SKU: DB.01-00390

ISBN 9790012188902.

Boogie - Blues - Country - Samba - Reggae - Folk - Latin. Die stilistische und regionale Vielfalt dieser uberaus gelungenen und didaktisch wertvollen Sammlung sorgt fur abwechslungsreichen Klavierunterricht und Freude beim Uben! Wo geht's diese Woche hin - ans Mittelmeer (Turkei, Spanien,Italien), oder fahren wir nach Ungarn? Oder habt ihr Lust auf eine Fernreise nach Sudamerika (Bolivien, Peru, Venezuela, Ecuador, Argentinien), oder vielleicht in die Karibik nach Jamaika oder in die USA zu Blues, Boogie und Country Music? Auch Japan konnte man ja einmal in Betracht ziehen ... Und das beste: die ganze Weltreise mit dem Tastenglobus kostet nur ein wenig Ubungszeit und ist supergunstig!
1. Spuckendes Lama / 2. Jamaican Bassman / 3. Lied des Hausieres / 4. Takeda no Komuri Uta (Lied des Kindermadchens) / 5. Hillybilly Western Waltz / 6. San Juanito (H. Johannes-Tanz) / 7. Titicacasee-Express (mit dem Zug von Puno nach Cuzco) / 8. Der Blues vom weissesten Weiss / 9. Santa Claus is Coming (Uber ein Motiv von O du Frohliche) / 10. Szoke kis lany megy a kutra (Blondes Madchen geht zum Brunnen) / 11. Turkische Ansichtskarte / 12. Un perro con pulgas (Hund mit Flohen) / 13. Kingston Reggae Queen / 14. Fatty's Saloon Blues / 15. Give us power, give us peace / 16. Fast Food Boogie / 17. Copa Cagrana Samba / 18. Tingeltangel-Tango / 19. Schwarzfahrer-Blues / 20. Plitsch-Platsch-Boogie.

SKU: MB.30091

ISBN 9781513466378. 8.75 x 11.75 inches.

Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin? John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together.