SKU: HL.49019919
ISBN 9790001195324. UPC: 840126938838. 9.0x12.0x0.085 inches.
The title goes back to the illustrated book 'Kamfu mir helfen?' by Dirk Schmidt & Barbara Schmidt. The charming story inspired the composer to write music which, according to tradition, is based on the seventh and second intervals, using the common string techniques such as scale, arpeggio, double stop and trill.Naske is one of the most successful female composers in the field of children's theatre. This is why there is a lot of theatricality combined with humour and irony in this virtuoso solo piece, which is also rewarding for viola and violoncello.
SKU: CA.2300403
ISBN 9790007240790. English/German. Text: Newman, John Henry.
This is the best of me, wrote Edward Elgar after the final measure of his Dream of Gerontius. Premiered in 1900, in Great Britain the work has long been a standard work in the repertoire of large oratorio choirs. Elgar's moving, poetic setting of the eponymous poem by Cardinal John Henry Newman is about a dying man and his journey beyond death to God. Before the eyes of the listeners, a musical image of the soul is created which flies past mocking demons to God with its protecting angel at its side, is allowed to look at God briefly, then faces the purgatory confident and comforted. The work is a real rarity in the history of oratorio, and for large choirs it is a thrilling alternative to the established repertoire of Requiem settings. Its popularity is thanks to the suggestive, often sensuous power of the music, the great choral scenes of the demons and the angels, and the three impressive solo parts.All previous editions were reprints based on the historic first printed materials, which are inconsistent. By contrast, Carus has produced a modern, newly-engraved edition, compatible in all sections, which takes all the sources into consideration and evaluates the autograph manuscript in detail. For this edition the complete orchestral material is available on sale, and the vocal score and full score contain both English and German singing texts. The full score is also available digitally.*,A milestone of late Romantic choral music, and a standard work in Great Britain*,First modern score with a full Critical Report and complete performance material- English and german singing texts
SKU: CA.2709603
ISBN 9790007187644. Language: Latin.
Gounod's Messe a la memoire de Jeanne d'Arc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles VII in 1429. Performed a cappella or only accompanied by an organ, vast stretches of the work are in an archaic style in the tradition of Palestrina. The royal procession into the cathedral is conveyed in the splendid Prelude at the beginning, which was performed at the premiere by eight trumpets, three trombones, and organ. In the performance material, the present edition also offers a version of the movement for piano and organ. For the Offertoire, Gounod composed a cantilena for violin and organ (or piano), which is also included in the edition, as a Vision of Jeanne d'Arc. Score available separately - see item CA.2709600.
SKU: FV.FUE-10407
ISBN 9790501827077.
In its technical development the first movement is modelled on the first movement of Beethoven’s String Quartet op. 18/1.
SKU: HL.14043633
ISBN 9781783054749. 12.0x16.5x0.52 inches.
Kaija Saariaho 'S Emilie Suite Was A Joint Commission By Carnegie Hall, New York City, Cite De La Musique, Paris, Luzerner Sinfonieorchester And Orchestre Philharmonique De Strasbourg. It Was First Performed On 30 November 2011 At Carnegie Hall By The Avanti! Chamber Orchestra Conducted By Hannu Lintu, With Elizabeth Futral (Soprano). The First Performance In Paris Took Place On 23 April 2013 At Cite De La Musique By The Avanti! Chamber Orchestraconducted By Ernest Martinez Izquierdo, With Barbara Hannigan (Soprano).
SKU: CA.2709648
ISBN 9790007239862. Language: Latin.
Gounod's Messe a la memoire de Jeanne d'Arc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles VII in 1429. Performed a cappella or only accompanied by an organ, vast stretches of the work are in an archaic style in the tradition of Palestrina. The royal procession into the cathedral is conveyed in the splendid Prelude at the beginning, which was performed at the premiere by eight trumpets, three trombones, and organ. In the performance material, the present edition also offers a version of the movement for piano and organ. For the Offertoire, Gounod composed a cantilena for violin and organ (or piano), which is also included in the edition, as a Vision of Jeanne d'Arc. Score and part available separately - see item CA.2709600.
SKU: CA.2709605
ISBN 9790007186289. Language: Latin.
SKU: CA.2709647
ISBN 9790007239855. Language: Latin.
SKU: HL.49019989
ISBN 9790001195089. 9.25x12.0x0.12 inches.
SKU: HP.1716
UPC: 763628017163. Isaiah 55:12, Luke 2:6-20, Philippians 2:10.
Popular Christmas Carol Key changes and techniques keep Kinyon's lively, joyful arrangement moving. The treble keep possession of the melody all the way through. A six-measure introduction, complete with a four note treble arpeggio and a hint of the melody, begins the piece. The bold fortissimo ending makes this carol a fitting selection for any Christmas service. Set in the keys of Eb Major, G Major, and C Major, this rendition is 88 measures.
SKU: CF.CM9791
ISBN 9781491164624. UPC: 680160923533. Key: D major. Swahili, English. Original.
Sing my soul, sing my heart. Sing for peace, sing for joy.                    There is so much love here, yes! Kuimba Nafsi Yangu is a celebratory song derived from common Swahili phrases for joy. Intended as a concert opener, this spirited piece is pure energy from start to finish. The piano and djembes drive the momentum forward while the choir sings in call and response. Each section gets a chance to shine, all while building with anticipation to the final note and stomp. Accents/articulations, vocal inflections, and three part chords call for vocal flexibility, rhythmic intensity, and movement from the singers. If desired, mm. 3 and 4 may serve as a vamp, while the performers enter from around the auditorium to take the stage.PronunciationKuimba nafsi yangu,                                                    [Koo-eehm-bah nahf-see yahn-goo,]                                Kuimba moyo wangu.                                                   [Koo-eehm-bah moh-yoh wahn-goo.]                               Kuimba kwa amani,                                                     [Koo-eehm-bah kwah ah-mah-nee,]                                 kuimba kwa furaha.                                                     [Koo-eehm-bah kwah foo-rah-ha.]                                     Sana upendo, sana mpenzi wangu.                                      [Sah-nah oo-pehn-doh, sah-nah mmpehn-zee-wahn-goo.]             Na wewe. Ey na wewe. Ndiyo.                                            [Nah way-way. Ay nah way-way. Nn-dee-yoh.]                             O hey na, hey na!                                                          [Oh hey nah, hey nah!] About the ComposerJacob Narverud (b. 1986) is an American Composer, Arranger, and Conductor. A native Kansan, Jake is the Founding Artistic Director of the Tallgrass Chamber Choir, a professional ensemble of musicians from across the Great Plains. Dr. Narverud is a frequent guest lecturer at universities and conferences and is the Editor of Santa Barbara Music Publishing, Inc. As a sought-after composer, Jake has been commissioned to write new works for over fifty choral organizations nationwide, as well as ensembles in Australia and Japan. Many of Narverud's pieces are publisher Best Sellers and are performed worldwide by choirs of all levels.Website: jnarverud.com        YouTube & Spotify: jacobnarverud  .
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