SKU: BA.BA11525
ISBN 9790260108868. 31 x 24.3 cm inches.
Pavel Haas was one of Leoš Janácek’s most gifted students. His String Quartet No. 2 “From the Monkey Mountains†is considered to be one of the first high points of his oeuvre.In this work, Haas combined elements of Janácek’s compositional technique with jazz, particularly in the fourth movement’s instrumentation for string quartet and percussion ad libitum. This version was premiered in Brno in 1926; later, the work was revised for string quartet only. For this edition Ondrej Pivoda has reconstructed the original version, bringing to light passages that were never published until now.This is the first critical edition of the work. It is based on all relevant sources, taking sketches of the final version of the score and contemporary performance material into account. It includes an extensive Foreword (Cz/Eng/Ger) as well as a Critical Commentary (Eng).
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: M7.SMP-1042
English.
As originally recorded by the great Charlie Mariano with the Stan Kenton Orchestra, this is a must-have solo feature for alto saxophone. Let your alto player (or trumpet ...... parts provided for either) shine on this popular standard, arranged by none other than Bill Holman.
SKU: BT.DHP-1125351-400
9x12 inches. Dutch.
Ze is jong en verlegen. Maar ook bijzonder talentvol én idolaat van een jurylid van een talentenshow op televisie… Dat is Julia, de hoofdpersonage van Idolaat! Tegen het decor van een talentenjacht (vrij naar X-factor, Idols en The Voice of Holland) ontspint zich in ongeveer een uur tijd een muzikaal verhaal over het meisje Julia dat door haar vriendinnen wordt aangemeld voor een talentenshow. Aansprekende thema’s voor de jeugd zoals vriendschappen, onzekerheid, populariteit, verliefdheid en roem spelen een belangrijke rol. Maar dat beroemdheid geen garantie is voor geluk, wordt ook duidelijk…Componist Jacob de Haan en tekstschrijver Joost Marsman schreven depopsical Idolaat! speciaal voor jongeren uit het voortgezet onderwijs. Een popsical is een muzikale (theater)productie waarin popliedjes het verhaal vertellen. SongbookIn dit songbook vind je alle liedjes uit Idolaat! De songs zijn voorzien van een uitgeschreven pianobegeleiding met akkoordschema. Het boek bevat ook een handige demo-cd. Daarop staan alle liedjes + de Idolaat!-tune. Gewoon een gave cd om naar te luisteren of om lekker mee te zingen!UitvoeringsmogelijkhedenJe kunt Idolaat! uitvoeren met een standaard popcombo, bestaande uit drums, basgitaar, gitaar en piano. Maar een voorstelling met een orkest is ook mogelijk. Voor een uitvoering zonder combo of orkest leveren we een speciale voorstellings-cd. Meer informatie? www.dehaske.com, www.popsicalidolaatwww.facebook.com/idolaat.
SKU: CL.029-0109-00
SKU: PR.144404550
UPC: 680160030859.
After finishing a serious woodwind quintet in the fall of 2001 [Tela Lacerata], I found, in the ensuing months, that its cinders/ashes were still impregnating my eardrums. Therefore, when I set out to write the present string piece, I realized that the musical veins of the quartet, like related cousins, were sharing the same blood as the earlier wind composition. The resultant Fifth Quartet evolved into two large, extended movements, each one containing seven parts that are played without pause. As the list of the various sub-sections clearly indicates, the formal structure of the movements appear to be identical: each with three main parts enveloped by interludes, plus an introduction and coda. However, the principal segments of the first (slow) movement gradually decrease in length, while those of the second (fast) movement increase. In addition, there is a goodly amount of sonic material stolen from the first movement which reappears -- stitched together in a new guise -- into the world of the second. for example, the bulk of Parts B and C of Movement II are lifted bodily, although elaborately modified, from their first appearances in the Introduction and Part A of the fist movement. This offers, I suppose at least a hint of a traditional recapitulation. As was true in the earlier woodwind piece -- both harmonically and melodically -- the embryonic growth of the musical fabric (primarily the tritone and perfect fifth) is omnipresent, almost obsessively, throughout the course of the whole work. These two intervals, not unlike plasticine, habitually transform themselves into the scales, chords, and melodic lines that pervade the texture of the quartet. Owing to the largely unrelieved dramatic flow, the shifting speed, and the often fervent intensity, the quartet places considerable demands on the dexterity, virtuosity, and stamina of the four performers. String Quartet No. 5 is approximately 22 minutes in duration and affectionately dedicated to my violinist wife Elizabeth, as a gift for our 47 years together. It was commissioned by the Corigliano String Quartet, New York, NY. -- Sydney Hodkinson.
