| Boosey and Hawkes Opera Anthology - Baritone/Bass Baritone voice, Piano Boosey and Hawkes
Composed by Various. Edited by Richard Walters. Boosey and Hawkes Voice. Opera...(+)
Composed by Various. Edited
by Richard Walters. Boosey and
Hawkes Voice. Opera.
Softcover. 258 pages.
Published by Boosey and Hawkes
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Pression Double Bass [Score] Breitkopf & Härtel
Double bass solo SKU: BR.EB-9268 Revised Version 2010. Composed by...(+)
Double bass solo SKU: BR.EB-9268 Revised Version 2010. Composed by Helmut Lachenmann. Arranged by Caleb Salgado. Solo instruments; Folder. Edition Breitkopf. Music post-1945; New music (post-2000). Score. Composed 1969/2010. 26 pages. Duration 9'. Breitkopf and Haertel #EB 9268. Published by Breitkopf and Haertel (BR.EB-9268). ISBN 9790004185681. 12 x 9 inches. This piece originated as an introduction to instrumental musique-concrete. In this sort of piece it is common for sound phenomena to be so refined and organised that they are not so much the results of musical experiences as of their own acoustic attributes. Timbres, dynamics and so on arise not of their own volition but as components of a concrete situation characterised by texture, consistency, energy, resistance.This does not come from within but from a liberated compositional technique. At the same time it implies that our customary sharply-honed auditory habit is thwarted. The result is aesthetic provocation: beauty denying habit.(Helmut Lachenmann),,Cette nouvelle edition est une invitation faite aux violoncellistes qui souhaiteraient redecouvrir leur instrument et la maniere de la faire sonner en realisant dessus un nouveau genre de polyphonie: une polyphonie d'actions. (Francois-Xavier Feron, Circuit, Heft 25, Juni 2015)CDs/LPs:Michael Bach CD cpo 999 102-2 Lucas Fels CD Montaigne Auvidis MO 782075 Walter Grimmer CD col legno WWE 31863 Taco Kooistra CD Attacca Babel 9369-1 Pierre Strauch CD Accord 202082 Michael Bach LP ABE ERZ 1003 Werner Taube LP ABE ERZ 1003ensemble phorminxCD WER 6682 2Michael M. KasperCD Michael M. Kasper rounds per minute, Ensemble Modern Medien, EMCD-006Michael Svoboda (trombone)CD Wittener Tage fur neue Kammermusik 2011Bibliography:Deltz, Eberhard: begegnung im grenzbereich. Zwei Werke von Helmut Lachenmann und Hideaki Yamanobe im Spiegel eines Haiku von Matsuo Basho, in: Neue Zeitschrift fur Musik 167 (2006), Heft 1, pp. 36-41.Feron, Francois-Xavier: Enjeux et evolution du systeme de notation dans ,,Pression pour un(e) violoncelliste de Helmut Lachenmann, in: Circuit, Heft 25, 2015, pp. 55-65.GoGwilt, Keir: Templates for Technique in Mantel and Lachenmann. Between Transcendence and Immanence, in: The Dark Precursor: Deleuze and Artistic Research. Band I: The Dark Precursor in Sound and Writing, hrsg. von Paulo de Assis und Paolo Giudici, Leuven: Leuven University Press 2017, pp. 105-113.Griffiths, Paul: ModernMusic and After, 3rd edition, Oxford University Press 2010, pp. 216-219.Handschick, Matthias: Musik als ,,Medium der sich selbst erfahrenden Wahrnehmung. Moglichkeiten der Vermittlung Neuer Musik unter dem Aspekt der Auflosung und Reflexion von Gestalthaftigkeit (= Schriften der Hochschule fur Musik Freiburg 3), Hildesheim u. a.: Olms 2015, dort pp. 161-167.Hiekel, Jorn Peter: Helmut Lachenmann und seine Zeit, Laaber: Laaber 