SKU: CF.CPS79F
ISBN 9780825867569. UPC: 798408067564. 9 X 12 inches. Key: Bb major.
A fantasy on the folk song Red River Valley, composer Gregory Rudgers's stunning new composition ranges from dramatic to lush and lyrical, accented by occasional, whimsical drifts. He employs all of the forces of the modern concert band to their fullest in this symphonic presentation. Ideal for a contest or festival.
SKU: BT.DHP-1135488-060
9x12 inches. English-German.
In China Fantasy Helmut Quakernack brings together two traditional Chinese folk melodies with their different characters with musical panache. The moving song is about a blind musician and the heartfelt love song come from the other side of the globe, but their melodies and harmonies sometimes sound surprisingly European. In China Fantasy vereinigt Helmut Quakernack, der China mehrmals musikalisch bereist hat, zwei traditionsreiche chinesische Weisen und deren verschiedene Charaktere auf klangvolle Weise. Das bewegende Lied über einen blinden Musiker und das innige Liebeslied stammen von der anderen Seite des Erdballs, ihre Melodien und Harmonien klingen aber zuweilen überraschend europäisch.
SKU: BT.DHP-0870089-030
This piece was commissioned by the Dutch province of Groningen for the celebrations commemorating the liberation festivities in 1987. In the composition, the dream of a world without war is symbolized. It is the first composition in a series in which Jacob de Haan combines concert music with pop music in a style, which reminds one of film music. Later compositions in which he has reaped much success with the same formula in style are Oregon, La Storia and Utopia.Dit werk componeerde Jacob de Haan in 1987 in opdracht van de provincie Groningen. Aanleiding was de Bevrijdingsdag. De muziek symboliseert de droom van een wereld zonder oorlog. Het is het eerste werk uit een reeks waarin Jacob deHaan amusementsmuziek en serieuze muziek vermengd tot een muziekstijl die aan filmmuziek doet denken.Dieses Werk komponierte Jacob de Haan 1987 im Auftrag der niederländischen Provinz Groningen anlässlich des Befreiungstages. Die Musik symbolisiert den Traum von einer Welt ohne Krieg. Es handelt sich um das erste Werk einer Reihe, in welcher Jacob de Haan Unterhaltungsmusik und ernste Musik zu einer Stilart vermischt, die an Filmmusik erinnert. Free World Fantasy (“Fantaisie du monde libreâ€) symbolise le rêve que nous chérissons tous : celui d’un monde sans guerre et sans haine. Dans cette composition, Jacob de Haan combine le style classique une rythmique récurrente issue de la musique pop pour créer un genre proche de la musique de film. Une fresque musicale qui sonne comme un appel la paix. Jacob de Haan compose questo brano nel 1987 su incarico della provincia olandese di Groningen per celebrare il giorno della liberazione. La musica simboleggia il sogno di un mondo senza guerre. Free World Fantasy è il primo brano di una serie firmata da Jacob de Haan, nella quale il compositore olandese mischia sapientemente musica da intrattenimento a musica più seria, in uno stile che ricorda la musica da film.
SKU: IG.PMW121
9 x 12 in inches.
For Piano Solo. By Jianjun He. Synthesizing Western compositional techniques with Chinese musical elements, Fantasy for Piano shows the fusion of different cultures and the diversity of today's music. There are two main melodic ideas: one uses a whole-tone scale, somewhat related to the folk music of Ningxia, my home province in northwest China; the other, with its shifting major and minor thirds, shows a connection toWestern tonal music. The piece is roughly in three-part form: fast-slow-fast. Although the last part is derived from the first, each of the three has its own characteristics, while the entire piece is unified by the two melodic ideas described above. Fantasy for Piano is available on the VMM (Vienna Modern Masters) label recorded by Jeffrey Jacob.
SKU: CY.CC2990
ISBN 9790530058091.
Fantasy and Fugue in D minor BWV 905 is one of Bach's least known works originally written for keyboard. The Fantasy is of moderate tempo and relatively short. The top two lines have many suspensions while the bottom line (optionally performed on Tuba) is scalelike. The Fugue is more lengthy with the top lines trading off short repeated passages while the bass line winds around alternating scales and octave jumps.Mr. Sauer's excellent arrangement is appropriate for advanced performers and is about 6 minutes in length. All parts are in bass clef.
