with as few as 3 saxes, 2 trumpets, 1 trombone, and rhythm section. Pieces consist mostly of ensemble writing. Written solos are provided along with suggested parts for rhythm section and drum set. Guitar chord guide included. Grades 1 - 1.5