2023, S. 169-172, 231-232.Jahn, Hans-Peter: simultan eine Erinnerung, in: Neue Zeitschrift fur Musik 167 (2006), Heft 1, pp. 12-15.Lessing, Wolfgang: Musizieren als Prozess. Zur didaktischen Dimension von Helmut Lachenmanns Pression, in: Musik inszeniert. Prasentation und Vermittlung zeitgenossischer Musik heute, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 46), Mainz u. a.: Schott 2006, pp. 73-83.ders.: Verweigerung von Gewohnheit. Instrumentaldidaktische Annaherungen an Pression von Helmut Lachenmann, in: Darstellen und Mitteilen. Ein Handbuch der musikalischen Interpretation, hrsg. von Ursula Brandstatter, Martin Losert, Christoph Richter und Andrea Welte, Mainz: Schott 2010, pp. 111-122.ders.: Interpretation, Verstehen und Vermittlung, in: Ans Licht gebracht. Zur Interpretation Neuer Musik, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 53), Mainz u. a.: Schott 2013, pp. 24-39.Mosch, Ulrich: Das Unberuhrte beruhren Anmerkungen zur Interpretation von Helmut Lachenmanns Werken Pression und Allegro sostenuto, in: Musik inszeniert. Prasentation und Vermittlung zeitgenossischer Musik heute, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 46), Mainz u. a.: Schott 2006, pp. 25-46.Musik als Bildkritik Gesprach zwischen Gottfried Boehm, Helmut Lachenmann und Matteo Nanni, in: Helmut Lachenmann: Musik mit Bildern? Hrsg. von Matteo Nanni und Matthias Schmidt (= eikones, hrsg. von Nationalen Forschungsschwerpunkt Bildkritik an der Universitat Basel), Munchen: Wilhelm Fink 2012, pp. 237-269.Neuwirth, Markus: Strukturell vermittelte Magie. Kognitionswissenschaftliche Annaherungen an Helmut Lachenmanns Pression und Allegro sostenuto, in: Musik als Wahrnehmungskunst. Untersuchungen zu Kompositionsmethodik und Horasthetik bei Helmut Lachenmann, hrsg. von Christian Utz und Clemens Gadenstatter (= musik.theorien der gegenwart 2), Saarbrucken: Pfau 2008, pp. 73-100.Orning, Tanja: The Polyphonic Performer. A Study of Performance Practice in Music for Cello Solo by Morton Feldman, Helmut Lachenmann, Klaus K. Hubler and Simon Steen-Andersen, Diss. Oslo 2014, Oslo: NMH-publikasjoner (mit DVD).Sparrer, Walter-Wolfgang: Wider den geolten Gleichlauf. Von der Notwendigkeit strukturierender Verfahrensweisen bei der Interpretation von Musik. Modell I: Kompositionen fur Violoncello solo von J. S. Bach, Isang Yun und Helmut Lachenmann, in: Musikalische Produktion und Interpretation, hrsg. von Otto Kolleritsch, Wien/Graz 2003 (= Studien zur Wertungsforschung, Band 43), pp. 75-100.Utz, Christian: Erinnerte Gestalt und gebannter Augenblick. Zur Analyse und Interpretation post-tonaler Musik als Wahrnehmungspraxis Klangorganisation und Zeiterfahrung bei Morton Feldman, Helmut Lachenmann und Brian Ferneyhough, in: Ans Licht gebracht. Zur Interpretation Neuer Musik, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 53), Mainz u. a.: Schott 2013, pp. 40-67.
World premiere: Como (Autunno musicale), September 30, 1970. $49.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Quintet in 3 Movements, Op. 26 Brass Quintet: 2 trumpets, horn, trombone, tuba [Set of Parts] Wiltshire Music/Cor Publishing Co.
Composed by A. Simon. Arranged by Walter Sear. For brass quintet. Parts. Publish...(+)
Composed by A. Simon. Arranged by Walter Sear. For brass quintet. Parts. Published by Wiltshire Music/Cor Publishing Co.