SKU: BT.GOB-000922-030
When I was approached to compose a work for brassband and church organ I already envisioned the concept I would use. It would indeed literally become a work for brassband and organ. Without the traditional solos, the organ would form an addition to the brassband orchestration as would the brassband provide an extra register for the organ. In short a homogeneous entity. The most important reason for doing this is quite simple. Since this work can only be performed in a church and because of the specific acoustics of the church, the brassband would sound in al its tone colour like an organ. By using certain registers of the organ and combining these with the brassband a wonderfulsound palette can be created. The use of complementary or contrasting tone quality is also possible. The primary theme of this composition is based on these three methods of “colouring”. As far as structure is concerned this work consists of two parts. slow fast. It is built on a number of motifs in which some behave like a consecutive canon. In the fast movement the primary motif develops into a fugue-like section. The canon and fugato are techniques frequently used in classical and contemporary organ literature. The liberal use of structure and motif has lead to the title. “Fantasy for Brassband and Organ”. Jan Bosveld zegt:Toen mij gevraagd werd een compositie te maken voor brassband en kerkorgel stond mij direct een duidelijk concept voor ogen. Het zou inderdaad een werk gaan worden voor brassband en orgel in de letterlijke zin vanhet woord. Geen traditioneel solowerk maar het orgel als uitbreiding van de brassbandbezetting en de brassband als een extra register van het orgel. Kortom, een homogeen geheel. De belangrijkste reden hiervoor is simpel. Het werkkan eigenlijk alleen in een kerk worden uitgevoerd en een brassband, in een kerk met zijn specifieke akoestiek, klinkt in al zijn kleurschakeringen als een orgel. Door het orgel in een bepaalde registratie te laten klinken kan,in combinatie met de brassband, een prachtige mengklank tot stand worden gebracht. Ook kan worden gekozen voor een klank die aanvullend is of contrasterend. Deze drie manieren van “kleuren” is het belangrijkste thema van de compositie.Wat vorm betreft bestaat het werk uit twee delen. langzaam snel. Het is opgebouwd uit een aantal motieven waarvan sommige zich gedragen als een snel opvolgende canon. In het snelle deel wordt het belangrijkste motief uitgebreidtot een fugato-achtig gedeelte. De canon en het fugato zijn technieken die zowel in de klassieke, als de hedendaagse orgelliteratuur veel worden gebruikt. Het vrij omgaan met de vorm en de motieven heeft geleid tot de titel.Fantasy for Brassband and Organ”.
SKU: HL.48181173
UPC: 888680861698. 9.0x12.0x0.058 inches.
To this day, Eugene Bozza (1905-1991) remains one of the most prolific composers for wind instruments, despite being a violinist himself. His Fantasy for bassoon and piano is no exception to the composer's success. During his studies at the Paris Conservatoire, Bozza won prizes for violin, conducting and composition, as well as the Grand Prix de Rome. He then conducted the orchestra of the Opera-Comique and became Head of the Conservatoire in Valenciennes, whilst remaining a prominent composer. Composed in 1945, Bozza's Fantasy for bassoon and piano is a virtuosic work, addressing advanced features including complex rhythms, chromaticism, a wide range and articulation. As music educationalist, Paul Griffiths has written of Bozza's compositions, his works reveal melodic fluency, elegance of structure and a consistently sensitive concern of instrumental capabilities..
SKU: YM.GTP01101956
ISBN 9784636116106. 12 x 9 inches.
The matching official piano score of CD PIANO OPERA FINAL FANTASY VII/VIII/IX, released on April 23, 2014. Yoko Shimomura, who was in charge of music for FFXV, selected 10 pieces for Piano Collections, transforming the original orchestral compositions into stunning solo piano pieces. The book is fully supervised by two arrangers: Natsumi Kameoka and Sachiko Miyano. Please fully enjoy the world of FFXV! Number of Songs:10.