SKU: BT.GOB-001015-010
Kaseko is vrolijke dansmuziek. Kaseko is ontstaan uit de traditionele Surinaams-creoolse kawina muziek. Kaseko heeft twee elementen van de kawina overgenomen: het zingen volgens roep- en antwoordpatroon (call and response) en hetgebruik van percussie-instrumenten. Het belangrijkste percussie-instrument is de skratsji (een grote trom uit Suriname met een bekken bovenop), die geeft het basisritme aan. De percussie-instrumenten worden aangevuldmet westerse popinstrumenten, zoals een elektrische gitaar, een basgitaar en een drumstel. Binnen de kaseko zijn er verschillende stijlen.
SKU: BT.GOB-001016-120
SKU: HL.44012347
UPC: 888680058715. English-German-French-Dutch.
Wind Sketches is a top quality concert work for wind band in three movements, inspired by the relationship between man and wind. Trade Winds, in the form of a march, is reminiscent of a shanty, conjuring up seafaring and the tradewinds. Becalmed, harmonically and melodically almost static, depicts the doldrums. All the more contrasting is Riding the Storm, which concerns the love-hate relationship of people to the winds that he needs and at the same times fears.
SKU: BT.GOB-001016-020
SKU: BA.BA09309
ISBN 9790006531059. 42 x 29.7 cm inches.
SKU: CA.5505319
ISBN 9790007145804. Text language: English/German.
Saul, published for the first time in the version conducted by Handel himself. Saul is one of the most dramatic of Handel's oratorios. To a greater extent than almost any other oratorio it reveals with its gripping dramatic power its proximity to opera of its time. The score demands what was at the time Handel's most varied orchestra. The normal opera orchestra of the day was augmented by trombones, harp, solo organ, carillon (Glockenspiel) and large kettledrums. The choir functions for the first time as a central participant in dramatic action, while also undertaking commentating functions as in a Greek tragedy. This new edition makes use for the first time of musical material revealed by the latest Handel research, based as its most important source on the conducting score from which Handel himself directed his performances. Only this research has shown which arias, choruses, recitatives and instrumental pieces, after he had made numerous corrections in his autograph, Handel chose for his performances, and in what order they were given. The result has produced, apart from many changes of details (e.g. autograph instructions concerning the use of the organ), uncommon ordering of individual pieces, and passages with altered notes. Score and parts available separately - see item CA.5505300.
SKU: CA.5505312
ISBN 9790007226589. Text language: English/German.
Saul, published for the first time in the version conducted by Handel himself. Saul is one of the most dramatic of Handel's oratorios. To a greater extent than almost any other oratorio it reveals with its gripping dramatic power its proximity to opera of its time. The score demands what was at the time Handel's most varied orchestra. The normal opera orchestra of the day was augmented by trombones, harp, solo organ, carillon (Glockenspiel) and large kettledrums. The choir functions for the first time as a central participant in dramatic action, while also undertaking commentating functions as in a Greek tragedy. This new edition makes use for the first time of musical material revealed by the latest Handel research, based as its most important source on the conducting score from which Handel himself directed his performances. Only this research has shown which arias, choruses, recitatives and instrumental pieces, after he had made numerous corrections in his autograph, Handel chose for his performances, and in what order they were given. The result has produced, apart from many changes of details (e.g. autograph instructions concerning the use of the organ), uncommon ordering of individual pieces, and passages with altered notes. Score and part available separately - see item CA.5505300.
SKU: CA.5505300
ISBN 9790007167639. Text language: English/German.
Saul, published for the first time in the version conducted by Handel himself. Saul is one of the most dramatic of Handel's oratorios. To a greater extent than almost any other oratorio it reveals with its gripping dramatic power its proximity to opera of its time. The score demands what was at the time Handel's most varied orchestra. The normal opera orchestra of the day was augmented by trombones, harp, solo organ, carillon (Glockenspiel) and large kettledrums. The choir functions for the first time as a central participant in dramatic action, while also undertaking commentating functions as in a Greek tragedy. This new edition makes use for the first time of musical material revealed by the latest Handel research, based as its most important source on the conducting score from which Handel himself directed his performances. Only this research has shown which arias, choruses, recitatives and instrumental pieces, after he had made numerous corrections in his autograph, Handel chose for his performances, and in what order they were given. The result has produced, apart from many changes of details (e.g. autograph instructions concerning the use of the organ), uncommon ordering of individual pieces, and passages with altered notes.
SKU: BT.DHP-1002090-401
ISBN 9789043110143. International.
Easy arrangements of well-known hits from artists including: Backstreet Boys, The Vengaboys, and R Kelly. Contains: Uh la la la, We’re Going to Ibiza, Macarena, I Want it That Way, Pache Rock, YMCA, If I Could Turn Back the Hands of Time, Colinda, Aura Lee, I Rely on You, The Rose, Big Big World, Stand By Me and Drumsticks. Binnen de kortste tijd speelt de pianist in de dop top-40-hits van wereldsterren als R. Kelly, de Vengaboys, Alexia en de Backstreet Boys.Leicht zu spielende Superhits von berühmten Popstars und Gruppen wie z. B. den Backstreet Boys, den Vengaboys und R. Kelly.
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