$10.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Historia der Auferstehung Jesu Christi SWV 50 Barenreiter
Soprano first voice, soprano second voice (1. Soprano (Choral voice), 2. Soprano...(+)
Soprano first voice, soprano second voice (1. Soprano (Choral voice), 2. Soprano (Choral voice)) SKU: BA.BA00242-96 Oster-Oratorium. Composed by Heinrich Schutz. Edited by Walter Simon Huber. This edition: urtext edition. Stapled. Single part. SWV 50. 3 pages. Baerenreiter Verlag #BA00242_96. Published by Baerenreiter Verlag (BA.BA00242-96). ISBN 9790006400959. 27 x 19 cm inches. $5.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Historia der Auferstehung Jesu Christi SWV 50 Barenreiter
Tenor Voice 1, Tenor Voice 2 (1. Tenor (Choral voice), 2. Tenor (Choral voice)) ...(+)
Tenor Voice 1, Tenor Voice 2 (1. Tenor (Choral voice), 2. Tenor (Choral voice)) SKU: BA.BA00242-98 Oster-Oratorium. Composed by Heinrich Schutz. Edited by Walter Simon Huber. This edition: urtext edition. Stapled. Single part. SWV 50. 4 pages. Baerenreiter Verlag #BA00242_98. Published by Baerenreiter Verlag (BA.BA00242-98). ISBN 9790006400973. 27 x 19 cm inches. $5.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Herr, unser Herrscher for two four part Choirs, five part Instrumental Accompaniment ad lib and Basso continuo SWV 27 Choral, Orchestra Barenreiter
Choir, Orchestra (2. Favoritchor / soloists' choir (SATB)) SKU: BA.BA02399-92...(+)
Choir, Orchestra (2. Favoritchor / soloists' choir (SATB)) SKU: BA.BA02399-92 Psalm 8. Composed by Heinrich Schutz. Edited by Walter Simon Huber. This edition: urtext edition. Stapled. Aus Psalmen Davids. Choral score. SWV 27. 6 pages. Baerenreiter Verlag #BA02399_92. Published by Baerenreiter Verlag (BA.BA02399-92). ISBN 9790006420889. 27 x 19 cm inches. About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$6.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Streichquartett Nr. 11 String Quartet: 2 violins, viola, cello [Score and Parts] Doblinger
String quartet SKU: DB.36-00126 Composed by Walter Kaufmann. Edited by Si...(+)
String quartet SKU: DB.36-00126 Composed by Walter Kaufmann. Edited by Simon Wynberg. Strings Chamber Music. Score and parts. Doblinger Music Publishers #36-00126. Published by Doblinger Music Publishers (DB.36-00126). ISBN 9790012208594. $41.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| 14 Preludes and Fugues Organ Schott
Organ SKU: HL.49004478 Organ. Composed by Johann Caspar Simon. Edi...(+)
Organ SKU: HL.49004478 Organ. Composed by Johann Caspar Simon. Edited by Rudolf Walter. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 32 pages. Schott Music #ED3877. Published by Schott Music (HL.49004478). ISBN 9790001046558. UPC: 073999867671. 12.0x8.75x0.428 inches. $21.99 - See more - Buy online | | |
| Herr, unser Herrscher' fur zwei vierstimmige Chore, funfstimmige Instrumental-Capella ad lib. und Basso continuo SWV 27 [Choral score] Barenreiter
(Capell-Chor (vokal)). By Heinrich Schutz (1585-1672). Edited by Walter Simon Hu...(+)
(Capell-Chor (vokal)). By Heinrich Schutz (1585-1672). Edited by Walter Simon Huber. For SSATB choir (2 Mixed Choirs: SATB/Orchestra). This edition: Stapled, Urtext edition. Stapled. Psalm no. 8 from Psalmen Davids . Choral score. SWV 27. Published by Ba Choral score
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| monstrueuse vecut dans le cadre Carus Verlag
Orchestra Viola solo, large ensemble in 6 groups: 1) Contrabass clarinet/Bass Cl...(+)
Orchestra Viola solo, large ensemble in 6 groups: 1) Contrabass clarinet/Bass Clarinet; 2) 2 Horns; 3) English Horn, Bassoon, Bassoon/Contrabassoon; 4) Oboe/English Horn, Violin, Cello, Contrabass; 5) 2 Trumpets, 2 Trombones, Tuba; 6) Clarinet/Bass Clarinet, Harp, SKU: CA.1632607 La memoire, fur viola solo and und big ensemble. Composed by Walter Feldmann. (r)MONSTRUEUSE VECUT DANS LE CADRE-. Study score. Composed 2002-2004. 