| The Real Vocal Book - Volume 1 High voice [Fake Book] Hal Leonard
C Edition. By Various. Fake Book (Includes melody line and chords). Size 9x11 in...(+)
C Edition. By Various. Fake Book (Includes melody line and chords). Size 9x11 inches. 352 pages. Published by Hal Leonard.
(1)$45.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
|
| Reflections Piano solo Theodore Presser Co.
Scott Joplin Reconsidered. Composed by Scott Joplin (1868-1917). Edited by L...(+)
Scott Joplin Reconsidered.
Composed by Scott Joplin
(1868-1917). Edited by Lara
Downes. Collection. Theodore
Presser Company #440-40028.
Published by Theodore Presser
Company
$21.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
|
| Enterainment Songbook The 100 Great Songs From Hollywood, Broadway And Television Piano, Vocal and Guitar [Sheet music] - Intermediate Alfred Publishing
Edited by Carol Cuellar. Piano/Vocal songbook (Piano/Vocal/Chords. Arrangements ...(+)
Edited by Carol Cuellar. Piano/Vocal songbook (Piano/Vocal/Chords. Arrangements for piano and voice with guitar chords). 404 pages. Published by Alfred Publishing
(1)$24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
|
| The Real Book - Volume 2 C Instruments [Sheet music + Audio access] Hal Leonard
C Edition Book/USB Flash Drive Pack. Composed by Various. Real Book Play- Alon...(+)
C Edition Book/USB Flash
Drive Pack. Composed by
Various. Real Book Play-
Along. Softcover with USB.
440 pages. Published by Hal
Leonard
$85.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
|
| The Real Book - Volume 2: Second Edition C Instruments [Sheet music + Audio access] Hal Leonard
Online Play-Along Tracks. Composed by Various. Real Book Play-Along. Audio Fil...(+)
Online Play-Along Tracks.
Composed by Various. Real
Book Play-Along. Audio File.
4 pages. Published by Hal
Leonard
$45.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
|
| The Real Book - Volume 2 Fake Book [Fake Book] Hal Leonard
Eb Instruments. By Various. Fake Book (Includes melody line and chords). Size 9x...(+)
Eb Instruments. By Various. Fake Book (Includes melody line and chords). Size 9x11 inches. Published by Hal Leonard.
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
|
| The Real Book - Volume 2 (C Instruments)
C Instruments [Fake Book] - Intermediate Hal Leonard
By Various Composers. Fake Book (Includes melody line and chords). Size 8.5x11 i...(+)
By Various Composers. Fake Book (Includes melody line and chords). Size 8.5x11 inches. 416 pages. Published by Hal Leonard.
(5)$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
|
| 101 Hits For Buskers - Book 1 Music Sales | |
|
| Best Movie Soundtrack Songs Ever Piano, Vocal and Guitar Hal Leonard
Composed by Various. Piano/Vocal/Guitar Songbook. Softcover. 320 pages. Pu...(+)
Composed by Various.
Piano/Vocal/Guitar Songbook.
Softcover. 320 pages.
Published by Hal Leonard
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
|
| The Lyric Library - Broadway Volume I Lyrics only Hal Leonard
(Complete Lyrics for 200 Songs) Format: lyric book (contains no music). With lyr...(+)
(Complete Lyrics for 200 Songs) Format: lyric book (contains no music). With lyrics. Broadway. 234 pages. 6x9 inches. Published by Hal Leonard.
$14.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
|
| Summer Choro String Orchestra [Score and Parts] - Easy Highland/Etling
Composed by Renata Bratt. Orchestra. For string. Part(s); Score; String Orchestr...(+)
Composed by Renata Bratt. Orchestra. For string. Part(s); Score; String Orchestra. Highland String Alternatives. Latin; Light Concert; World. Grade 2.5. 124 pages. Published by Highland/Etling
$47.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
|
| 101 Frank Sinatra Hits For Buskers Music Sales | |
|
| Pop Flute ensemble Falls House Press
Composed by Gary Schocker. With Standard notation. Falls House Press #FC-GS16. P...(+)
Composed by Gary Schocker. With Standard notation. Falls House Press #FC-GS16. Published by Falls House Press (PR.FH0266).
$26.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
|
| Bruce Springsteen -- Sheet Music Anthology
Piano, Vocal and Guitar Alfred Publishing
(Piano/Vocal/Guitar). For Guitar; Keyboard; Piano; Voice. This edition: Piano/Vo...(+)
(Piano/Vocal/Guitar). For Guitar; Keyboard; Piano; Voice. This edition: Piano/Vocal/Guitar. Artist/Personality; Book; Personality Book; Piano/Vocal/Chords. Sheet Music Anthology. Rock. 204 pages. Published by Alfred Music Publishing
$27.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
|
| Concerto Piano solo Theodore Presser Co.
