SKU: HL.49001747

ISBN 9790001023610. UPC: 073999786873. 9.0x12.0x0.087 inches.

As to melody, harmony, string setting and particularly the treatment of the miniature form, the work of the sixteen-year-old Schubert shows all characteristics of the later master. It can be performed by string quartet, string quintet (with double bass) or string orchestra.

SKU: HL.278261

ISBN 9781540029614. UPC: 888680752972. 9x12 inches.

Program notes: “None But the Lonely Heart” is a song from Tchaikovsky's Six Romances, Op. 6 for voice and piano. The song is a setting in Russian translation of Goethe's poem “Nur wer die Sehnsucht kennt,” which has attracted many composers, most famously Franz Schubert. This is my second orchestration of music by Tchaikovsky, the first being Andante Cantabile from his String Quartet No. 1. I tried to make these transcriptions sound as if they had been orchestrated by the composer himself – as is also the case with my transcriptions of music by Rachmaninoff, Janácek, Bizet, and Revueltas. This is my natural tendency, following the spirit of the music. –José Serebrier.

SKU: HL.49041351

The work of Paul Hindemith is encyclopedic in nature. From the outset, he worked in all musical genres and devised several of his musical ideas and projects not as individual, self-contained works but as work cycles with different functional relationships. These contrasting pieces complement each other if experienced as part of the overall structure. Hindemith himself not only wanted a complete edition of his collected works but had begun planning it; at his death he left a detailed list of 'Unpublished pieces for an eventual complete edition'. The Complete Works contain all finished works in all extant versions, newly engraved for the edition. Sketches and fragments are published in appendices of the relevant volume, and are evaluated in the Introduction and Critical Commentary by the respective volume editor. Each volume contains a preface by the editorial directors and an introduction by the volume editor, delineating the genesis and performance history of the work, with authentic performance instructions, an evaluation of extant recordings by Paul Hindemith himself and a Critical Commentary. The Complete Works of Paul Hindemith are thus presented in a critical, scholarly edition which is equally appropriate for study and performance. Hindemith researchers will welcome the numerous first publications of works by the composer, and practical musicians will appreciate the newly prepared, philologically ordered performance material.