74 pages. Duration 23 minutes. Carus Verlag #CV 16.326/07. Published by Carus Verlag (CA.1632607). ISBN 9790007108120. Language: all languages. Commissioned by the Ensemble Intercontemporain In 1989 I first discovered the writings of Anne-Marie Albiach. H II lineaires especially impressed me, on the one hand through the sensual presence of the words, and on the other hand, above all, through the spatial disposition of the typography. This is a form of writing which has nothing to do with all that has existed before it. This impression was the starting point for a creative work which has since become a kind of a project to which I will dedicate myself throughout my life. Since that time of my first discovery (in which hundreds of pages of sketches and a published excerpt of a score of a syntagma have been composed, namely << monstrueuse vecut dans le cadre >> la memoire) I have attempted to develop a new musical system that encompasses all the parameters of composition. All of these works which I have composed are independent from this enormous project, but at the same time they form the experimental laboratory for the all-encompassing musical system towards which I am working and developing: a new system of determining pitches, metre, dynamics, musical diction, manner of performance, etc. With << monstrueuse vecut dans le cadre >> la memoire it appears that the research for this project has been concluded. After the two large cycles << Les Georgiques >> on texts from Claude Simon and << Tristram Shandy >> from Laurence Sterne, both employing techniques from my work with Albiach's texts, I could finally compose this work, which was originally conceived for voice and 6 instrumental groups - the system was mastered, so to speak. Anne-Marie Albiach's establishes the genetic code for the piece, without the words having to be spoken.. Her text is, in the true sense of the word, measured from one syntagma (syntactical element), from one void (space) to another, and this results in temporal structures of ensemble texture. This is opposed to another texture, which is the temporal measurement of a recitation of the text by the author: her voice, using the range of her voice, is the viola solo - a recitation, in its unique individuality, on which the cold, typographical structure of the ensemble superimposed. Every time I read a text of Anne-Marie Albiach, it seems to me that she is saying that which I do. An extremely rare coincidence, like that with the violist Odile Auboin, the soloist, who I think works in the same manner and has the same approach to things. Score available separately - see item CA.1632600. $71.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Jauchzet dem Herren, alle Welt SWV 36 - Easy Barenreiter
2 Mixed choir-SATB (Mixed choirs (SATB) (2)) - Level 2 SKU: BA.BA00480 Co...(+)
2 Mixed choir-SATB (Mixed choirs (SATB) (2)) - Level 2 SKU: BA.BA00480 Composed by Heinrich Schutz. Edited by Walter Simon Huber. Stapled. Psalm no. 100. Choral score. SWV 36. 11 pages. Duration 9 minutes. Baerenreiter Verlag #BA00480_00. Published by Baerenreiter Verlag (BA.BA00480). ISBN 9790006402748. 27 x 19 cm inches. $8.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Historia der Auferstehung Jesu Christi SWV 50 Barenreiter
Alto first voice, alto second voice (1. Alto (Choral voice), 2. Alto (Choral voi...(+)
Alto first voice, alto second voice (1. Alto (Choral voice), 2. Alto (Choral voice)) SKU: BA.BA00242-97 Oster-Oratorium. Composed by Heinrich Schutz. Edited by Walter Simon Huber. This edition: urtext edition. Stapled. Single part. SWV 50. 3 pages. Baerenreiter Verlag #BA00242_97. Published by Baerenreiter Verlag (BA.BA00242-97). ISBN 9790006400966. 27 x 19 cm inches. $5.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Historia der Auferstehung Jesu Christi Voice Barenreiter
(Oster-Oratorium). By Heinrich Schutz (1585-1672). Edited by Walter Simon Huber....(+)
(Oster-Oratorium). By Heinrich Schutz (1585-1672). Edited by Walter Simon Huber. For Bass (Choir Voice). Single Part; Urtext Edition. SWV 50
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| Herr, unser Herrscher for two four part Choirs, five part Instrumental Accompaniment ad lib and Basso continuo SWV 27 Barenreiter
Choir, Orchestra (1. Favoritchor / soloists' choir (SATB)) SKU: BA.BA02399-93...(+)
Choir, Orchestra (1. Favoritchor / soloists' choir (SATB)) SKU: BA.BA02399-93 Psalm 8. Composed by Heinrich Schutz. Edited by Walter Simon Huber. This edition: urtext edition. Stapled. Aus Psalmen Davids. Choral score. SWV 27. 8 pages. Baerenreiter Verlag #BA02399_93. Published by Baerenreiter Verlag (BA.BA02399-93). ISBN 9790006420896. 27 x 19 cm inches. About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$6.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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