Orchestra Piano SKU: PR.11641861SP Composed by William Kraft. Part. 35 pa...(+)
Orchestra Piano SKU: PR.11641861SP Composed by William Kraft. Part. 35 pages. Duration 21 minutes. Theodore Presser Company #116-41861SP. Published by Theodore Presser Company (PR.11641861SP). UPC: 680160685202. What?! - my composer colleagues said - A concerto for the piano? It's a 19th century instrument! Admittedly we are in an age when originally created timbres and/or musico-technological formulations are often the modus operandi of a piece. Actually, this Concerto began about two years ago when, during one of my creative jogs, the sound of the uppermost register of the piano mingled with wind chimes penetrated my inner ear. The challenge and fascination of exploring and developing this idea into an orchestral situation determined that some day soon I would be writing a work for piano and orchestra. So it was a very happy coincidence when Mona Golabek phoned to tell me she would like discuss the Ford Foundation commission. After covering areas of aesthetics and compositional styles, we found that we had a good working rapport, and she asked if I would accept the commission. The answer was obvious. Then began the intensive thought process on the stylistic essence and organization of the work. Along with this went a renewed study of idiomatic writing for the piano, of the kind Stravinsky undertook with the violin when he began his Violin Concerto. By a stroke of great fortune, the day in February 1972 that I received official notice from the Ford Foundation of the commission, I also received a letter from the Guggenheim Foundation informing me I had been awarded my second fellowship. With the good graces of Zubin Mehta and Ernest Fleischmann, masters of my destiny as a member of the Los Angeles Philharmonic, I was relieved of my orchestral duties during the Hollywood Bowl season. Thus I was able to go to Europe to work and to view the latest trends in music concentrating in London (the current musical melting pot and showcase par excellence), Oslo, Norway, for the Festival of Scandinavian Music called Nordic Days, and Warsaw, Poland, for its prestigious Autumn Festival. Over half the Concerto was completed in that summer and most of the rest during the 72-73 season with the final touches put on during a month as Resident Scholar at the Rockefeller Foundation's Villa Serbelloni in Bellagio, Italy. So much for the external and environmental influences, except perhaps to mention the birds of Sussex in the first movement, the bells of Arhus (Denmark) in the second movement and the bells of Bellagio at the end of the Concerto. Primary in the conception was the personality of Miss Golabek: she is a wonderfully vital and dynamic person and a real virtuoso. Therefore, the soloist in the Concerto is truly the protagonist; it is she (for once we can do away with the generic he) who unfolds the character and intent of the piece. The first section is constructed in the manner of a recitative - completely unmeasured - with letters and numbers by which the conductor signals the orchestra for its participation. This allows the soloist the freedom to interpret the patterns and control the flow and development of the music. The Concerto is actually in one continuous movement but with three large divisions of sufficiently contrasting character to be called movements in themselves. The first 'movement' is based on a few timbral elements: 1) a cluster of very low pitches which at the beginning are practically inaudibly depressed, and sustained silently by the sostenuto pedal, which causes sympathetic vibrating pitches to ring when strong notes are struck; 2) a single powerful note indicated by a black note-head with a line through it indicating the strongest possible sforzando; 3) short figures of various colors sometimes ominous, sometimes as splashes of light or as elements of transition; 4) trills and tremolos which are the actual controlling organic thread starting as single axial tremolos and gradually expanding to trills of increasingly larger and more powerful scope. The 'movement' begins in quiescent repose but unceasingly grows in energy and tension as the stretching of a string or rubber band. When it can no longer be restrained, it bursts into the next section. The second 'movement,' propelled by the released tension, is a brilliant virtuosic display, which begins with a long solo of wispy percussion, later joined in duet with the piano. Not to be ignored, the orchestra takes over shooting the material throughout all its sections like a small agile bird deftly maneuvering through nothing but air, while the piano counterposes moments of lyricism. The orchestra reaches a climax, thrusting us into the third 'movement' which begins with a cadenza-like section for the piano. This moves gently into an expressive section (expressive is not a negative term to me) in which duets are formed with various instruments. There are fleeting glimpses of remembrances past, as a fragmented recapitulation. One glimpse is hazily expressed by strings and percussion in a moment of simultaneous contrasting levels of activity, a technique of which I have been fond and have utilized in various fixed-free relationships, particularly in my Percussion Concerto, Contextures and Games: Collage No. 1. The second half of the third 'movement; is a large coda - akin to those in Beethoven - which brings about another display of virtuosity, this time gutsy and driving, raising the Concerto to a final climax, the soloist completing the fragmented recapitulation concept as well as the work with the single-note sforzando and low cluster from the very opening of the first movement. $47.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | |
|
| Essential Songs for Viola Viola [Sheet music] Hal Leonard By Various. Instrumental
Folio. Softcover. 144
pages. Published by Hal
Leonard.
(1)$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
|
| Essential Songs for Trumpet Trumpet [Sheet music] Hal Leonard By Various. Instrumental
Folio. Softcover. 144
pages. Published by Hal
Leonard.
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
|
| Essential Songs for Flute Flute [Sheet music] Hal Leonard By Various. Instrumental
Folio. Softcover. 144
pages. Published by Hal
Leonard.
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
|
| Essential Songs for Violin Violin [Sheet music] Hal Leonard By Various. Instrumental
Folio. Softcover. 144
pages. Published by Hal
Leonard.
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
|
| Essential Songs for Cello Cello [Sheet music] Hal Leonard By Various. Instrumental
Folio. Softcover. 144
pages. Published by Hal
Leonard.
(1)$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
|
| Essential Songs for Alto Sax
Alto Saxophone [Sheet music] Hal Leonard
Essential Songs for Alto Sax by Various. Instrumental Folio. Softcover. 144 page...(+)
Essential Songs for Alto Sax by Various. Instrumental Folio. Softcover. 144 pages. Published by Hal Leonard
(2)$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
|
| Essential Songs for Tenor Sax
Tenor Saxophone [Sheet music] Hal Leonard By Various. Instrumental
Folio. Softcover. 144
pages. Published by Hal
Leonard.
(1)$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
|