SKU: CF.FPS112
ISBN 9780825895562. UPC: 798408095567. 9 x 12 inches.
New to Carl Fischer Music, composer Richard Summers gives us a stunning concert overture based on Renaissance and early music styles. Students will find that Epoch Fantasy is pleasantly reminiscent of music from current video games. The modal first theme is contrasted nicely with a sweet lyrical middle section that will highlight the budding musicianship of your developing band.
SKU: TM.08764SET
Ocean Fantasy.
SKU: HP.9005
UPC: 763628190057.
Dynamic setting on Psalm 23 This dynamic organ setting is useful for worship or concert performance. The words of Psalm 23 are effectively reflected in a wealth of emotion in this fantasy and fugue, as it builds from the softest stops to full organ.
SKU: AP.BD9575C
UPC: 029156165852. English.
With stirring patriotic fervor, Mike Story has crafted a fantasy based on America and America the Beautiful. This is a quick rehearsing and technically non-challenging arrangement that will find multiple uses throughout any band's school year. A tribute to the 'Greatest Nation on Earth!' (1:59).
SKU: TM.04928SET
Fantasy Journey to Faroe Islands.
SKU: PR.114415830
ISBN 9781491101353. UPC: 680160612734. 8.5 x 11 inches.
Equally demanding of both performers, the Fantasy Piece is an enigmatic wonder, which highlights both instruments. This is a powerful work for a tightly-knit duo, presenting varying moods along the way. For advanced performers. Duration: 11'.
SKU: CL.011-4442-01
Based upon What Child Is This? and O Come, O Come Emmanuel, this creative and unique arrangement will be a great addition to your holiday concerts. Lyrical woodwind passages contrasting with sections of powerful brass supported by triplet rhythms in the percussion create a steamroller effect that your audiences and band will relate to and really enjoy. Christmas Fantasy is fantastic!
About C.L. Barnhouse Command Series
The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.
SKU: FG.55009-825-1
ISBN 979-0-55009-825-1.
Fantasy on two chorales in the 1701 Hymnal.
SKU: KN.17236
UPC: 822795172362.
Finally, a grade 3-4 trumpet quartet collection that has interesting and fun parts for all players! All works are suitable for recitals, concerts, and contest. Ten works spanning the Renaissance through ragtime are included.Contents:March Pontificale (Gounod); Sing We And Chant It (Morley); The Fiddler (Brahms); Fantasy On Scarborough Fair (traditional); Spinning Song (Ellmenreich); Now Is The Month Of Maying (Morley); Sonatina (Clementi); Te Deum (Charpentier); Can Can (Offenbach); Rag (Jarvis).
SKU: HL.49045822
ISBN 9781540024749. UPC: 888680737764. 9.25x12.0x0.29 inches.
The Kreutzer Sonata was originally dedicated not to Rudolphe Kreutzer (who never performed it) but to George Bridgetower, a famed 18th-century Afro-European concert violinist. In an early draft, Beethoven jokingly labeled the piece in starkly racialized terms: Sonata Mulattica composed for the mulatto Brischdauer, big wild mulatto composer.Beethoven and Bridgetower performed the premiere, which was by all accounts a success, and even featuring some improvised embellishment by the violinist. While celebrating afterwards, the two quarreled about what Beethoven construed as Bridgetower's insult of a female acquaintance; the composer then revoked the original dedication, adding Kreutzer's name instead. The work gained acclaim, while Bridgetower's career languished; he eventually died in poverty.Bridgetower has been the subject of considerable research and speculation, most notably in poet Rita Dove's book, Sonata Mulattica. From our 21st-century vantage, considering Bridgetower's unique circumstance, we can only see him as an ambiguous figure who, in embodying difference, provoked inspiration, fantasy, desire, anger and, finally, erasure.My piece is a collection of imaginings about George Bridgetower. It is not programmatic, but it takes on an episodic character, assembled from contrasting fragments. The dance rhythms, recurring figures and gestural contours are intended to feature the embodied expertise and expressivity of the performers, who at times must access liminal sounds and execute complex synchronies. I am grateful to Jenny Koh and Shai Wosner for involving me in their beautiful, virtuosic music-making.
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